Showing posts sorted by relevance for query more korean name. Sort by date Show all posts
Showing posts sorted by relevance for query more korean name. Sort by date Show all posts

Monday, March 22, 2010

AAK! Music: Rainy Apgujeong by Brown Eyes (2002)

It's raining in New York. Here is a song for the rain, for the Korean's hometown. Today's selection is Rainy Apgujeong (비오는 압구정) by Brown Eyes.


비오는 압구정
Rainy Apgujeong

비오는 압구정 골목길에서 그댈 기다리다가 나 혼자 술에 취한 밤
Rainy Apgujeong night when, while waiting for you in the alley, I got drunk by myself
혹시나 그댈 마주칠까봐 두시간 지나도록 마냥 기다리네
 Just in case I run into you, for over two hours, I just keep waiting
Oh rainy day 어쩌면 이젠 못볼지도 몰라
Oh rainy day. We may never see each other now
일부러 니가 다시 날 찾기전엔
Unless you purposefully look for me again
Oh rainy day tonight
Oh rainy day tonight
너와 나의 인연이 여기까지일까
Is this it for the tie between you and I
며칠전까진 여기서 널 보곤 했는데
 Just a few days ago I used to meet you here
오늘은 전화도 꺼놨나봐
Today, looks like you turned off your phone too
그대 목소릴 닮은 서운한 비만 오네
Only the rain, apathetic like your voice

Oh rainy day tonight
Oh rainy day tonight
너와 나의 인연이 여기까지일까
Is this it for the tie between you and I
며칠전까진 여기서 널 보곤 했는데
 Just a few days ago I used to meet you here
오늘은 전화도 꺼놨나봐
Today, looks like you turned off your phone too
그댈 기다리다가 나혼자 술에 취한 밤
The night when, while waiting for you, I got drunk by myself
혹시나 그댈 마주칠까봐 두시간 지나도록 마냥 기다리네
 Just in case I run into you, for over two hours, I just keep waiting
Oh rainy day
Oh rainy day
어쩌면 이젠 못볼지도 몰라
We may never see each other now 
일부러 니가 다시 날 찾기까전엔
Unless you purposefully look for me again 
Oh rainy day tonight
Oh rainy day tonight
너와 나의 인연이 여기까지일까
Is this it for the tie between you and I 
그대 목소릴 닮은 비만 오네
Only the rain, like your voice


Briefly about Brown Eyes:  Brown Eyes is an R&B band made up of Yoon Geon (real name: Yang Chang-Ik) and Na-Eol (real name: Yoo Na-Eol). The band released its first album in 2001, and has released three albums so far. Their eponymous first album sold 700,000 albums without the band holding a single concert, which has to be a record of some sort. The band had a long hiatus in 2002 after the second album's release, during which Na-Eol performed as a part of a different band called Brown Eyed Soul while Yoon Geon went solo. The two released the third album under the Brown Eyes name in 2009; Yoon Geon said that both Na-Eol and Yoon Geon will by and large pursue solo careers, but will release music under Brown Eyes name from time to time, pending Na-Eol's completion of his military duties. The entire proceeds from the third album was donated to World Vision, a Christian charity.

About this song:  Rainy Apgujeong was listed on Brown Eyes' second album, titled "Reason 4 Breathing?"

Translation notes:  The lyrics that were originally in English are highlighted in blue.

- Apgujeong is a nouveau riche district in Seoul that is known for chic fashion boutiques as well as upscale shopping, restaurants and bars.

- 인연 and 서운한 were very difficult to translate. They turned out very inelegant. The Korean hates these moments.

- The first line of the song was also very inelegant -- even more so because the underlying message of what it means to be hanging out at Apgujeong is entirely lost.

The Korean on Brown Eyes:  Although sometimes slips into the banal Korea-friendly soft rock, overall very good R&B, and very good voice. Considering the two's success with their later efforts, had a potential to dominate the K-pop scene for a long time if they stayed together.

Significance in K-Pop History:  (1 = instantly forgettable; 5 = popular at the time, ultimately forgettable; 10 = transcendental history-maker)  5.5 out of 10.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Wednesday, January 26, 2011

Ask a Korean! News: North Korean Riot in 1998

It has been a while since the Korean translated from Nambuk Story, a North Korean blog run by Mr. Joo Seong-Ha, a Kim Il-Sung University graduate who defected from North Korea. The Korean has been translating his incredible stories and invaluable insight partly because they are informative, and partly because of a sense of duty that the world needs to know what has happened in Korea, and what is happening now. This story  is long, but the world must know. Incredibly, although this happened more than 10 years ago, the story is only getting told now from a defector through Mr. Joo. Below is the translation.

*            *           *

My name is Lee Choon-Gu, 35 years old. I escaped from North Korea and defected into Republic of Korea, my dream world. I am from Hwanghaebuk-do Hwangju-gun.

At this point, I have largely forgotten the hunger and struggle I experienced in North Korea before I defected. But I can never forget the laborer's riot at Hwanghae Steel Refinery at August 1998, in Hwanghaebuk-do Songrim-si. North Korean regime's inhuman barbarism that quelled this riot will forever stain the pages of history.

In early August of 1998, I came to stay with my aunt at Songrim-si to get through the dire food shortage. Songrim-si is known for having one of the largest steel refineries in North Korea. My family came to rely on my aunt's because her little business of carrying around and selling things was doing ok at a place with a high density of laborers, nearly 100,000 employees of the steel mill. The three of us -- myself, wife and child -- abandoned the house at Hwangju-gun, got to help my aunt selling fish and eat what little food available. I was so thankful for my aunt and uncle then. My uncle was working at the automated line within the Hwanghae Steel Refinery.

At this time, the situation was the same everywhere in North Korea. Even in Songrim-si filled with laborers, the monthly food ration amounted to corn power worth a day or two. The laborers did not show up to work, severely dropping the factory's productivity. The factory officials visited my aunt's house several times to persuade my uncle, who could not report to work. The officers said a few words like "Let's try to overcome this difficulty and be loyal to the Dear Leader," but my uncle hardly cared.

I think it was around August 10, 1998. There were rumors all over Songrim-si that there is a public execution by a firing squad, executing eight Hwanghae Steel Refinery officers at the public stadium. Apparently the manager and the secretary of the steel mill began discussing how to feed the laborers, and the assistant managers participated. The conclusion was to sell pressed steel plates to China in exchange for corn.

The manager and the secretary of a steel mill are candidates for Labor Party Central Committee and members of the elite power structure. They were supposed to report something like this to the Central Party, but decided to handle within the steel mill. They knew that the higher-ups would not approve because the steel plates were for the military, etc. At the meeting, the secretary and the manager explained, "We are not being reactionaries; we are trying to produce steel by feeding the laborers and have them participate in production." At the same time, they pleaded the officers to keep it secret.

The steel mill's boat at Nampo seaport took the steel plates to China to be exchanged for corn. The steel mill's assistant manager and other officers were on the boat to negotiate with the Chinese. Of course, the laborers on the boat would not know the specifics of this transaction. They returned with a boat full of corn exchanged with the steel plates, and were about to moor the boat at Nampo.

Suddenly, young men in plainclothes jumped on the boat brandishing handguns, and showed their identification. The ID said Pyongyang Chief Security Bureau Inspection Division, the embedded enforcers who are known to operate through direct orders from the North Korean regime. They arrested everyone on the boat, tied them up and took them away somewhere in a car -- a rare thing to see in North Korea. Apparently, the arrest happened because someone snitched. All this I heard from the laborers from the boat, who were let go because they did not know anything. The streets were filled with indignant murmurs wondering who snitched. The murmurs also voiced the people's praise for the officers' brave decision for the laborers.

Next day at 9 a.m., the city public stadium was filled with laborers and residents with heavy hearts. With my uncle, I saw the eight people to be executed getting dragged out from a truck. Probably because of torture, they could not walk; the plainclothed young men of Pyongyang Chief Security Bureau Inspection Division dragged them to the stakes. Even as they were being tied to the stakes, my uncle who worked at the steel mill could not tell who was who. Although it was summer, everyone was wrapped in thick cotton winter clothes with their eyes covered.

Then the people from some kind of central tribunal read the sentencing statement for death penalty. It said for the treason that violated the Party's sovereign leadership and sold the republic's supplies to a foreign country, the assistant manager and head of sales who were arrested on the boat, and other related assistant managers and head of production -- eight officers -- are to be executed immediately. Suddenly the murmurs grew, expressing a sense of injustice. "Execution is too much; it's not like they were trying to feed themselves."

But some dozen shooters lined up in front of the prisoners with automatic rifles, and sprayed bullets on command. The shrieking sound of bullets lifted up and put down the small stadium, and the shot prisoners all squirted blood, slumping forward. Facing this enormous scene of murder, the people fell quiet. But after the storm passed, the outraged yell of the people began to burst out here and there, swaying the stadium. My uncle and I were also agitated, and joined voices to hurl curses of whose meaning we did not even know.

As if to represent them, a middle-aged woman jumped in front of the microphone that was used to read the sentencing statement. The people around me all pointed to her and said she used to be a nurse for the Great Leader (Kim Il-Sung). My uncle said the woman was a designated nurse for Kim Il-Sung at Bonghwa hospital at Pyongyang, who came back to her hometown Songrim-si to live a high life while earning the trust of the central party. I could feel my gaze sharpening as I heard my uncle, thinking that woman would spout some garbage to justify the execution. I could feel the other people also sending her a hateful glare. But the woman's voice reverberating from the mic was completely unexpected:

"How dare you execute in this barbaric manner? The steel mill officers tried to get the corn only to produce and please the Dear Leader. They should be punished if their method was wrong, but they did not deserve execution. The executed officers tried to feed the laborers to get them to work. They weren't trying to feed themselves. Killing them like this was barbaric ..."

Before she could finish, the plainclothed young men rushed in, dragged the woman away from the microphone. They kicked her with their boots, and put a gag in her mouth. Then they tied her up, dragged her to the stake where one of the prisoner just died. They kicked away the slumped body of the executed prisoner, and tied the woman on the stake. Then a middle-aged, plainclothed man -- not the judge who read the statement -- stepped up. He was directing the men from the Inspection Division. He said icily, "Anyone who disobeys our socialist sovereign system is executed immediately. Everyone behave accordingly." Before he even finished, three shooters fired nine shots at the woman.

As the woman, who was alive just earlier, fell into a pool of blood, the people were petrified as if their mouthes froze over. Shivering with terror, they could not even breathe loudly; not even a rustle could be heard in the stadium full of people. My uncle and I, shocked with fear, left the stadium and came home. Even at home, no one -- including my aunt and my wife, who were there also -- tried to say anything. It felt as if the moment we say anything, someone will rush in and bury bullets in us again.

The next day afternoon, the rumor began to spread in Songrim-si that the outraged steel mill laborers risked death, rushed the factory and began protesting. Several thousand laborers gathered to conduct a sitting protest at a road within the factory, chanting, "No more purges of officers" and "Officers who tried to feed us for the mill did nothing wrong." The Songrim-si people did not spare the words of encouragement: "The laborer class is truly a class of their own," "Laborers are fearless." A protest like this in North Korea could not even be dreamed of.

The protesters decided to occupy the factory sitting down, until a representative from the regime heard their demands. As they heard no word until dark, they continued to protest over the night. We fell asleep as we heard news about their protest.

I woke up as my wife was shaking me. As I was opening my eyes, I was startled by the eardrum-piercing noise. The dull roar of caterpillar rang the windows and shook the floor -- it had to be tanks. They must have been moving so closely together that I could not tell how many there were. I looked at the clock; it was nearly 4 a.m. My aunt and uncle, both awake, stared at the outside noise with bewilderment.

"Is there a war?" "I think so." My aunt and uncle spoke to each other. My wife and I looked at each other, widening our eyes with agreement. Korean War started in early morning also; the dark blue daybreak with the sounds of tank seemed like war.

"What do we do? Go find out what happened. We might have to make a run." My uncle and I hurriedly put on our pants as my aunt nagged. Once outside, we began running after the tanks that already passed by. Other people were running in front of and behind us. They were running toward the mill. The steel mill was about a mile and half from our house. We kept hearing the tanks in the mill's direction. The streets were filled with people running toward the mill. As we were running, I asked my uncle -- aren't the tanks going to the protesters? My uncle glanced at me and dismissed the notion right away, saying "What would tanks do there?"

Suddenly, the people stopped running, frozen where they were standing to hear the blasting guns. Hundreds of blasts were mixed with shrieking screams. It was like a dream, as if those screams were piercing my heart. After about ten minutes, the sound of guns and the laboring sound of the tanks stopped, only the sound as if the stationary tanks were starting up again. Then the chaotic sound of crying, inside the mill. The people rushed into the mill, and then stopped, shocked at the scene before them.

The asphalt-paved road inside the steel mill had a river of viscous, dark dead blood. In the middle of every person who cried together, dozens of horrendously squashed dead bodies were strewn about, next to messy piles of severed arms and legs. The rising stink of blood was retching. Hundreds of soldiers were haughtily aiming their guns at a group of men, who appeared to be the protesters. All the bodies looked like they were run over by the tanks or shot.

Soon, the people surrounded the bodies of their family and began wailing. As if there was no protest to begin with, there was only a sea of tears. The people could hear from what the protesters said: a dozen tanks and hundreds of soldiers on trucks came before the sitting protesters. The laborers were ordered to scatter, but they did not budge. Then, following a signal, the protesters fell with the loud sounds of gunfire, and the tanks rolled into the protesting ranks. Dozens of sitting laborers in the front were suddenly swallowed up into the tank's tracks. The frightened protesters screamed and scattered.

The next day, bulletins from Social Security Bureau (currently People's Security Bureau) appeared on the streets. They said the leaders of the protest who threatened the socialist system and caused a disloyal incitement would be judged in the name of the people. It was like a state of martial law, as the young soldiers with guns prowled the alleyways.

Two days later, there was another public execution of three laborers, who were supposedly the leaders of the riot, with a middle school teacher and a young woman. The crime of the middle school teacher and the young woman was to steal a radio from a Korean-Japanese who returned to North Korea from Japan. They were unlucky -- during the state of martial law, they were caught by the security bureau agents who were looking for any excuse to execute someone.

My wife was sitting in the front of the public execution, and she said among the prisoners, her eyes were drawn to the frail-looking young woman. After their crimes and the judgment of execution by firing squad were read, the two plainclothes from the Chief Security Bureau approached the woman. They struck her jaw to dislocate it, and put in her mouth a small spring held in their hand. The small, round spring stretched up, pushing out her mouth. She writhed in pain. Then she was shot several times, dying at the stake. My wife was in shock. Trembling, she could not sleep for several days.

No one in Songrim-si dared to even breathe loudly for the entire August. This is the event that is known to have been suppressed by Pyongyang's Chief Security Bureau.

직접 목격한 북한 노동자 폭동, 탱크로 밀어버린 현장은 [Nambuk Story]

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Saturday, March 22, 2014

SXSW Day 6 Notes: Day Trip to San Antonio

SXSW was drawing to a close on Sunday. Rather than seeing the last few showcases, I decide to follow the five Korean bands' show at San Antonio, a 1.5-hour drive from Austin.

After picking up my travel mates, we first head over to Salt Lick barbecue, considered one of the best barbecues in Texas. Salt Lick was located about an hour away from Austin, at a town called Driftwood, Texas. I could hardly think of a more appropriate name for a Texas town with fine barbecue. We get there just in time to beat the massive lunch crowd.


The verdict? It was a phenomenal barbecue, but Franklin barbecue was a little bit better. Salt Lick's side dishes were better than Franklin's, but really, do you go to a barbecue place to eat side dishes?

(More after the jump)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Sunday, June 22, 2014

Korea was never a Part of China

Dear Korean,

I’m from Singapore and visited Korea for the first time last week. I went to the National and National Folk Museums in Seoul, and noticed that the Koreans talked mostly of their early relations with China as one of “international exchange” or “cultural exchange”, seemingly having forgotten that Korea was a vassal state of the Chinese empire and paid tribute to it in order to maintain autonomy. Will the Koreans never admit to having been part of China? 

Keith


Short answer: Koreans will never admit such a thing, because Korea has never been a part of China.

The confusion most comes from misunderstanding the term "vassal state." The concept of "vassal state" (alternately known as a "tributary state") does not really exist any more, nor has it truly existed in the history of the Western civilization. But it does vaguely sound like "colony" of the early 20th century vintage, which leads to the confusion that Korea was a part of China. That is simply not the case. "Vassal state" is a diplomatic concept that was unique to pre-modern Northeast Asia. The concept must be understood within that context, because it makes no sense outside of it.

(It must be noted that nationalistic Chinese and Japanese deliberately sow this confusion. By doing so, nationalistic Chinese exaggerate the reach of the Chinese Empire; nationalistic Japanese justifies Imperial Japan's invasion of Korea, by claiming that Korea was simply going from one colonial master to another.)

Depiction of Korean tributary envoys to China, by Kim Hong-do, circa late 18th century
(source)

Put yourself in pre-modern Northeast Asia for a moment. There is one nation in the center--China, or 中國 (literally, the "center country")--that has been clearly superior to all nations surrounding it in every aspect of civilization, including military, trade, arts, philosophy and science, for two thousand years

Stop there, and let two thousand years sink into your brain. Think hard about how long that time is. Think about how old your grandparents are, and think about how many more generations you have to travel upward to hit two thousand years. Think about how much of our current tradition we take for granted, and how old those traditions are. Americans love to talk about their democratic tradition, but the age of that tradition is barely more than ten percent of the Chinese empire's history. Americans look to Europe for a deeper tradition, but European tradition prior to the Renaissance--which began in the 14th century--was nothing to write home about. 

This exercise is necessary because we the modern people often get myopic, and think that beliefs of the past are dumb or absurd. Not so: if Chinese hegemony has been true for two thousand years, it is simply true to anyone living within those two thousand years in China or near China. It is like living next to the Roman Empire that never went away until the 20th century. In such a situation, it would actually be irrational to think anything other than that the world revolves around China.

In those two thousand years, Northeast Asia was a "sinosphere"--a vast region in which China acted as a center of gravity of every aspect of human civilization. Of course, other nations in the region, including Japan, Vietnam and Korea, developed their own civilization which was quite glorious in its own right. But every nation in the sinosphere shared roughly the same governing philosophy, religion, social structure and writing system, all of which ultimately originated from China.

In this sinosphere, the emperor of China naturally considered himself to be the ruler of the entire civilized world. To the Chinese empire, the entire world consisted of: (1) China, (2) civilized nations that are vassal states to China (i.e. having a diplomatic relation with China,) (3) civilized nations that are not yet vassal states to China ( i.e. having no diplomatic relation with China,) and (4) uncivilized barbarians. During the Qing Dynasty in the early 19th century, China even considered the Netherlands, Portugal, Italy and England to be China's vassal states.

Informed by Confucianism (the shared ideology in sinosphere,) there was a mutual obligation between China and its vassal states. China provided vassal states with governing legitimacy, military security and (relatively) free trade. Vassal states, in return, provided a pledge of loyalty, acceptance of the Chinese emperor as the ultimate governing authority and regular tributes.

(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Sunday, August 08, 2010

50 Most Influential K-Pop Artists: 50. Pipi Band/Pipi Longstocking

[Series Index]

Finally, the 50 Most Influential K-Pop Artists series kicks off in earnest. The series will progress by providing a fairly detailed look at each artist's music career, such that by the time this series is over the reader can have a workable knowledge of K-pop history and its major players. If you have have not already, the Korean high recommends reading the earlier parts of this series to place the ranked artists in proper context.

Just to remind everyone, this list is arbitrary and capricious to the Korean's whim, and reflects the Korean's many biases. But that does not mean it is completely off the reservation -- much thought went into trying to make this list as objective as possible. To help organize the ranking, the Korean divided the 50 artists into four tiers: Legends, Best of an Era, Strong Impact and Notables. As we start from the bottom, here is the first of the notable K-pop artists.

50. Pipi Band [삐삐밴드]/Pipi Longstocking [삐삐롱스타킹]

Years of Activity: 1995-1997

Members:
Lee Yoon-Jeong [이윤정] (Vocal - in Pipi Band)
Kwon Byeong-Joon/Goguma [권병준/고구마] (Vocal - in PiPi Longstocking)
Kang Gi-Yeong [강기영] (Bass)
Park Hyeon-Joon [박현준] (Guitar)

Discography:
Cultural Revolution [문화혁명] (1995)
Impossible Mission [불가능한 작전] (1996)
Red Bean Fish Buns [붕어빵] (1996)
One Way Ticket [원웨이 티켓] (1997)
Pipi Band Pipi Longstocking: The Complete Best [삐삐밴드 삐삐롱스타킹 The Complete Best] (2004)

In 15 Words or Less:  La Resistance of the Weird.

Representative Song:  Strawberry [딸기], from Cultural Revolution



딸기
Strawberry

설탕에 찍어 딸기를 먹었어
Had a strawberry dipped in sugar
딸기밭에서 하루종일 놀았어
Played all day at the strawberry field
한참을 놀다보니 하루가 다갔어
Played for a while and the whole day passed
하루는 왜 스물네 시간일까
Why is a day 24 hours

수박 아줌마는 얼룩무늬 치마
Lady watermelon wears a striped skirt
참외 할머니는 귀머거리 할머니
Grandma melon is a deaf grandma
사과 외숙모는 친절한가봐
Auntie apple seems nice
딸기 내 친구는 사랑스러워
Strawberry my friend is lovely

좋아 좋아 좋아 좋아
Like like like like
좋아 좋아 좋아 좋아
Like like like like
좋아 좋아 좋아 좋아
Like like like like
좋아 좋아 좋아 좋아
Like like like like
딸기가 좋아
I like strawberry
딸기를 사달라고 졸랐어
I asked someone to buy me strawberry
딸기를 먹지 않고 웃기만 했어
I didn't eat strawberry, just smiled
나는 왜 이렇게 너를 좋아하는걸까
Why do I like you so much so
나는 왜 니가 좋은지 몰라
I don't know why I like you
그건 정말 몰라 (예) 나도 몰라
I really don't know (yeah) I don't know either

새빨간 딸기는 너무 아름다워
Bright red strawberry is so beautiful
포도 아저씨는 꿈꾸는 사람
Uncle grape is a dreamer
설탕에 찍어 딸기를 먹었어
Had a strawberry dipped in sugar

좋아 좋아 좋아 딸기가 좋아
Like like like I like strawberry
좋아 좋아 좋아 딸기가 좋아
Like like like I like strawberry
딸기가 제일 좋아 
I like strawberry the best
맛있어 
It's good.

Maybe they should have been ranked higher because...  Arguably, they kicked off the indie scene in Korea.

Maybe they should have been ranked lower because... While their indirect influence lived on, their direct influence was for the most part limited to just one album. Does this make them more influential than, say, Jang Yoon-Jeong [장윤정]?

Why is this band important?
The year is 1995, when K-pop was nearing its decisive turning point in 1996/1997. The pop culture scene just exited the oppressive mood of the military dictatorship that lasted until 1993, and was on its way to the heavily commercialized form of today. The mainstream artists were mostly dance "musicians" who peddled soulless music accompanied with catchy tunes, plagiarism and plenty of lip synch, or talented singers selling out their abilities to saccharine "ballad" songs. The underground music scene, whose resistance to the contemporary politics fueled much of its creativity, was fading along with its nemesis. The famous indie music scene in front of Hong-Ik University was not yet to be.

Enter Pipi Band, who bucked the trend in every way. The band involved no dancing. The tunes were scratchy and strange. The lead (female!) singer was not terribly pretty, and could not sing. (There are unconfirmed rumors that she was brought into the band specifically because she was so bad at singing.) Their lyrics were at best nonsensical, at worst insane. They rarely appeared on TV. But they kicked and barged their way into public consciousness by the sheer force of their weirdness. Just one listen was all you needed to furrow your brow in confusion, and turn to your friend and ask, "Have you heard this song?"

This weird band became more famous. But the raised profile only appeared to goad the band into becoming even weirder and more resistant to the prevailing trend. On television, they would sing with a bullhorn instead of a microphone to mock other "singers" who resorted to lip synching. If a TV show compelled them to play canned music, they simply stood around and refused to play the instruments. Everything finally came to a head when Pipi Longstocking -- the changed name of the band after they replaced the vocal -- spat at the camera and raised their middle finger during a live telecast of a popular music program. Ban from television followed, and the members split up to go their own way.

Pipi Band is important because they kicked off two very significant trends in K-pop that live on today -- resistance to the new mainstream, and being weird. Although the corporatized, pre-packaged "bands" are currently the mainstream in K-pop, Korea still has a robust counterculture that involves true singer-song writers and artists who are willing to push the boundaries of normal. Although the band's direct influence was not much more than a flash, it did what every pioneer did -- pointing to the road less taken, although they themselves may have only taken a few steps toward it.

Interesting Trivia:
- Vocal Lee Yoon-Jeong is a daughter of Lee Gyeong-Jae, a prominent politician. She was a ballerina by training. Currently, she is a stylist for the recent crop of celebrities.
- The bassist Kang Gi-Yeong used to belong to Sinawi [시나위], probably the greatest heavy metal band in K-pop history. He has now taken the stage name of Dalparan ("Moon Blue") [달파란], and remains influential in Korea's indie music scene.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Thursday, February 10, 2011

50 Most Influential K-Pop Artists: 35. Song Dae-Gwan/Tae Jin-Ah

With these two towers of trot, we conclude the "Tier 4 - Notable" section in the top 50 ranking.

[Read more reviews from the Korean from the Library Mixer. To join, click here.]

[Series Index]

35.  Song Dae-Gwan [송대관]

Years of Activity: 1975-present

Discography:
(Regular albums only; "special" or "best" albums are too numerous and disorganized to trace.)

Sunrising Day [해뜰날] (1975)
The Looks [모습이] (1976)
20 Songs from Song Dae-Gwan [송대관 20곡집] (1976)
Song Dae-Gwan Solo [송대관 독집] (1977)
Me [나] (1977)
Myeongdong Vagabond [명동 나그네] (1978)
If You Go [당신이 가신다면] (1978)
Mi, Where are You [미야 너는 어디에] (1979)
With the Wife [아내와 같이] (1979)
Because of Jeong [정 때문에] (1989)
Who Are You To [네가 뭔데] (1991)
92 Song Dae-Gwan [92 송대관] (1992)
93 Song Dae-Gwan [93 송대관] (1993)
The Wife's Birthday [아내의 생일] (1994)
Song and Life [노래와 인생] (1998)
Memorial Album for Best Artist Award [최고 가수상 수상 기념] (2000)
Collection of Jo Dong-San [조동산 작품집] (2001)
Sorry I Loved You [사랑해서 미안해] (2005)
New Beginning [새출발] (2006)
For a Long, Long Time [오래오래] (2008)
Good Vibe [분위기 좋고] (2009)

Representative Song:  Four Beats [네박자] from Song and Life


네박자
Four Beats

니가 기쁠때 내가 슬플때 누구나 부르는 노래
When you are happy, when I am sad, the song that everyone sings
내려보는 사람도 뒤를 보는 사람도 어차피 쿵짝이라네
A person looking down, a person looking back, after all they are all koong-jjak

쿵짝 쿵짝 쿵짜자 쿵짝 네박자 속에
Koong-jjak, koong-jjak, koong-jja-ja koong-jjak, in the four beats
사랑도 있고 이별도 있고 눈물도 있네
There is love, there are partings and there are also tears
한구절 한고비 꺾고 넘을때
Each refrain, each peak, as it is repeated and climbed over
우리네 사연을 담는
Carrying the stories of us
울고 웃는 인생사 연극같은 세상사
The crying and laughing matters of our lives, the matters of the world like a play
세상사 모두가 네박자 쿵짝
All the matters of the world, just four beats koong-jjak.
쿵짝 쿵짝 쿵짜자 쿵짝 네박자 속에
Koong-jjak, koong-jjak, koong-jja-ja koong-jjak, in the four beats
사랑도 있고 이별도 있고 눈물도 있네
There is love, there are partings and there are also tears
짠짠 짜라라라 짠짠짠 짜리 짜리라라 짜라짠
Jjanjjan Jjararara Jjanjjanjjan Jjari Jjarirara Jjarajjan

나 그릴울때 너 외로울때 혼자서 부르는 노래
When I am longing, when you are lonely, this song that we sing alone
내가 잘난 사람도 지가 못난 사람도 어차피 쿵짝이라네
A person who's so great, a person who is not so, after all they are all koong-jjak

쿵짝 쿵짝 쿵짜자 쿵짝 네박자 속에
Koong-jjak, koong-jjak, koong-jja-ja koong-jjak, in the four beats
사랑도 있고 이별도 있고 눈물도 있네
There is love, there are partings and there are also tears
한구절 한고비 꺾고 넘을때
Each refrain, each peak, as it is repeated and climbed over
우리네 사연을 담는
Carrying the stories of us
울고 웃는 인생사 연극같은 세상사
The crying and laughing matters of our lives, the matters of the world like a play
세상사 모두가 네박자 쿵짝
All the matters of the world, just four beats koong-jjak.
쿵짝 쿵짝 쿵짜자 쿵짝 네박자 속에
Koong-jjak, koong-jjak, koong-jja-ja koong-jjak, in the four beats
사랑도 있고 이별도 있고 눈물도 있네
There is love, there are partings and there are also tears
짠짠 짜라라라 짠짠짠 짜리 짜리라라 짜라짠
Jjanjjan Jjararara Jjanjjanjjan Jjari Jjarirara Jjarajjan

Translation Note: Koong-jjak is an onomatopoeia for the sounds of a drumbeat. It has no meaning otherwise.

Interesting Trivia:  Song Dae-Gwan's grandfather was Song Yeong-Geun, a registered Independence Movement Patriot recognized for serving as a regional leader in the March 1 Movement in 1919. He was imprisoned and tortured by Imperial Japanese authorities, and died a few months after he was released from prison.




35.  Tae Jin-Ah [태진아]

Years of Activity: 1982-present

Discography:
(Regular albums only; "special" or "best" albums are too numerous and disorganized to trace.)

Gyeong-Ah's Love [경아의 사랑] (1982)
Tae Jin-Ah 2 [태진아 2] (1989)
Tae Jin-Ah 3 [태진아 3] (1990)
Tae Jin Ah Vol. 4 (1991)
Tae Jin-Ah Vol. 5 [태진아 Vol. 5] (1992)
93 Tae Jin-Ah [93 태진아] (1993)
95 Tae Jin-Ah [95 태진아] (1995)
97 Tae Jin-Ah [97 태진아] (1996)
98 Tae Jin-Ah [98 태진아] (1998)
2000 Tae Jina (2000)
2002 Tae Jin-Ah [2002 태진아] (2002)
Fool [바보] (2003)
2004 Tae Jin-Ah [2004 태진아] (2004)
2005 Tae Jin Ah [2005 태진아] (2005)
Good Woman [착한 여자] (2005)
Ajumma [아줌마] (2006)
2007 Tae Jin-Ah [2007 태진아] (2007)
2008 Tae Jin Ah (2008)
Love is Better than Money [사랑은 돈보다 좋다] (2010)

Representative Song:  Okgyeong-i [옥경이], from Tae Jin-Ah 2


옥경이
Okgyeong-I

희미한 불빛 아래 마주 앉은 당신은
You, sitting across under the dim light
언젠가 어디선가 본 듯한 얼굴인데
The face seems familiar from somewhere some time
고향을 물어 보고 이름을 물어봐도
Try asking her hometown, try asking her name
잃어버린 이야긴가 대답하지 않네요
Might be a lost story, she does not answer

바라보는 눈길이 젖어 있구나
The gazing eyes are moist
너도 나도 모르게 흘러간 세월아
The time that flowed away without you or me noticing
어디서 무엇을 하며 어떻게 살았는지
Where, what, how have you lived
물어도 대답없이 고개 숙인 옥경이
Asked, but Okgyeong hangs her head without an answer

바라보는 눈길이 젖어 있구나
The gazing eyes are moist
너도 나도 모르게 흘러간 세월아
The time that flowed away without you or me noticing
어디서 무엇을 하며 어떻게 살았는지
Where, what, how have you lived
물어도 대답없이 고개 숙인 옥경이
Asked, but Okgyeong hangs her head without an answer

Translation Note:  Okgyeong is an old-school woman's name. It is actually the name of Tae Jin-Ah's wife.

Interesting Trivia:  Tae Jin-Ah is a stage name constructed by taking one letter from three prominent trot singers -- Tae Hyeon-Sil, Nam Jin and Nah Hoon-Ah.



In 15 Words or Less:  The twin pillars of trot that kept the genre alive.

Maybe they should be ranked lower because...  How much does trot mean in the K-pop scene today? Is it any more than a novelty act?

Maybe they should be ranked higher because...  Longevity counts when it comes to influence. There might be only one or two other artists who had a 30+ year run of success like these two.

Why are these artists important?
As discussed previously in this series, trot has an awkward place in Korean pop history. It has very obvious roots to Japan's colonization of Korea, which evokes many bad memories. The music itself is thoroughly unoriginal, with its cheesy lyrics, unimaginative use of the same instruments (punctuated by the dreadful beats from mechanical drum boxes,) and the same goddamn one-two beat that just does not change no matter how many different songs are "composed." Instead of an expression of artistic endeavor, titles of trot albums read like an automobile model. ("Have you heard the 2005 Tae Jin-Ah yet?")

Young K-pop fans who follow the pretty faces like DBSK or SNSD consider trot to be decrepit. The too-serious K-pop aficionados (the Korean himself included) consider it to be hackneyed, stale, unoriginal. But the haters of trot must face this inevitable, uncomfortable truth that in Korea, trot simply refuses to die. One can talk about all the flaws of trot as a music until one's face turns blue, but trot fans of Korea will only turn up the volume.

So forget all your high-brow theories of what makes music great. Forget all the bullshit about conveying wrenching emotions or using innovative new sounds. And just listen to the music. Better yet, watch a performance live. Then you can understand why artists like Song Dae-Gwan and Tae Jin-Ah survived as celebrities for more than three decades. The one-two beat may be overused, but it's still catchy as hell. The lyrics are cheesy, but they still contain a sharp bit of satire or a maudlin piece of melancholy. It is so easy to bop your shoulders, so natural to sing along. (And another thing -- look at their clothes. They're pimps! Is there any other K-pop genre that comes with such surreal, over-the-top fashion sense?)

In fact, surviving is the perfect term to describe the career of Tae and Song. Korea in the 1970s and 80s was a very, very different place from Korea today. People liked different things back then. Yet Song Dae-Gwan and Tae Jin-Ah somehow churn out seemingly the same music year after year for more than three decades, and they keep showing up on TV while the younger, prettier faces change every month. And Korean people of 2010s are still attending their concerts, still buying their records. Even the younger generation is slowly returning to the fold, as Song and Tae act as a producer for a new generation of younger trot singers. Say what you will about their music, but there is no denying their influence.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Friday, May 04, 2007

Swing a dead cat to hit a Kim

Dear Korean,

Why do so many Koreans have the last name of Kim? What's a "high" Kim and what's a "low" Kim?

Walter H. Sakai
Professor of Biology, Santa Monica College

Dear Professor Sakai,

There really are a lot of Korean Kims. Kim is the most common last name in Korea, making up roughly 20 percent of the population -- which makes it about 10 million Kims. According to Los Angeles Times article that spoke about racial diversity in Los Angeles County, Lopez and Kim were two examples of ethnic last names that were more common than Smith. Other very common last names are Lee (15 percent) and Park (10 percent). Kim, Lee, and Park put together is about 45 percent of the Korean population.

Why so many Kims? Kim was the last name for the oldest and longest dynasty of Korea, namely Silla Dynasty, born in 57 BC and perished in 935 AD. In the early period, Silla had three rotating last names for kings -- Park clan was the one that started the Dynasty, then Seok clan, then Kim clan. Over time, Kim clan became the most powerful, and eventually all Silla kings were from the Kim clan for over 700 years. Since Kims were royalties and noblemen, their population was bound to become large.

There is not exactly a "high" or "low" Kim, but Kims (just like all other last names in Korea) are divided into a number of clans and subclans. The largest Kim clan is Gimhae Kims, which has more than 4 million members. There are certain last names that used to only belong to lower-class people (e.g. Cheon, Bang, Ji, Chu, Ma, Gol, Pih). But the significance of family lineage has greatly diminished in the modern era; frankly, no one but old coots care about last names in Korea anymore.

Got a question or comment for the Korean? Email away at askakorean@hotmail.com.

Sunday, August 21, 2011

Technical Proficiency and Creativity

The Korean always enjoys reading Anthony Tommasini's take on classical music on the New York Times. His recent article regarding the increasing technical ability of classical musicians (specifically pianists) is quite interesting:
Ms. Wang’s virtuosity is stunning. But is that so unusual these days? Not really. That a young pianist has come along who can seemingly play anything, and easily, is not the big deal it would have been a short time ago.

The overall level of technical proficiency in instrumental playing, especially on the piano, has increased steadily over time. Many piano teachers, critics and commentators have noted the phenomenon, which is not unlike what happens in sports. The four-minute mile seemed an impossibility until Roger Bannister made the breakthrough in 1954. Since then, runners have knocked nearly 17 seconds off Bannister’s time.

Something similar has long been occurring with pianists. And in the last decade or so the growth of technical proficiency has seemed exponential.
But will this focus on technical proficiency kill creativity and expression? No, Tommasini says -- just the opposite:
But more recently younger pianists have not been cookie-cutter virtuosos. Technical excellence is such a given that these artists can cultivate real personality, style and flair: artists like the Ukrainian pianist Alexander Romanovsky, whose 2009 recording of Rachmaninoff’s “Études-Tableaux” for Decca is wondrously beautiful, or the highly imaginative Polish-Hungarian pianist Piotr Anderszewski, an exceptional Bach interpreter.

...

Martha Argerich can be a wild woman at the piano, but who cares? She has stupefying technique and arresting musical ideas. I would add Krystian Zimerman, Marc-André Hamelin and probably Jean-Yves Thibaudet to this roster. There are others, both older and younger pianists. Again, lovers of the piano can disagree about the musical approaches of these tremendous artists. But that they are all active right now suggests that a new level of conquering the piano has been reached.
Virtuosos Becoming a Dime a Dozen [New York Times]

This conforms with the Korean's long-standing belief about true creativity:  to be truly creative, one has to be really, really technically good at something first. Only after there is a foundation of ability to actualize one's vision can there be a materialization of creativity.

(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Tuesday, March 22, 2011

50 Most Influential K-Pop Artists: 32. Patti Kim

[Read more reviews from the Korean from the Library Mixer. To join, click here.]

[Series Index]

32.  Patti Kim [패티김]

Years of Activity:  1958-present

Discography:
(Patti Kim did issue albums prior to 1969, but the information online only traces back to 1969.)

Stereo Highlight Vol. 3: The White House [스테레오 하이라이트 Vol. 3: 하얀집] (1969)
Patti Kim Stereo Vol. 5 [패티金 스테레오 Vol. 5] (1970)
Patti Kim '70 (1970)
Patti Kim '71 (1971)
'74 Bronze Medalist in the Third Tokyo World Music Festival ['74 제3회 동경 가요제 세계대회 동상 수상] (1974)
Wind [바람] (1974)
Patti Kim Greatest Hit Album Vol. 5 (1975)
Stereo Lifetime Vol. 1 [스테레오 일대작 제1집] (1976)
Patti Kim Sings Love [사랑을 노래하는 패티김] (1978)
Unforgettable by Patti Kim [패티김의 못잊어] (1978)
Homecoming Grand Concert [귀국 대공연] (1978)
Love that Left Autumn Behind [가을을 남기고 간 사랑] (1983)
Patti Kim '84 (1984)
Light and Shadow [빛과 그림자] (1985)
Hit Song 1 [힛송 1] (1986)
Patti Kim (1990)
Patti Kim (1991)
Life is a Small Boat [인생은 작은 배] (1994)
Love is the Flower of Life [사랑은 생명의 꽃] (1997)
Patti Kim (1999)
The One & Only (2008)
Friendship [우정] (2009)
Patti Kim Golden Best (2009)

Representative Song:  Love that Left Autumn Behind, from Love that Left Autumn Behind.


가을을 남기고 떠난 사랑
Love that Left Autumn Behind

가을을 남기고 떠난 사랑
Love that left autumn behind
겨울은 아직 멀리 있는데
But the winter is far away yet
사랑 할수록 깊어가는 슬픔의 눈물은
The tears of sorrow that deepens as I love
향기로운 꿈이었나
Were they a fragrant dream
당신의 눈물이 생각날때
When I recall your tears
기억에 남아있는 꿈들이
The dreams remaining in my memory,
눈을 감으면 수많은 별이 되어
When I close my eyes, will turn into countless stars
어두운 밤 하늘에 흘러가리
And flow in the dark night sky


아 그대 곁에 잠들고 싶어라
Oh how I wish to sleep by your side
날개를 접은 철새처럼
Like a migratory bird with folded wings
눈물로 쓰여진 그 편지는
The letter written with tears
눈물로 다시 지우렵니다
I will erase again with tears
내 가슴에 봄은 멀리 있지만
Though to my heart, spring is far away
내 사랑 꽃이 되고 싶어라
How my love wishes to be a flower

아 그대 곁에 잠들고 싶어라
Oh how I wish to sleep by your side
날개를 접은 철새처럼
Like a migratory bird with folded wings
눈물로 쓰여진 그 편지는
The letter written with tears
눈물로 다시 지우렵니다
I will erase again with tears
내 가슴에 봄은 멀리 있지만
Though to my heart, spring is far away
내 사랑 꽃이 되고 싶어라
How my love wishes to be a flower

Translation Note:  The words "migratory bird" loses all poetic meaning in English and turns into a clunker that weighs down the romance of the song.

In 15 Words or Less:  Korea's first pop star.

Maybe she should have been ranked higher because...  Patti Kim debuted in 1958. Just think about how old your parents were in 1958. And she is still going strong to this day as a septuagenarian.

Maybe she should have been ranked lower because...  Did she do a single musically special thing that lived beyond the prime of her career?

Why is this artist special?
For people who like to indulge in imagining a post-apocalyptic world, Korea in the 1950s was a close approximation. Korea began the 20th century as an extremely poor and backward country, followed by 36 years of brutal and exploitative imperial rule. After a short-lived run after the liberation, it would enter into a civil war that was as much a total war as any other war in modern history.

When the Korean looks at Patti Kim's career, a single number arrests his sight and does not let go: 1958. Only five years after the war that leveled everything and killed or wounded around four million people. Four million lives. Can you even imagine that? Just for a frame of reference, right now Japan is (rightly) receiving an outpouring of international support after its horrific earthquake, which had a toll of around 25,000 dead/wounded/missing people. In the wake of an utter, total destruction, how does it make sense to hope?

More pertinently, how does it make sense to hope that one would make a career as a singer? Remember, "pop stars" did not exist in Korea in the 1950s. Heck, "pop culture" did not exist in Korea. There were some popular singers, but their status was roughly equal to clowns at a traveling carnival in modern day America -- entertainers, yes, but not rich and not respected. Few Koreans of the 1940s grew up dreaming to be a star. Most probably did not know what that meant. Which makes Patti Kim's artistic career all the more remarkable.

Born as Kim Hye-Ja, Kim began her career as a singer for the U.S. military stationed in Korea. She took the stage name of "Patti" for Patti Page, one of the hottest names in American pop music scene at the time. In fact, they bear a fleeting resemblance to each other:


Kim continued her career by becoming an exclusive singer for the club at what is now the Westin Chosun Hotel in Seoul. Since then, Patti Kim's career was nothing but pioneering and trailblazing. She was the first Korean pop singer to be invited by NHK broadcasting studio of Japan for a concert. She was also the first Korean pop singer to hold a concert at the Carnegie Hall. She appeared on Tonight Show by Johnny Carson. And she continues to chug along, still holding concerts at 72-year-young. Although she did not really break any grounds as a musician -- someone else composed nearly all of her songs -- her stage presence is reported to be legendary.

Given the strength of Korea's pop culture worldwide, it is amazing to think that its roots trace back to a USO show or a dark nightclub of a hotel. But that is so, and Patti Kim was in the middle of it.

Interesting trivia 1:  Patti Kim's song Parting [이별] is rumored to be one of Kim Jong-Il's favorite songs.

Interesting trivia 2:  This turned up in the Korean's research and he couldn't not share.


Look at that scandalous cleavage!! In Korea of 1960s!! (Source)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Saturday, April 11, 2015

Taxonomy of Korean Drinking Places

Dear Korean,

I recently stayed in Seoul for a while and was looking for a place to have some wine. However, my Korean friend told me I should careful about where I step into, because there are many different kinds of 'clubs' - there's the normal dance clubs for young people, and then there's hostess clubs/ host clubs, there are dallan jujeom  for businessmen only, then there's all the "bangs," like noraebang, PC bang, DVD bang. Could you give me a glossary of the different kinds of 'clubs' or 'bars' that's available in Korea, so I don't wander in by mistake? I saw a shop named "Bacchus" and wanted to go in for wine till my friend told me that it was "errm... for guys.... to sleep....."

Wandering Female in Seoul

What better way to come back after two weeks than talking about drinking?! 

Let's get right into it. Koreans drink, and they drink in all kinds of places. Here is a taxonomy of places where you can enjoy adult beverage in Korea. Like every attempt to categorize human society, the categories below are not hard-and-fast but are generalized groups.

Tier 1:  Hangouts with Alcohol

There are places in Korea where one can drink, but alcohol is not the main attraction. For example:

- Restaurants:  Nearly every restaurant in Korea sells alcohol, although one would primarily visit a restaurant to have a meal. The selections are usually soju and beer, and sometimes makgeolli. This is a very broad category that is particularly susceptible to a sliding scale. That is--some restaurants are closer to eating places, while other restaurants are closer to drinking places. Where a restaurant falls on that scale depends largely on the types of food it serves. Seafood restaurants, for example, would fall closer to the "drinking place" end of the scale.

- Convenience Store:  Korea does not have the silly public drunkenness laws that most places in the U.S. has, which means it is possible to drink virtually anywhere in Korea. One of the popular hangouts is the plastic table/bench in front of a convenience store. You simply purchase your choice of alcohol and food from the store, and plop your butt down on them chairs. Most convenience stores, in fact, sell packaged foods that are popular with drinkers.

Just like this.
(source)
Certain parts of Korea (e.g. Jeolla-do, or southwestern Korea) takes this concept to an entirely new level. Not only can one drink in front of storefronts, one can even order relatively high-quality cooked food. 

- Outdoors:  Outdoors? Yes, outdoors. TK means it: you can really drink just about anywhere in Korea. At the beach? Yes. On the river bank? Yes. While hiking on a mountain? Hell yes. In fact, if the weather is warm enough, there will be mobile vendors selling drinks while walking around those places.

- Sports Venues:  Simple enough. Baseball, soccer, bowling, pool--none of these places would be as fun as they are without alcohol.

(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.


Wednesday, March 19, 2014

SXSW Interview: Smacksoft

(source)
Smacksoft, led by frontwoman Whang Bo-ryung [황보령] (known in the U.S. market simply as "Bo",) is one of the few rock bands in Korea that are indisputably led by a woman leader. Smacksoft has been critically acclaimed for its colorful music that translates well to audiences of different cultures.

The Korean met Smacksoft at the lobby of their lodging. The interview was conducted in Korean; the translation is the Korean's own.

TK:  Please say hello to everyone.


Hi people, my name is Bo-ryung Whang. I'm the vocal and I play guitar.
Hello, I'm Smacksoft's drummer Seo Jin-sil.
Hello, I'm the bassist Shin Gee-yong.
How are you, I am Rainbow 99, the guitarist.
Hi people, I am Hanul. I play the synthesizer.

TK:  How did Smacksoft start?

Bo:  I have been playing as a solo since 1998. We held an audition for members, and Smacksoft began in 2007.

TK:  How would you describe Smacksoft's music?

Bo:  It's post-punk. It defies categories, mostly based on rock, alternative and electronica.

TK:  This is your first SXSW. How are you enjoying it?

Seo:  This is way too much fun.

Shin:  It's really different from Korea's rock festivals. In Korea, you play before a single, huge crowd. Here, each bar and club has its own, small show. The whole city is involved. I wish Korea would have something like this, too.

Rainbow 99:  It's so much more fun than expected. It's fun to watch the people here too.

TK:  Any artist at SXSW that you want to see in particular?

Bo:  We are a bit too busy to follow a particular band.

Hanul:  The lines are too long for big names anyway. I just want to stroll and watch a lot of different acts.

Bo:  There was one young woman band who does hardcore rock. I wanted to see her.

TK:  Who would you call as your musical influence?

Bo:  J.S. Bach. You know, Johann Sebastian. Velvet Underground. Bauhaus. Red Hot Chili Peppers. The Cure. Simon and Garfunkle, Bob Marley, the Pixies. Suzanne Vega. I like everyone. Sonic Youth.

Seo:  I'm not into Sonic Youth.

Bo:  How about we all go around and talk about the music we like then.

Hanul:  Sigur Ross, My Bloody Valentine. [Bo:  I like them too!]

Rainbow 99:  Brian Inoue. Vision of Disorder. Yo La Tengo.

Shin:  Pink Floyd.  [Rainbow 99:  I hate them. Their earlier stuff was ok though.]

Seo:  I like jazz. Chet Baker, Bill Evans. I like Red Hot Chili Peppers too.

TK:  Would it be faster if you just listed the stuff you don't listen to?

Rainbow 99:  Sure. I'm not into "K-pop."

Hanul:  Music from hot countries, like reggae. I also hate the trot medleys that they sell at highway rest stops in Korea. Regular trot is fine; just that fast medleys.

Bo:  There is some jazz with discordant notes. I can't stand it.

TK:  How do you see Smacksoft's music evolving, going forward?

Bo:  We just want to make good sound. The music equipment has made that so much easier. With computers, it is much easier to add anything we want, and just put on some more acoustic stuff. In our most recent fifth album, we have a lot of rock, electronica and ambient noise. We try not to get tied down to a certain genre.

TK:  How did you feel about your SXSW experience?

Bo:  I love people. I love music. I love Austin and SXSW! It's so wonderful here.

Seo:  It was far beyond expectation. I really want to come back.

Bo:  Maybe we should leave our instruments here.

Shin:  Seeing so many artists was great. It was so much better than seeing just the headliners.

Hanul:  Rock festivals in Korea are too similar to one another. I wish they combined to form just a couple of festivals with more tradition, and have something like this in Korea.

Bo:  It could totally happen around Daehak-ro. We should talk to the mayor.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Friday, June 25, 2010

Ask a Korean! News: Apple v. Samsung

One of the Korean's favorite blogs is Alternative Hypothesis, providing analysis on technology market with respect to Korea and other world leaders. The blog is run by Mr. Kim Sang-Hoon, a reporter covering business for Dong-A Ilbo.

Mr. Kim recently penned an extremely interesting piece comparing Apple and Samsung, as reflected by their newest smartphones. Below is a translation. (Because the Korean is unfamiliar with tech terms, the translation may not match up perfectly.)

Great Product and Great Factory - the Difference Between IPhone 4 and Galaxy S

I just came back last night from Japan. I was there for the Google Conference, but apparently the world is now full of chatter about Apple and Samsung Electronics. Many commentators in the news said that iPhone with strong software augmented the hardware, and Galaxy with strong hardware augmented the software, in the end resembling each other. I don't know about that -- really, what things are similar?

Actually, there is nothing special about iPhone 4's hardware. The A4 Chip, reported to have been improved in quality, was previously used in iPad and fundamentally is a semiconductor using ARM's core. Of course the detailed specifications are very important, but to put it very simply and just looking at the numbers, it is not much different from the 1 GHz chipset used in Snapdragon or Galaxy S by Samsung. Also, the "Retina" Display that caused a stir is no more than an IPS-style LCD with excellent resolution. Although it is much better than any other low-cost LCD, with respect to the ability to display outdoors or the view angles, (roughly speaking,) there is not much difference with HD LCD that goes into phones made by LG Electronics. Personally, I believe that LG Electronics had the ability to order a single-standard component as many as Apple could order, LG would have been the one introducing the Retina Display. (Of course, it is a separate question whether LG has enough marketing acumen to name it "retina.")

At any rate, what is important is not the specs of each and every hardware. What is important is the purpose for which this product is made, and how the new functionalities organically unite with the old functionalities to serve this purpose. Apple is really good at this. To give an example, I personally think iPhone 4's camera -- which was buried by the fanfare over other parts -- is the prime example.

In talking about iPhone 4's camera, Steve Jobs said one should focus on the purpose for which the camera is used instead of engaging in a megapixel race, because a phone camera is fundamentally a tool that one always carries around to record one's surroundings. Therefore, a phone camera ultimately has a smaller image sensor (which acts like the film) and smaller lens. Then naturally, the picture is murky and the quality of the photo taken in a dark place is even worse. Given this characteristic, a phone camera will never be better than a DSLR. Instead, Steve Jobs emphasizes that iPhone 4's camera can be as good as a point-and-shoot camera. IPhone 4's camera takes in relatively more light because the megapixel number of the camera's sensor increased but the size of each sensor speck remained the same. The result is that apicture taken with iPhone 4's 5 megapixel camera is not that far behind in quality compared to a picture taken with a regular compact point-and-shoot digital camera.

As an aside -- for the sake of providing more context -- I really like the camera on iPhone 3GS. Although it is only 3 megapixel, I only use the iPhone camera unless I have to take out the DSLR. I do that because there is hardly any "shutter lag," which is the time it takes to capture an image after the shutter is pressed. With other cell phone cameras, when the shutter is pressed when a child is smiling, the image captured is the child with his face turned away. That's about 0.5 seconds, which is a very long time as semi-serious photographers would know. DSLR takes the picture instantaneously when the shutter is pressed, but it is heavy and a chore to carry around all the time. For a person like me who takes a lot of pictures of children, this is a very considerate function. In contrast, other smartphone makers talk about the megapixel of their cameras but keep mum on shutter lag. Nor does iPhone particularly emphasize it -- you just know when you use it. Then iPhone users, instead of playing number games, create a word-of-mouth ad that says "You just know the difference once you use it." This is because Apple is a company that cares about how we use a machine.

This is how Apple makes a great product. Seeing Facetime after seeing the existing video conference that features low resolution and static-laden audio makes you widen your eyes with wonder. A video conference screen that sends images captured by a HD-capable camcorder is a functionality that redefines video conference. Facetime commercials nicely shows how Apple is accomplishing its mission of making a good product.

Compared to this, Galaxy S is not a great product. Although it receives praises of "best functionalities among all the Android phones thus far," it feels more like a well-rounded thing without a big flaw rather than the best. This is why it is difficult to imagine anyone who would stay up all night to buy Galaxy S, children who jump up and down with joy after receiving Galaxy S, or a friend who is on the verge of tears after receiving a Galaxy S as a gift.

But even the greatest product is meaningless if it is not there by your hands when you want to buy it. Therein lies the greatness of Samsung Electronics. It was reported that Samsung pre-ordered more than a million Galaxy S. Worldwide, 110 communications companies are planning to purchase Galaxy S, and Samsung plans to supply them all at the time they want the phones. In contrast, iPhone 4 will only be available in five countries (including the U.S.) by the end of June, 18 countires by the end of July, and even later for other countries. Until then, people cannot buy an iPhone no matter how much they want one. When the demand outstrips the supply, Samsung can conjure the magic of instantly increasing supply by expanding the production line for Product A into the production line that used to make Product B. Apple cannot do this. Instead, Apple takes reservation on the quantity of its products, gets its product based on that deadline, then increases the supply if the order increases. Although Apple is always late to respond to the market, it covers its weakness by its product's outstanding attractiveness. Apple even goes so far as to use the reactions of the waiting customers in its marketing.

In contrast, if the demand for its products is lukewarm, Samsung Electronics -- which runs its own factories -- simply changes the production line to produce something more popular. On average, Samsung only takes two months to re-educate its workers for the new line. Samsung's employees, who are divided into a number of ranks, always endeavor to become a higher-ranked engineers. Because the working environment is dynamic (in other words, not boring,) there is no employee who kills himself; in fact, the job satisfaction for Samsung's factory workers is on the high side. Furthermore, based on the market's reaction, Samsung adjusts the amount of production within 48 hours. It is not an exaggeration to say that Samsung has the world's quickest reaction time among global corporations. Apple cannot order Foxconn to adjust its production within 48 hours. If Apple did that, it would not be able to have the contract that allows for Apple to put out its products at this price. But Samsung makes a lot of cell phones other than smartphones; because Samsung orders so many parts, it can acquire components at prices as low as Apple's. Samsung also has a production system that is just as efficient as Foxconn. On top of this, Samsung has the advantage of an incredibly fast market-reaction-time that Apple-Foxconn combo would have difficulty achieving. The strength that makes Samsung great is this unique advantage that allows the company to make approximately similar products for cheaper price and put them out in the market when the customers want them. I think the company learned this strategy when it was battling Nokia.

Therefore, my belief is that while Samsung did not build a great product, it built a great factory. Even though it does not make an Anycall phone that drives customers mad with their desire to have, Anycall phones maintained the basic level of quality, were available at appropriate price, and existed at the time and place when the market wanted that product. Instead of trying to be the most innovative company, it seems as if Samsung is trying to be a company that will continue to be in second place even if the first place may change.

위대한 제품과 위대한 공장, 아이폰4와 갤럭시S의 차이점 [Alternative Hypothesis]

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Friday, March 28, 2014

Against Hashtag Warriors

For those of you who were lucky enough to miss the shitstorm in Twitter in the last two days, here is some background:

On Wednesday night, Stephen Colbert was speaking of Washington Redskins owner Dan Snyder, who responded to those who criticized the name "Redskins" as a racial slur by founding a non-profit organization called Original Americans Foundation. Then a 2005 episode of the show replayed, in which Colbert, in character as a satirical conservative talk-show blowhard, was "caught" making racist jokes about Asians. After the callback, Colbert, in character, said he would atone for his racism by establishing the "Ching Chong Ding Dong Foundation for Sensitivity to Orientals or Whatever."

The butt of the joke here is very clear: it is Dan Snyder. Snyder thinks founding a non-profit organization would let him continue having a racial slur in his team's name. To mock Snyder, Colbert assumed the same posture as Snyder, only in a more ridiculous way so as to make Snyder's folly more obvious.

After the show, the official Colbert Report Twitter account repeated the joke on a tweet: "I am willing to show #Asian community I care by introducing the Ching-Chong Ding-Dong Foundation for Sensitivity to Orientals or Whatever." Then came the outrage. Suey Park, who recently rose to prominence due to a series of Twitter hashtag campaigns, most notably #NotYourAsianAmericanSidekick, began yet another hashtag campaign: #CancelColbert.

I believe Ms. Park's efforts are dumb and damaging. Here is why.

*             *             *

Previously in this space, I shared a story of his friend from Louisiana:
"The father of my ex-girlfriend was a rare breed -- a real deal racist. I'm not talking about someone who has a lapse in judgment and says the wrong thing from time to time. He genuinely believed that black people were inferior to white people. But whenever a black person happened to cross him, he would never yell, "you damn n-----!" Instead, he would yell: "You damn Democrat!" That way, nobody would accuse him of being racist."
This anecdote is interesting because it reveals the true nature of racism. Racism does not reside in the words; it resides in the mind that utter the words. Regardless of the precise word uttered--either "n-----" or "Democrat"--the man described in the Korean's friend's story remains just as virulently racist in his heart. Using the word "Democrat" instead of "n-----" does not mitigate the racist man's sincerely held belief that African Americans were inferior to whites. This shows the vacuity of what I call the "magic word racism," which may be defined as an attempt to detect racism by the presence or absence of certain words or phrases. 

If we cannot rely on the presence or absence of words alone, how are we to know what makes something racist? Recall where racism truly lies: it is in the person's mind, her intent. What makes something racist? It is the racist intent that makes something racist. For the man in the story above, the words "n-----" and "Democrat" serve the same function: to express his racist disdain toward African Americans. The precise vehicle by which the man delivered the racist intent does not matter. What matters is the intent delivered in those vehicles.

(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Monday, May 16, 2016

TK's Korea Travel Itinerary

(This is for you, T.)

TK received a request from a friend who is traveling to Korea: where should she go and see?

This is a deceptively tough question. There are already plenty of excellent travel books of Korea out there. (TK's favorites are the two books from Seoul Selection, Seoul and Korea, both by Robert Koehler.) The New York Times--the New York Times!--seemingly runs a feature about traveling Korea every other month, and not just to big cities like Seoul. What could I possibly add to this, at this point?

In the end, what TK settled on is this: if I wrote a short exposition about Korea, what scenery would serve as the key illustration to highlight the points that I was making? What could one see to understand where Korea was, what it went through, and what it is now?

On this basis, a lot of the famous tourist attractions would be missing--partly because I felt that there are other places that tell the same story, partly because I do not know enough about a certain locale. The biggest omission perhaps is Busan, one of the most significant places in Korea that somehow is a big black hole of knowledge for me. Also, this itinerary includes Jeju simply because my friend asked me to include it. The whole thing is set for 10-11 days, but you will see that it involves fairly rigorous traveling. If you want to slot in a few "break" days in the middle, it could stretch into 14-15 days.

Long story short: this is just one guy's suggestion. Not the "best of"s, not the "must-see"s, just the places I would take you if we were friends. If that sounds good, off we go.

PART I.  SEOUL

Seoul metro area is home for nearly half of the population of the entire South Korea--the fifth most populous metro area in the world. It has centuries of history, and far too much to see. By my standard, seeing the city in a meaningful way would take around seven to ten days. But we will try to do the best parts in three days.

To do this itinerary, it is best to stay in the north of the river. Look on Google Maps to see if the hotel you are thinking of is near the palaces and a subway stop. If you like traditional Korean houses, Bukchon area has many guesthouses run out of traditional homes.

Day 1

Gyeongbokgung Palace [경복궁] , Samcheong-dong [삼청동] and Insa-dong [인사동]:  Walking tour of the Joseon Dynasty, phasing into early 20th century.

Start your day from:  Gyeongbokgung [경복궁] Station at Line 3 (Orange) or Gwanghwamun [광화문] Station from Line 5 (Purple)

Visit Gyeongbokgung Palace, the grandest of the Joseon Dynasty palace. So grand, in fact, that the re-construction of the palace in the late 19th century contributed to the fall of the dynasty. Built in 1395, the palace burned down in 1592 during the Japanese invasion (i.e. the Imjin War) and was reconstructed in 1865, in the twilight of the Joseon Dynasty (which ceased to exist in 1910.) This should take at least several hours. Tip: in this area, there are little stores that rent traditional dresses (hanbok 한복) that you may wear to stroll the palace grounds, to really get into the mood.

Advantage of hanbok rentals: the pictures are awesome.
(source)
Leave the palace and walk east along Sajik-ro, and turn north (left) onto Samcheong-ro, which puts you on the eastern edge of the palace. Turn right on Bukchon 5-ro, pass the Jeongdok city library on the right, until you hit Bukchon-ro. Turn left--you are now in Bukchon [북촌] / Samcheong-dong [삼청동] area, the Seoul neighborhood with the most well-preserved traditional houses (hanok [한옥]). Because of its proximity to royal palaces, Bukchon was the place where the noblemen lived, and the houses there reflect the history. Today, it is a hip neighborhood with many adorable cafes and restaurants nestled into the traditional houses. Pick a place for lunch here.

Walk south from Bukchon, tracing back toward the palace. Insadong-gil would appear on the left; turn left. Insa-dong [인사동] is where you can get your fix for all the little traditional trinkets--and unlike most other tourist traps in Korea, these trinkets are in good taste. Tong-In [통인], a renowned antique store at 30-1 Insadong-gil, is particularly worth visiting even if your wallet cannot handle their exorbitant price for some of their genuine articles.

Insa-dong is also a home for many tea houses and traditional restaurants. For the highest quality of makkeolli [막걸리, rice beer], visit Nuruknamu [누룩나무], 13 Insadong 16-gil.

(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Wednesday, November 07, 2012

Looking for Someone?

Dear Korean,

How do I go about finding someone in Korea? I only have a name, and what he used to be back in the 1980's. Any help would be much appreciated.

F.V.


This is a very frequent question for which the Korean has no good answer. Just think about the absurdity of the question -- how can F.V. seriously expect to find someone with just a name, from the 1980s? It is not as if the Korean knows everyone in Korea across all time and space. Yet this type of questions continue to come in.

The Korean suspects that part of the reason why this question is so frequent is because people often do not realize is just how populous Korea is. Korea is a country with 50 million people. It has more people than Spain, Argentina, Poland or Canada, just to give a few examples. Finding one person among the 50 million will not be easy.

Short of hiring a private detective in Korea, there is no "good" -- as in, high-percentage -- way to find someone in Korea. If one is willing to try even a very low percentage shot, the best option for someone living outside of Korea is, in fact, Facebook, as approximately 8 million Koreans are on Facebook now. But it would be wise not to get your hopes up.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.
Related Posts Plugin for WordPress, Blogger...