KoreAm magazine blog recently carried a post by Emil Guillermo, discussing a rising stand-up comic named Joe Wong. Here is Joe on the Late Show with Davie Letterman.
The Korean laughed. Laughed really, really hard. The Korean is an immigrant himself, and everything that Wong did was spot-on. The Korean showed the clip to the Korean Fiancee (also a first generation immigrant,) and she also laughed really, really hard. The Korean went on Youtube to find more clips, and Wong did not disappoint. Here is another clip:
Then the Korean read the post below it, and was disappointed. Unlike the Korean, Guillermo did not find Wong to be funny at all. After lobbing a few unnecessary low blows toward Letterman, Guillermo takes aim at Wong:
Blacks certainly wouldn’t welcome a modern reprise of racist pick-a-ninny jokes nor the second coming of Stepin’ Fetchit-type humor. So why should Asian Americans? That’s the trouble with Letterman selling Joe Wong as the face of Asian American comedy.
To be fair, Guillermo sees value in self-deprecating jokes. But he thinks that such jokes do not suit Joe:If Joe Wong taps into some universal truth, it’s stupidity. But when you’re barely represented in the media and stupid is all people see, an image problem is created. No one thinks all white people are like the Simpsons. Besides, they’re cartoons drawn in Korea. But for many, the only Asian they might see could be Joe Wong. When people laugh at Wong, an Asian immigrant lost in American society, they are laughing at and glorifying the everyday examples of racism.
Guillermo closes with a reflection on Asian American comedy, and by essentially branding Joe as a traitor to his race:Certainly, self-effacing, self-deprecating humor can be useful. For Congressman Norm Mineta, it was standard to open every speech with a self-deprecating joke. But when you’re one of the most influential Asian Americans in Washington, you can afford the self-deprecation. Besides, the audience always saw it as charming.
But when you’re lowly Joe Wong, the self-deprecation is merely a re-affirmation of your lowliness. And Wong takes every Asian American down with him. With this everyman, we’re all the butt of the joke.
Lately, I’ve come to appreciate the gifts of comedienne Margaret Cho. The comic genius continues to boldly shock and challenge cultural assumptions. Another Korean American, Tina Kim, never stoops to the stupid accent.
The correspondents’ dinner in Washington should represent quite a contrast. The Obama administration has done much to raise the Asian American profile. But all it takes is one Joe Wong in such a high-profile venue to imprint a new negative image within American pop culture. We no longer have to worry about white shock jocks doing accented ching-chong comedy bits anymore. (Hey, that’s racist.) Now, we have one of our own all too willing to debase us.
Strong words they are. The Korean does not shy away from strong words either. So here is the Korean's message to Emil Guillermo: "Get a fucking grip man, and grow a sense of humor."Authentic? No, just pathetic.
First of all, Guillermo simply does not get Joe's jokes, and why they are funny. Take the joke about washing hands that Guillermo cited his post. The joke works in two stages -- the "inspiration" part, and the "children" part. The inspiration part is very clever. It focuses on a part of the commonplace language on which we rarely focus, and exposes a possible incongruence between the language and the purpose of the language. Then the joke proceeds by bridging the incongruence in a deliberately false manner.
Overall, that joke works a lot like Mitch Hedberg's "Yoplait" joke, which goes like this:
I opened-up a yogurt, underneath the lid it said, "Please try again." because they were having a contest that I was unaware of. I thought maybe I opened the yogurt wrong. Or maybe Yoplait was trying to inspire me. "Come on Mitchell, don't give up! PLEASE TRY AGAIN!! An inspirational message from your friends at Yoplait." Fruit on the bottom, hope on top.
(The Korean could not find the video of this joke for the life of him. Too bad, because Hedberg's delivery takes it to another level.)
(-EDIT 3/16/2010- Thank you, commenters Marten and Sungik. The Yoplait joke is at the 1 minute mark of the updated video.)
(-EDIT 3/16/2010- Thank you, commenters Marten and Sungik. The Yoplait joke is at the 1 minute mark of the updated video.)
But Wong takes his joke one more step, in a pitch-perfect manner: “I wash my hands every time I use the bathroom, so my children don’t have to.” Now this joke is not only clever, but also has an element of sweetness to it. The joke now exploits the deliberate false cognition at full speed, and brings in a stereotypically Asian and immigrant concern for children. Many different things are at play here. The deliberate false cognition is funny. Father's concern for his child is sweet, but funny when it veers into something that does not seem to deserve that concern. (This is a huge appeal of Stuff Korean Moms Like, for example.) This concern packs an additional punch due to Wong's sincere delivery, made believable by the stereotype about Asians/immigrants and their concern for their children's future.
Guillermo does not understand any of this. Instead, he chalks up the reason for the laughter to such canard like the laughers' "need to feel superior" or Wong's "stupidity," playing the part of "the dumb Asian immigrant." Please! There is not a single dumb joke in Wong's bits shown on his two appearances on Letterman. All of Wong's jokes are incomparably better than the crude and unfunny ching-chong jokes. In fact, a good portion of Wong's jokes are not even about being an Asian immigrant. (For example, the "parallel parking" joke, the "blueberry vs. strawberry" joke, "baby on board" joke.)
In fact, Guillermo belies that it's not just Joe Wong that he does not get -- Guillermo does not get stand-up comedy as a whole. "Blacks certainly wouldn't welcome a modern reprise of racist pick-a-ninny jokes"? Really? Then how does Guillermo explain one of the most iconic black comedians giving this bit?
Was the thunderous laughter for Chris Rock only came from the white people sitting in the Apollo Theater?Fat, black women don't give a fuck what you think. She's going out on Friday night. She got an outfit on. That shit match. She got the pumps on, and the pump fat coming out the pump. That's right. It looks like they baking bread in her shoe.
"Baby, your foot ready yet?" "I'll just sprinkle some cinnamon on it!"
That's right. She got an anklet on, and that anklet's holding on for dear life. Black women don't give a fuck. She's like, "I'm sexy. I am sexy, yes, I am! I am the sexiest motherfucker here tonight! Yeah, I got a gut. There's some good pussy under this gut! That's right. You want some of this so you can "livin' la vida loca!"
It is actually funny that Guillermo cites approvingly of Margaret Cho. Mind you, the Korean LOVES Margaret Cho. But we are talking about a woman who launched her career by (and drew a lot of flak for) talking about how her mother, complete with Korean accent, would call her daughter "moron" in a screaming manner. What about that routine "boldly shock[s] and challenge[s] cultural assumptions," as Guillermo puts it?
But the problem is not simply that Guillermo does not have a sense of humor. The larger problem is that Guillermo represents a certain mindset that is downright harmful to Asian Americans.
(More after the jump.)
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