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Tuesday, October 19, 2010

Ask a Korean! News: Islamophobia Reaches Korea

This cannot end well.
An absurd assertion arguing that Islamic immigrants will bring down Korean society, spreading online, is causing a controversy. Other racially discriminatory assertions, not simply against Islam but also demanding the abandonment of the current multiculturalism policy, are also being boldly made, attracting attention as to the identity and the background of those who submit such writing. Some suggest that certain particular groups, dissatisfied with the multiculturalism policy, are intentionally disseminating Islamophobia to gather like-minded people similar to the "Tablo incident."

[TK note: Tablo is a celebrity rapper of Korea who is a graduate of Stanford University. There have been persistent allegations on the Internet that Tablo faked his degree, which managed to survive even after Stanford registrar produced a true copy of Tablo's diploma. The ringleader of the people who spread this false rumor was arrested for defamation. More background on that story here.]

On the 18th of this month, according to the Ministry of Employment and Labor, there have been 1500 posts on the free discussion board on MOEL homepage titled "Exclude Islamic Nations from Labor Export States" since the 23rd of last month. The posts, submitted after having undergone true name certification, argued that "Europe recently prohibited the importation of labor from Islamic nations such as Bangladesh and Pakistan," and "Korea must likewise forgo the multicultural policies." The submitters of the posts also suggested a mass objection against the current administration's multiculturalist policies, linking to the homepages of MOEL and e-People [TK note: Omnibus government website that receives all grievances against the government.] They are also continuing the attack by publicizing the telephone numbers of the chambers of National Assemblyman Jin Yeong, the Grand National Party member who proposed the Unified Basic Law on Multiculturalism last December. Spokesperson for Assemblyman Jin said, "We get dozens of calls a day asking us to give up on the multiculturalism policies." MOEL deleted all related posts, citing that "Same repeated posts are causing inconvenience to the operation of the board." MOEL is also cautiously considering asking for police investigation if such posts continue to be submitted.

Experts are casting their suspicion on an article titled, "Ruination of Sweden by Islamic Immigrants (the Future of Korea)," which is spreading through online communities and blogs. The article is mostly sensationalistic and hortatory, alleging that Sweden's social problems worsened after permitting Islamic immigrants to enter. Choi Yeong-Gil, professor of Arab Regional Studies of Myongji University, noted: "It appears that people who are dissatisfied with not just a particular religion but the multicultural society itself are duplicating and expanding Europe's Islamophobia." Kim Yi-Seon, director of Safety Center for Multiculturalism and Human Rights of Korea Women's Development Institute, said: "As the economy faces difficulty and the society becomes more chaotic, resistance against multiculturalism is gaining traction," and emphasized: "What is clear is that the current problems of Korean society is not due to multiculturalism."
광우병… 타블로… 이번엔 ‘이슬람 공포증’ [Dong-A Ilbo]

Many, many different angles to explore here, in no particular order.

1.  Multiculturalism, as a policy, is not a thoroughly examined policy in Korea yet. Non-Ethnic Korean (let's call them "NEK" for short) Korean citizens, especially in the form of mail-order brides and immigrant laborers, crept up on Korean society until they all of a sudden became a reality for mainstream Koreans. Korean elites were sympathetic enough to set a pro-multiculturalism agenda, such that legislators and mainstream media pushed for tolerance and acceptance. This is the first occasion in which opposition to that agenda is materializing in a meainingful, organized manner.

2.  Dong-A Ilbo is a conservative (within the spectrum of Korean politics) newspaper, and it clearly drew the battle line stating that opposition to multiculturalism is "absurd". More liberal newspapers (for example, the Hankyoreh) have been consistently promoting the multiculturalism agenda also. No politician so far has made a career by antagonizing immigrants yet. Cut off from mainstream media and politics, how will the opponents of multiculturalism legitimize their agenda? Which mainstream media and policians will co-opt into this advantage?

3.  Two faces of Korea's nationalism are in conflict here -- the more traditional race/culture-based nationalism and the more modern citizenship/polity-based nationalism. Which one will emerge victorious? Or will there be another variant to nationlism to accommodate both? (Perhaps, for example, language-based?)

4.  How will the NEK Koreans respond? Probably not much reaction is possible right now, but recall that a significant proportion of children (up to 10 percent) in Korea's rural areas are mixed-race children. Four years ago in the third post ever on AAK! -- so long ago that the Korean was speaking in first person -- the Korean wrote: "Unless Koreans do something to radically change their attitude toward foreignors and interracial people (unlikely), wide-scale race riots a la Los Angeles or Paris in about 20 years is a virtual certainty." Korea has done more than the Korean expected to move toward changing their attitude. But will the progress thus far be enough to avert wide-scale race riots 15 years from now, when these mixed-race children become young adults?

5.  How will Germany's recent disavowal of multiculturalism policies affect this discussion? How will America's anti-immigration rhetoric? Remember, "what other advanced countries do" holds a lot of sway in Korean political discourse.

6.  The Korean is not positive that even those Koreans who advocate for multiculturalism policies truly mean "multiculturalism" as the word is understood in other parts of the world.  When this debate intensifies such that the proponents begin to realize that "multiculturalism", originally envisioned when the term was coined, involves a lot more than they might be comfortable with -- e.g. bastardizing traditional Korean cuisine, maybe -- how will they respond?

7.  Kim Yi-Seon is correct that immigrants have little to do with Korea's current problems -- as of now. In the future when more immigrants come, they will contribute to Korea's problems, not because immigration is inherently problematic but because no movement of a large human group is free from at least some negative consequences. Will this change the debate in the future? Could proponents of multiculturalism solidify their grounds enough before the problems inevitably come?

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Monday, October 11, 2010

Anti-Fan Death is Real?

Dear Korean,

Ever since I got familiar with the Korean entertainment industry I’ve wondered why fans over there are so aggressive. They attack verbally and/or physically celebrities they hate, other fans, or anybody with negative or even different opinion about their favorite star. The first time I read about “antifans” was when I read news about Korean celebrities. It seems to me that in Korea being an antifan of one celebrity is just as popular trend as being a devoted fan of another. Why?

Nell



Dear Nell,

Excellent question. The intensity of the so-called "anti-fans" in Korea is exactly as you describe, and this phenomenon dates back to the beginning of the corporate-produced boy/girl bands in the late 1990s. Perhaps the most infamous case of anti-fans involves Gan Mi-Yeon, a member of a bygone girl group called Baby VOX. She was targeted with extra intensity because she was rumored to be dating a rather popular member of a boy band. In a recent interview, Gan said throughout 1999 she received scores of "fan mails" filled with razors, apparently so that she would hurt her hand as she opened them, along with pictures of her with her eyes taken out or letters written in blood.

Physical attacks against celebrities by anti-fans are relatively rare, but they do happen -- and this should be distinguished from a more common form of violence against celebrities, such as stalking or kidnapping for money. In 2000, Yoon Gye-Sang, a member of a boy band called G.O.D. (not kidding about the name of the band) received a soda injected with bleach. Yoon's mother drank it instead and had to be hospitalized. Similarly in 2006, U-know of Dongbangshinki received a soda injected with industrial glue and was hospitalized also.

Gan Mi-Yeon during her years at Baby VOX

And then of course, there are the good ol' fashioned slams on the Internet. It seems like compared to the foregoing, bad things said on the Internet might feel like no more than a breeze. But they nonetheless cause real psychological damage. Recently a thesis written by actress Park Jin-Hee for her master's degree in social welfare caused a stir. In a survey of 240 actors, nearly 40 percent replied that they suffer from some level of depression, and have considered suicide. 20 percent took specific steps toward committing suicide, such as purchasing drugs. Park pointed to negative comments received through the Internet as one of the causes of stress suffered by those actors, along with more regular worries like career stability.

When the anti-fans are not attacking the celebrities they hate, they attack the fans of the celebrities they hate. The most infamous case would be the massive hair-pulling street fight between the fan club of H.O.T. and that of Sechs Kies, rival boy bands of late 1990s. Such actual conflicts have subsided since, but low-intensity versions of such conflicts happen to this day. For example, at a joint concert in 2008 featuring multiple boy/girl bands, the fan clubs of Super Junior and SS501 went quiet on purpose when Girls' Generation appeared on the stage. The concert organizers also paused the concert 20 minutes into the show because of potential clash between fan clubs.

How do anti-fans come to hate certain celebrities? As seen from above, it is often about rivalry and jealousy. But a worrisome number of anti-fans seem to hate celebrities "just because." When one reads the posts on the anti-fan sites (the Korean won't link them; he knows better,) the amount of blind hatred in the form of doctored pictures, baseless rumors and vile death wishes is simply stunning. There are some who attempt to give a somewhat rational reason (for example, one commenter at a Girls' Generation anti-fan site apparently hated the group because they were untalented,) but those people are few and far between, and the stated reasons are wildly disproportionate to the intensity of hate expressed on those sites.

To be sure, celebrities everywhere attract their fair share of hateration. As of this moment, 41,562 people "like" the "I HATE LADY GAGA" Facebook page. But the intensity of Korea's anti-fans and their willingness to do much more than quickly clicking the "like" button on a Facebook page are quite something else. What is it about Korea that contributes to this?

More after the jump.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.


Wednesday, October 06, 2010

Ask a Korean! News: Nambuk Story on North Korean Succession

It's official -- the 27-year-old (seriously!) Kim Jong-Un, son of Kim Jong-Il, is named as the successor. There is plenty of coverage about Kim Jong-Un, but not nearly enough about other family members of Kim Jong-Il who are also rising to prominence. And as always, Mr. Joo Seong-Ha of Nambuk Story has got that covered.

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Kim Jong-Un was officially introduced as the successor as he was appointed to be a general at North Korean Labor Party Representatives Meeting. Also, his aunt Kim Gyeong-Hee was appointed as a general of North Korean military, establishing the "Kim Jong-Il Family Management System." It appears that Kim Jong-Il's governing style, thus far appointing his lackeys formally at major posts for him to micromanage, will also change toward the family at major posts operating those areas. At the core of establishing family management system are Kim Gyeong-Hee and her husband Jang Seong-Taek.

In particular, the most prominent part of the appointments is the fact that Kim Gyeong-Hee was elevated to a general, soaring into the core of the power. In addition, Jang Seong-Taek -- Kim Jong-Un's uncle by marriage -- is already the chairman of administration of the Labor Party, having a firm grip on North Korea's security apparatus. Last April, He was also appointed as the vice chairman of the National Defense Committee, the highest power organization of North Korea. Much interest is commanded on what role the husband-and-wife patrons Kim Gyeong-Hee and Jang Seong-Taek will pay in order to assist Kim Jong-Un's succession plan.

Who is Kim Gyeong-Hee?

Kim Gyeong-Hee, who received the title of "general" on the 28th, is well known for being Kim Jong-Il's only sister, aunt of Kim Jong-Un and wife of Jang Seong-Taek. But the past of Kim Gyeong-Hee as a person is not very well known.

Kim Gyeong-Hee was born as the third child of Kim Il-Sung on May 30, 1946. At birth Kim Gyeong-Hee had two older brothers, Yura (childhood name of Kim Jong-Il) and Shura. But Shura drowned in a lake several months after Kim Gyeong-Hee was born. There are stories that as Shura was splashing in a knee-deep lake, the terrified Kim Jong-Il who was playing with him could only hide and watch. Afterward, when Kim Il-Sung wanted to scold Kim Jong-Il, he frequently said, "That's why you could only watch as your brother drowned." It is said that it was Kim Jong-Il's Achilles' heel.

In 1949, when Kim Gyeong-Hee was three years old, her mother Kim Gyeong-Sook also died while giving birth, as she could not stop bleeding. Afterward, Kim Il-Sung lived with the daughter of Hong Myeong-Hee, author of the novel Im Ggeok-Jeong. After liberation, Kim Il-Sung married Kim Seong-Ae, who was a secretary working with Kim Il-Sung. As Kim Seong-Ae became her stepmother, Kim Gyeong-Hee spent her childhood unloved, which had a large influence on her emotional development.

Kim Gyeong-Hee's looks and personality very closely resemble those of her mother Kim Jeong-Sook. Kim Jeong-Sook was a tough woman who won Kim Il-Sung's love with sheer devotion of, for example, drying Kim Il-Sung's underwear with her body heat during the negative 30 degree cold during their years as communist guerrillas. There is a story that when young Kim Il-Sung cheated on her, Kim Jeong-Sook had Kim Jong-Il stand against the wall with an apple on his head. Then she told Kim Il-Sung, "Don't sleep around if you want to save your child," and shot the apple with a pistol. Even Kim Il-Sung feared Kim Jeong-Sook.

Kim Gyeong-Hee's personality is well demonstrated through her dating Jang Seong-Taek. Originally, Kim Il-Sung was planning to get a son-in-law from the military, so that Kim Jong-Il would assist him within the Party and the son-in-law would assist him within the military. But Kim Gyeong-Hee was deeply into Jang Seong-Taek, who was her classmate. Kim Gyeong-Hee would tease Jang Seong-Taek, who sat in front of her, by tickling his ear with a blade of grass. They eventually fell in love.

To stop this, Kim Yeong-Ju, brother of Kim Il-Sung, transfer Jang Seong-Taek to Wonsan University of Economics. But it is said that Kim Gyeong-Hee would drive her father's car herself down to Wonsan, doing laundry for Jang Seong-Taek at his dormitory. The faculty at Wonsan University would be in an emergency because they thought the Great Leader was making an unannounced visit, and would be surprised when a young woman gets out of the Great Leader's car to walk to the dormitory. Kim Il-Sung and Kim Jong-Il had to capitulate to her stubbornness.

But the marriage with Jang Seong-Taek was not very smooth. A persuasive rumor says they do not have any children. There are stories that there was one daughter named Jang Geum-Song who committed suicide, but there is also a rumor that she was adopted.

Kim Gyeong-Hee, dissatisfied with her married life, hit the bottles since the 1980s. According to Fujimoto Kenji, a Japanese chef for Kim Jong-Il, recalled in his memoir that Kim Gyeong-Hee would drink whiskey like wine, and she was unstoppable when she became a belligerent drunk. Fujimoto also wrote that Kim Gyeong-Hee was catty toward Jang Seong-Taek, and treated Jang like a subordinate or a house servant, yelling in front of many people, "Drink more, Jang Seong-Taek." According to Fujimoto, Jang could say nothing.

Since her brother was nominated as the successor, Kim Gyeong-Hee was the subcommittee chairwoman and then the vice chairwoman of the Labor Party's Committeeon International Affairs. She was appointed to be the chairwoman of the Labor Party's Committee on Light Industries in 1987, and was in that post since then. Chairwoman of Light Industries Committee was a seat that was somewhat removed from the power center.

But regardless of the position, Kim Gyeong-Hee played a very important role, albeit unknown to the outside world, for her brother. As her brother Kim Jong-Il changed his women in the order of Seong Hye-Rim, Kim Yeong-Sook, Go Yeong-Hee and Kim Ok, Kim Gyeong-Hee handled the dirty work. She was like the queen in feudal Korea. It is said that Kim Gyeong-Hee was the one who blocked the new of Kim Jong-Nam's birth between Kim Jong-Il and Seong Hye-Rim from reach the ears of the father Kim Il-Sung. She was also was the one who sent Seong Hye-Rim to Moscow after Kim Jong-Il feel for Go Yeong-Hee.

It is said that Kim Jong-Il's women were terrified of their sister-in-law Kim Gyeong-Hee. Kim Jong-Il's children also grew up in Kim Gyeong-Hee's interest. Beyond this, Kim Gyeong-Hee handled the marriage of her husband Jang Seong-Taek's brothers, sisters, nephews and nieces.

Kim Gyeong-Hee, who has directly managed the growth of the royal family, accepted a new role in 2010. Instead of being a quiet supporter, she emerged on the forefront as an active patron so that her nephew can succeed the regime without difficulty. In particular, Kim Gyeong-Hee's rapid emergence appears to imply that as far as the succession issue is concerned, Jang Seong-Taek is not fully trusted either.

Who is Jang Seong-Taek?

Jang Seong-Taek, vice chairman of the Labor Party's National Defense Committee and Kim Jong-Il's brother-in-law, is noted to be the person with the greatest role in Kim Jong-Un's succession while Kim Jong-Il is in ill health.

Jang's father is said to be a colonel in the military. Jang was born in 1946 in Cheonnae, Gangwon-do to an unremarkable home. As Jang was admitted to Kim Il-Sung University and became classmates with Kim Gyeong-Hee, his destiny would change completely. Kim Gyeong-Hee was enthralled by Jang, who was not only a good organist but also a good-looking smooth-talker, and married him despite her family's opposition.
Jang, who suddenly became a part of the royal family from his low beginning, did his best to win the heart of Kim Jong-Il since then. In the mid-1970s when Jang was a chair of Subcommittee on International Affairs in the Committee on Organized Instructions of the Labor Party, Jang built a luxurious villa for Kim Jong-Il for the purpose of relaxation. It is also known that around this time, North Korean diplomats began to sell narcotics to establish the "loyalty fund."

In 1978, Jang -- who liked to drink and party -- began to host feasts like the ones held by Kim Jong-Il, with his cronies and women. This was caught in Security Bureau's surveillance, and was reported Kim Jong-Il. Kim Jong-Il was enraged. It was infuriating that his brother-in-law, living with his sister, would party with other women, but even more infuriating was Jang dared to imitate him. Jang had to be "revoluntionized" by working as a pit boss at Gangseon Steel Mill for two years.

In 1989, Jang was appointed to be the chairman of the Labor Party's Committee on Youth Organization, and in 1995 he was appointed to be the chairman of the First Committee on Party Organization. But because he was Kim Jong-Il's brother-in-law, Jang (referred to as "Chairman Jang") lived as the Number Two in power since 1980 regardless of his position.

Jang Seong-Taek faced another adversity in 2004. Kim Jong-Il, long suspicious of the fact that Jang planted his people in major positions of the regime, relegated Jang in the name of "causing division" and "wasteful spending." Jang's men in key positions were all dragged to gulags for political prisoners or "revolutionized" in rural areas. In 2006, Jang returned to power as the chairman as the Committee on Labor Organizations and Capital Construction. But as he reached the bottom twice because of Kim Jong-Il's orders, Jang appears to be perfectly obedient to Kim Jong-Il's orders.

Outside of North Korea, people debate either Jang is a reformist or a conservative. But Jang is no more than someone who will do anything to preserve his position and win Kim Jong-Il's favor, and his stance can always change. This is the lesson he has learned through 40 years as a royal in-law. Thus, it seems likely that also in the process of Kim Jong-Un's succession, Jang will lower himself and be absolutely loyal so as not to be out of Kim Jong-Il's good side.

How do North Koreans view many civilians being promoted to generals?

It is unprecedented for North Korea to award the title of "General of the People's Army" to civilians such as Kim Jong-Un, the aunt Kim Gyeong-Hee, former acting secretary of the Hwanghaebuk-do Labor Party Choi Ryong-Hae and chairman of the Party's Committee on Organized Instructions Kim Gyeong-Ok. There are cases in which a high-ranking military general would quit the military, assume a major post of the Party or the government, then return to the military. But there is no case in which a pure civilian was appointed to be a high-ranking officer of the North Korean military. The only exception so far was when Kim Jong-Il received the title of Supreme Commander, as he was appointed to the chief leader of the North Korean military in 1992.

It was expected that Kim Jong-Un would be appointed as a general. After Kim Jong-Un was selected to be the successor, North Korean regime described him as "Comrade General Kim" in the propaganda. But no one expected Kim Gyeong-Hee, Choi Ryong-Hae and Kim Gyeong-Ok to become generals.

Particuarly surprising is Kim Gyeong-Hee's appointment. There are only five female generals in the history of North Korea, and all of them were brigadier generals. In the early 1990s, North Korea's Mansudae Creative Company [TK: a propaganda art factory] did make an oil painting depicting Kim Gyeong-Hee, dressed in a general's uniform and smiling at the top of Mt. Baekdu along with Kim Il-Sung in his Great Supreme Commander uniform and Kim Jong-Il in his Supreme Commander uniform. But no North Korean would have expected that the depiction would come true.

It appears that ordinary North Koreans would react cynically to this round of appointments. Even in 1992 when North Korean system was relatively functional, people gossiped about Kim Jong-Il's appointment as the Supreme Commander that "It's ridiculous to have someone whose experience is no more than playing soldiers as a child as the Supreme Commander." At this time when the people's loyalty completely evaporated, it is easy to guess the people's reaction. In particular, in North Korea where the idea of male superiority is strong and nearly all men have military experience, it would be difficult to accept that a woman without any military experience is suddenly appointed as a general only because she is the sister of Kim Jong-Il.

North Korean generals are organized from the top as Great Supreme Commander, Supreme Commander, Vice Supreme Commander, Four-star General, Three-star General, Two-star General and One-star General. [TK: The appointees are Four-star Generals.] Among them, only Kim Il-Sung is the Great Supreme Commander. There were four Supreme Commanders:  Kim Jong-Il, Oh Jin-Woo, Choi Gwang, Lee Eul-Seol. Oh Jin-Woo and Choi Gwang are dead. There have been 13 Vice Supreme Commanders so far, and dozens of Generals. Even a Vice Supreme Commander would naturally bow to lower-ranked Kim Gyeong-Hee and Kim Jong-Un. Some say the title of general for Kim Gyeong-Hee is an honorary one, but there is no such thing as an honorary general in North Korea.

Personally when I heard the news that Kim Gyeong-Hee was appointed as a general, I thought, "North Korea finally dropped all pretense." I felt that the devastating finale was near.

인간적으로 본 김경희와 장성택 부부의 삶 [Nambuk Story]

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Sunday, October 03, 2010

Ask a Korean! News: Interview with Mahbub Alam

One Korean movie that generated a lot of buzz last year is Bandhobi, which was one of the first major Korean film that dealt with immigrants into Korea from poorer Asian countries. The star of the movie, Mahbub Alam from Bangladesh, recently gave a very interesting interview with Dong-A Ilbo. Below is the translation.

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"An Earthling Living in Korea" -- Mahbub Alam's "Love in Korea"

Star of the movie Bandhobi, depicting the realities of migrant laborers
Wants to make feature length movies and a charter school in Bangladesh

He is called the Denzel Washington of Korean independent movies. Mahbub Alam, 33-year-old former migrant laborer from Bangladesh, made his name in the world through Bandhobi, a movie depicting the friendship between a Korean girl and a young Bangladeshi migrant worker. He also starred in 5-6 independent movies including Where is Ronny and The City of Crane, and produced independent documentaries such as People Driven Away and Returnee. He was also in a radio station for migrant workers, served twice as the chief organizer of Immigrant Foreigner Movie Festival that he established five years ago and published a book titled, I am an Earthling.

In the book, he calmly describes his 30-odd years of life, living as an "Earthling" who brought down the walls of race, religion and class as a young immigrant living in Korea. Currently, he finished filming and editing his third documentary Love in Korea and in the middle of finalizing it.

Q:  You have done a lot of different things, and are doing a lot of different things right now. How do you introduce yourself?

A:  I don't know, that's kind of difficult (laugh). "Movie personality" would be correct, to give a short one, because I appear in movies and I am making movies.

Q:  Bandhobi was not your first movie, right?

A:  Right. Totally by accident, I appeared in a short film called "Dream of Revenge" in 2005. At first when I was offered a part, I was very curious. I was in an acting club in Bangladesh, so I still had some thoughts about seriously acting. The movie was also about migrant workers, so I figured let's give it a shot. But it was awkward to see my face on a huge screen for the first time. (Laugh.)

Q:  Then you kept working in movies?

A:  I actually held a camera even before that.  I was working in a factory, then learned about the "Media Movement" as I was protesting against the Employment Permission Act [TK: law regarding migrant workers] in early 2000s. I began making films since 2002, and made some migrant laborer-related programs for RTV, a citizen-sponsored television station afterwards. Now I don't really do any more broadcasting work other than appearing on personal documentaries once in a while.

Q:  You must have a different perspective on Korean media as an immigrant. There is an increase in programs about multiculturalism on network television. What are your thoughts?

A:  I have been speaking a little too much about this... (laugh). I want the media to have more different stories. That's why I started broadcasting also. Existing network TV has two perspectives on immigrants -- really sad, or funny. Recently it changed a little, but it is still frustrating. For example they might watch Love in Asia and shed some emotional tears, but there is story about why they live such sad lives. At one point whenever I walk on the street, children would tease, "Bad manager!" because of a skit in a comedy program. They see me only as a sad factory laberor who of course has to work under a bad manager because I am an immigrant with dark skin. Always the sense of looking down from up high, always seen as someone who needs help -- from my point of view it has to be unpleasant. Those are the programs that either make me appear sad or funny.

Q:  But isn't it true that many multicultural families do require assistance? If they do not appear to be people who need help, wouldn't people question why assistance is necessary?

That's correct. It is true that many immigrant and multicultural families need assistance. But the means of assistance is a problem. You can rely on assistance to a degree, but you can't receive public assistance all your life. But places like migrant centers only tries to give assistance. From the recipient's point of view, he only would only think of himself as someone to be helped; there will be no growth. This type of assistance is being repeated over and over again.  This is a matter of perspective. Of course "Global Beauty Talk" in a good entertainment program in this respect. But there, only the well-off people come out, which is opposite of Love in Asia. I am not saying those two are problems; the problem is that there are only those two. Also there needs to be some thought over the many immigrants who come for reasons other than international marriage and forming a multicultural family. Korea seems to only have discussions revolving around marriage immigrants.


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Mahbub Alam first came to Korea in 1999. Majored in accounting in college, he at one point planned to study abroad in Helsinki, Finland, but chose Korea where his brother was living in order to pay for his mother's hospital bill. He initially intended to leave after two or three years, but now he has been living in Korea for 11 years. He married a Korean woman in the meantime, and is currently preparing to naturalize.

Since his immigration 11 years ago, Alam has been consistently active in the indie movie field.

Q:  At first you came to Korea for a simple reason -- to earn money for your mother's hospital bill. But now it seems like it got more complicated.

A:  No, it's simpler than people think. (Laugh.) At first I had a goal to earn money quickly and go home because my mother was sick and having a hard time. But she passed away six months after I came to Korea. The person I wanted to go back and see disappeared. So my goal disappeared. Afterward I met my wife here, and developed other relationships. So I ended up staying in Korea longer.

Q:  Do you not miss Bangladesh, the place itself, as your hometown?

A:  Obviously my mother was the most important part for me, but I do have places and people I miss. But now that I see them again in Bangladesh, I do feel that both us changed a lot. For example, I surprise myself when I feel frustrated with the way my Bangladeshi friends live. And when I got lost on the streets -- I never get lost in Seoul -- I think to myself, "Oh, I have become Korean." Hometown... it's about memories. If I leave Korea and settle in still another country, I will have that kind of feelings about Korea also. Hometown is not so much about the roots or the people, but more about family, friends ... that's what comes first for me.

Q:  It seems like you must have had many difficulties while living in Korea.

A:  I experienced the same difficulties that many immigrants face. It's been nearly 12 years since I came to Korea, but every day I hear questions about which country I am from, how long I have been here. That's stressful. But there are more good things, and that's why I live in Korea. I consider myself a Korean. I live in Korea, I do a lot of things in Korea, and have a lot of friends. So I consider myself a Korean, and consider Korea's inequality issue as my problem. Instead of blaming it wholesale, I think we should try to think about it together and resolve it.

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I met Mahbub Alam through a different reporting assignment. I contacted him to write an article about multicultural family in relation to couples of Third-World country men and Korean women, but he courteously declined, saying, "I am ok with it, but it is diffcult to put my wife in the spotlight," adding, "We received a lot of guff on that topic." The movie Bandhobi announced him to the world, but he paid the price.

Mahbub Alam dreams of living as a Korean and destroying Koreans' prejudice.

Q:  How did you get to star in Bandhobi?

A:  I knew Director Shin Dong-Il from starring in My Friend, His Wife. Afterward he asked for my help making Bandhobi. I thought it was interested because the concept was the story of immigrant laborers of Bangladeshi background. I ended up interfering a lot because I was giving advice about things that made no sense in Muslim culture in the screenplay. Then the director and I had to cast the main character, but that was pretty difficult. The guy has to be good-looking, should be legal, should be able to speak Korean -- it was hard to find that kind of person around us. So I suggested, "How about I do it?" (Laugh.) The director was surprised at first, but let me do it with a condition because I persisted. The condition was to quit all my jobs to concentrate on the movie, and lose weight. I was not a professional actor, but I wanted to do a good job. So I quit everything I was doing -- including all my broadcasting work -- and even got acting lessons. I also dropped 12 kg. Obviously I gained it all back after the movie. (Laugh.)

Q:  People must recognize you after Bandhobi.

A:  There are people who recognize me sometimes. It was a low-budget movie and did not have much viewers, but there are people who do. Especially at movie festivals -- people coming toward me saying, "Bandhobi." It's pretty fun.

Q:  On the other hand, I heard you also received threatening phone calls.

A:  Bandhobi was liked by a lot of people and it was a new attempt, but personally it was a movie aimed to make people think about the problems of Korean society. People who hated it ganged up on me to attack. Really negative comments on the Internet, threatening or protesting calls to my job or friends ...

Q:  Protest?

A:  Telling me to keep quiet, why I would make a movie like that. I don't know how they found out, but one of them called me to tell he will murder me. There was not much substance to it. He was just saying why a dark foreigner was dating a Korean woman. I was just acting in a movie, and the whole thing was really about the director, but the protests were only aimed toward me.

Q:  The director did not receive any protest?

A:  Strangely, no. It's his movie! (Laugh.) So I thought about it. There is a lot of international marriage in Korea, but it was not a problem if a Korean man dates or loves a woman from another country, and only the opposite is the problem. I actually felt that way as a person who married internationally; if Bandhobi was about a Bangladeshi woman and a Korean man, there would be no talks.

-------------------------

Since Bandhobi of last year, he has been active as a film personality. While he is making his own movie, he appears in wherever that requires his acting, regardless of genre. He starred in television dramas such as Queen Seondeok, and played the main character in The City of Crane, which opened last May.

Q:  Even considering The City of Crane was a low-budget film, its opening was not even very much publicized.

A:  It is one of five works in "Meet Korea" series sponsored by Arirang TV, but maybe they did not have enough budget for marketing. Personally I was a bit disappointed. At least it showed in a few movie festivals abroad, and it keeps showing somewhere.

Q:  You seem happy with your work.

A:  I don't know about other works, but I really liked it in The City of Crane. Director Moon Seung-Wook has a lot in common with me. He once said he was a stranger in Korea too; he was studying abroad for 10 years, and felt difficulties when he returned to Korea. This movie was a mockumentary, and had no screenplay. I was really satisfied with excessive reality. What I felt lacking in Bandhobi or Where is Ronny was, like I said earlier, they cannot get away from the feel in Love in Asia. This nice, naive immigrant laborer doesn't receive his salary or gets fired arbitrarily ... a character eliciting sympathy. The movie might need one, but as an actor it did not feel enough for me to play only that. But in The City of Crane, the Korean woman is more like an immigrant and my character acts all big. (Laugh.)

Q:  What movies do you like?

A:  Recently I really enjoyed The Poem.  I like movies by Lee Chang-Dong. I watch a lot of Korean movies, and I love them. Korea really knows how to make movies. The problem is, actually making them is so hard. So obviously I worry about it -- whether I will have any future in this.

Q:  What are your plans for the future?

A:  Right now I am in a project to discover immigrant artist, sponsored by one regional cultrual foundation. I am planning a camp that discovers immigrant artists, in which they talk about how to communicate and strengthen their network. Personally, a cable TV offered me a part in a sitcom. That will start shooting in November, but nothing specific yet. And right now I am finalizing Love in Korea, the movie.

Q:  What is Love in Korea about?

A:  It's also a documentary, all based on real stories. There were nine people who came from Bangladesh to shoot a movie, and six of them -- including the director -- disappeared. The director produced 22 commercial films, but he just disappeared like that. So as I visit them, the movie talks about why they migrated. It is nearly done, and it will open this year if I'm lucky.

Q:  What are your dreams now?

A:  I want to make a feature length movie. And really far into the future, I want to build a charter school in Bangladesh. I want to teach children with media, culture and art education. I would invite Korean artists as guest lecturers to teach the children.

'한국에서 사는 지구인' 마붑 알엄의 '러브 인 코리아' [Dong-A Ilbo]

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Wednesday, September 22, 2010

Ask a Korean! News: Why Koreans Eat Rice Cake on Holidays

Hope everyone is having a good chuseok, and eating a lot of songpyeon. Here is an insight on why Koreans eat rice cake on holidays like chuseok, from the always-informative food blog 악식가의 미식일기.


Why We Eat Rice Cake on Holidays

To cook rice, a pot is necessary. Up until the three kingdoms era, metal could only be used for weaponry. In other words, a pot made of cast iron to cook rice with was not in the kitchen. Among the artifacts of that era, steamers (siru, 시루) is the most prevalent among the artifacts having to do with eating. Thus, one can surmise that not rice, but rice cake was the staple.

Before a centralized state's formation was complete, Koreans have long lived a tribal life. Such tribe likely would have been formed based on blood ties. Also, there would have been more property common to the tribe rather than privately owned properly. While it would have been difficult for the whole tribe to cook and eat at the same time, but at least those who recognize each other to be belonging to a single family tree would have cooked together. Tracing back to the memories of the single last name villages that existed throughout Korea's rural areas as recently as 40 years ago, up to fourth cousins were considered a single family. The range would have been greater in the past.

At this point, we can imagine our ancestors cooking together. Even the steamer would not have been that common, and maintaining the fire would have been particularly difficult. Thus, one can imagine several extended families within a tribe coming together to take care of their meals. Our ancestors, setting powdered grain on a steamer, steam up rice cake, then sitting in a circle to eat. Thus, rice cake is the food of the community.

Cast iron pot appears to have become prevalent as a cooking tool around Goryeo Dynasty. This is the point at which rice becomes a regular meal. Each family's kitchen had a pot, and by then only a family ate together at a meal. "Eating rice from the same pot" [TK: a Korean idiom meaning "sharing affinity"] has come to mean that they were a family. Thus, rice is the food of the family.

We make rice cake on holidays such as chuseok or New Year's Day. Or at least, we buy rice cake to eat. It is a form of reminiscing the nostalgia for the community long, long ago. Our rice cake holds our people's ancient spirit of community.

명절에 떡을 먹는 이유 [악식가의 미식 일기]

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Sunday, September 19, 2010

How to Hold Jesa

Dear Korean,

I came across your blog while doing a search for 제사 procedures. I can't seem to find anything in detail in English, and the Korean is way over my head. We are coming up on the 4th year since my mother passed. In the past, we have done the ceremony at a local temple that set everything up for us and we just paid and attended the ceremony. This year though, we have moved and there is no temple near us. I am thinking we are going to have to do it at home, but have no idea how or what I even need to do!

Any tips as far as food-wise, table settings, and anything else that we're supposed to do?

Thanks,

Alicia

P.S. I am the only child - and a girl by the way. It would just be me and my husband doing the ceremony.


Dear Alicia,

First off, a quick explanation on what jesa (제사) is -- jesa is a memorial ceremony for the dead. In fact, there are many different types of jesa, because technically it is a general term for memorial ceremonies of all types. The types include: myoje (묘제), held at the grave; sije (시제), held every season; charye (차례), held on major holidays like Lunar New Year's Day and Chuseok, etc. But currently when Korean people speak of jesa, they are mostly talking about gijesa (기제사) -- the kind held once a year, on the day the person passed away.

Jesa is very, very important in Korean culture. It is one of the few traditional ceremonies that Korean people still follow faithfully, often without regards to particular religion. For example, one of the reasons why Catholicism was able to make inroads with Korea faster than Protestantism is that Korean Catholics are allowed to hold jesa, per decree from Pope Pius XII in 1939. (Protestants of Korea held out longer -- while majority of Protestants in Korea do not hold jesa, a significant number still holds jesa or a modified form of one.) In fact, in a family life jesa is as important as a birthday. After all, it only makes sense that if there is a birthday, there also is a deathday.

The Korean will describe a model way of jesa below, be mindful that this ceremony is both highly adaptive and geography specific. Each family of different regions of Korea holds things with different food and different order. In fact, the Korean had to pause about whether this would be applicable to Alicia at all, because she mentioned that her jesa was held at a temple -- which could mean that her mother was a Buddhist, who have slightly different procedures.  Also, because of the convenience of modern Koreans, certain things are abbreviated. But for the sake of everyone who might be interested in a model jesa, here is one model that is fairly common.

Logistics of Jesa

First of all, who is honored by jesa? As of today, the common practice is to hold jesa (i.e. gijesa, the "deathday") for up to your (paternal) grandparents. The ancestors beyond the grandparents level are honored through the other kinds of jesa, namely the ones held on major holidays, etc. If both of one's parents passed away, a single jesa is held for both of them together, on the jesa day of the father. (You will soon notice that much of this process is pretty sexist, but that's how traditions generally are.)

Who holds a jesa? The oldest male heir does. For a jesa for parents, the oldest male heir is the oldest son. For a jesa for grandparents, assuming there is no surviving male child of the grandparents, the oldest male heir is the oldest male child of the oldest male child of the grandparents. So for example, if the Korean Parents were to pass away, the Korean -- the oldest male child of the Korean Parents -- would hold the jesa for the Korean Parents. The Korean Grandfather has already passed away, and his jesa is held by one of the Korean Uncles, who is the oldest male child among the five that the Korean Grandfather had. If the Korean Uncle passes away, the grandfather-jesa duties would go to the oldest son of the Korean Uncle, i.e. the Korean Cousin. Just to trace back a little bit further, just for fun -- the Korean Grandfather was the last child among the three brothers, so the jesa for the Korean Great-Grandfather is held at the Korean Father's Cousin's house -- who is the oldest son of the Korean Grandfather's oldest brother.

Alicia's parents apparently passed away without a son, so technically her parents do not receive a jesa because only men are allowed to hold jesa. This is one of the major reasons why having a son in traditional Korea was such a huge deal. But in modern Korea, especially in cases when parents die without a son, daughters with their husbands hold jesa nonetheless.

When exactly is the date and the time of the jesa? The correct answer is "the earliest possible time on the day the person passed away," which means the midnight of the date of death. (A common threat in Korea is "Today is your jesa day," i.e. today is the day you die.) Practically, this means that people actually gather for jesa on the day before the date of death, so that jesa may begin exactly at 12 midnight of the next day. One tricky part is that because Korea traditionally has used a lunar calendar, jesa date is also traditionally determined by lunar calendar as well -- which means it changes from year to year on a solar calendar. But in modern Korea, following only the solar calendar is acceptable.

Be sure to be dressed properly. No need to go crazy with traditional garbs, but men generally wear a suit and women wear conservative dresses. 

More after the jump.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com

Monday, August 23, 2010

50 Most Influential K-Pop Artists: 48. Dongmulwon

[Series Index]

48.  Dongmulwon [동물원, "Zoo"]

Years of Activity:  1987-2003

Members:

Regular Members
Yoo Joon-Yeol [유준열] - Vocal, guitar
Park Ki-Yeong [박기영] - Vocal, keyboard
Bae Yeong-Gil [배영길] - Vocal, guitar

Temporary Members
Kim Chang-Gi [김창기] - Vocal, guitar
Park Kyeong-Chan [박경찬] - Vocal, guitar, keyboard
Lee Seong-Woo [이성우] - Vocal, guitar
Choi Hyeong-Gyu [최형규] - Drum
Kim Gwang-Seok [김광석] - Vocal

Discography:

Regular Albums
Dongmulwon [동물원] (1987)
Dongmulwon Second Collection of Songs [동물원 두번째 노래 모음] (1988)
Dongmulwon Third Collection of Songs [동물원 세번째 노래 모음] (1990)
Dongmulwon Fourth Collection of Songs [동물원 네번째 노래 모음] (1991)
Dongmulwon 5-1 [동물원 5-1] (1993)
Dongmulwon 5-2 [동물원 5-2] (1993)
Dongmulwon 6 [동물원 6] (1994)
Dongmulwon Seventh [동물원 일곱번째] (1997)
Dongmulwon Eighth Story [동물원 여덟번째 이야기] (2001)
Dongmulwon Ninth Footprint [동물원 아홉번째 발자국] (2003)

Special Albums
Dongmulwon in Concert [동물원 in Concert] (Live, 1994)
Dongmulwon Revisited [다시 가본 동물원] (Compilation, 1996)
Dongmulwon Best [동물원 베스트] (1999)

In 15 Words or Less:  The amateur representative of Korean folk rock.

Representative Song:  Hyehwa-Dong, from Dongmulwon Second Collection of Songs.


혜화동
Hyehwa-dong

오늘은 잊고 지내던 친구에게서 전화가 왔네
Today, a phone call came from a friend I had forgotten
내일이면 멀리 떠나간다고
Tomorrow he is going very far away
어릴적 함께 뛰놀던 골목길에서 만나자 하네
Says let us meet at the alleyway where we ran and played as children
내일이면 멀리 떠나간다고
Tomorrow he is going very far away

덜컹거리는 전철을 타고 찾아가는 그 길
The way over, taking the rumbling subway
우린 얼마나 많은 것을 잊고 살아가는지
How many things have we forgotten as we live
어릴 적 넓게만 보이던 좁은 골목길에
The narrow alleyway that seemed so wide when we were young
다정한 옛친구 나를 반겨 달려오는데
My good old friend runs to greet me

어릴적 함께 꿈꾸던 부푼 세상을 만나자 하네
Says let us meet the beautiful world we dreamed together as children
내일이면 아주 멀리 떠나간다고
Tomorrow he is going very far away
언젠가 돌아오는 날 활짝웃으며 만나자 하네
Says someday when he comes back let us meet with big smiles
내일이면 아무 멀리 간다고
Tomorrow he is going very far away

덜컹거리는 전철을 타고 찾아가는 그 길
The way over, taking the rumbling subway
우린 얼마나 많은 것을 잊고 살아가는지
How many things have we forgotten as we live
어릴 적 넓게만 보이던 좁은 골목길에
The narrow alleyway that seemed so wide when we were young
다정한 옛친구 나를 반겨 달려오는데
My good old friend runs to greet me


랄라 랄라라 랄라랄라라 라랄라랄라라
Lala Lalala Lalalalala Lalalalala
우린 얼마나 많은 것을 잊고 살아가는지
How many things have we forgotten as we live

Translation Note:  Hyehwa-dong is a district in the center of Seoul, with many colleges, theaters and coffee shops.

Maybe they should have been ranked higher because...  Actually, this is about as high as this band could possibly go.

Maybe they should have been ranked lower because...  See the discussion below.

Why is this band important?
The Korean can already hear the objections of those who are conversant at K-pop. Clazziquai at 49, but Dongmulwon at 48? Dongmulwon never once had a number one song on the charts. It never had a huge media presence, nor did it ever attract a screaming horde of girls. It was not even very musically talented, as it was a band made up of a rotating group of amateurs. Their songs do not require a huge range of voice, nor do they require a particular skilled hand at the guitar. Perhaps at that point the objectors might recall that this list is subject to the Korean’s arbitrary and capricious whim, and stop reading altogether.

But the Korean’s ranking is not completely off the reservation. The Korean believes his placement of Dongmulwon at 48 is justified, because of the significance of folk rock as a genre in K-pop history, and Dongmulwon’s significance within that genre cannot be discounted.

Let us ask the basic question one more time: What is K-pop? The Korean defined this term earlier as popular music of Korea, recorded for commercial purposes. While this definition does a decent job at defining what “pop music” is, it has a glaring deficiency – what does “music of Korea” mean? Does this mean that the music has to be sung in Korean language? Does this mean that the singer of the music have to of Korean ethnicity?

Implicitly, the Korean so far has been employing a broad definition of “music of Korea” – music of artists who were/are primarily active in Korea, such that their music operates within Korean popular culture. But perhaps a different definition can be used – a definition that refers to Korea as not merely as a geographical location, but as a cultural and spiritual sphere. Under this definition, “music of Korea” would simply mean: music that reflects “Koreanness,” the emotional core that characterizes Korea.

To be sure, the two definitions are not mutually exclusive. Generally, music that survives in Korean popular culture does so because it contains some measure of “Koreanness” that appeals to its fans, i.e. Koreans. But in discussing influence – which, again, is what this chart is intended to measure, not popularity, talent or fame – the Korean thinks it is fair to give a higher mark to artists who did a better job at reflecting “Koreanness”. This is so because the popular music that survives in the minds of the public (i.e. becomes influential) is the one that reflects the essential zeitgeist of the times.

In fact, this is exactly the reason why pretty girl/pretty boy artists across the world receive no respect for the aesthetic quality of the music they perform. Pretty people exist across the space and time. So do banal and saccharine love songs. They simply do not reflect any essential quality of their life and time. Accordingly, Bob Dylan’s music survived the times and remains influential, but Britney Spears’ did not.

Korean folk rock is the most significant K-pop genre because it is the genre that did the best job at reflecting the life and times of Koreans. For all of Clazziquai’s considerable talent, there is not much about techno/electronica that reflects the emotional core that is particular to Koreans. Same with heavy metal, and even less so with ballad or generic dance music. (A more serious case might be made for trot or rap, which will be discussed later in the series.) This is so because folk rock is a message-driven music. The music itself in folk rock is never complicated – many of the times it only involves a single guitar. The main focus of folk rock is always about the message carried in the lyrics, contained the simple and flexible vessel of its melody.

Dongmulwon is important because it is one of the finest representations of what folk rock in Korea is all about. The band was made up of rank amateurs, friends from high school and college. It was no more than a hobby, and except for a few members who left the band to become professional musicians (among which the most notable was Kim Gwang-Seok, who later became a legend,) everyone had a day job. None of their songs involved sophisticated tunes or particularly outstanding singing. But they nonetheless managed to put out nine albums over 15 years, exactly because they did such an outstanding job reflecting exactly how Koreans were feeling at the time of their music.

In fact, Dongmulwon’s most representative songs are all about certain recognizable places. Other than Hyehwa-dong that was translated above, their most popular songs were On the Street [거리에서] and At the Subway Station in front of the City Hall [시청 지하철역에서]. Because the places are familiar to their listeners (although not necessarily for non-Koreans or Koreans of later generations,) the emotions that are evoked by those places are also familiar.

Since late 1980s through 1990s, Korea was a fast-changing place that left every Korean feel rushed and hurried. As the dictatorship was ending, Koreans were freer but not too free; as the country industrialized, Koreans were not poor but not too wealthy. Hyehwa-dong is a beautiful representation of the zeitgeist of such times – vague sense of loss and fatigue caused by changes, but small joys that spring up regardless. The friend is leaving, but they will see each other one more time. The alleyway now seems small, but it carries fond memories.

Dongmulwon was never the most prominent figure in K-pop history. But the band is important because decades later, people will turn to their songs to reminisce how things were in Korea at the time. More popular or more talented musicians might fade into history, but Koreans will keep singing Dongmulwon's songs.

Interesting Trivia:
- The band is named "Zoo" because the members thought that they were being caged, both by the stiffness of the society and ideology-driven college culture at the time. But the first suggestion for the band name was "Ballad for Ewha Students" [이대생을 위한 발라드], based on the jocular calculation that simply selling albums to Ewha Woman's University students would let them sell at least 1,000 copies.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Tuesday, August 10, 2010

50 Most Influential K-Pop Artists: 49. Clazziquai Project

[Series Index]

Two in a row? Why not? The Korean is on a roll, and good music makes him happy.

49. Clazziquai Project [클래지콰이 프로젝트]

Years of Activity:  2004-present

Members:
DJ Clazzi (Kim Seong-Hoon [김성훈]) - Mixing, producing
Alex (Alexander Hyeon-Gon Chu [추현곤]) - Vocal
Horan (Choi Su-Jin [최수진]) - Vocal
Christina (Christina Yeong-Ju Chu [추영주]) - Vocal (regularly featuring guest)

Discography:

Regular Albums

Instant Pig (2004)
Color Your Soul (2005)
Love Child of the Century (2007)
Mucho Punk (2009)

Special Albums

Remix - Pinch Your Soul (2006)
Robotica (2007)
Metrotronics Original Soundtrack (2008)
Remix - Mucho Beat (2009)

In 15 Words or Less:  World-Class electronica band who made the genre mainstream.

Representative Song:  Futuristic, from Instant Pig (No translation necessary!)


Futuristic

We are in virtual loving time
And I am thinking what a mess
All I want from you baby is just a little dance
I know the world we're living in
All these things we do
You want me I want you 
You hold me you love me

Now now let me out 
I want to take you in my arms I want to feel
Now you dance with me 
Come to meet my arms
Now I set you free 
I want to look in to your eyes to see the magic
Now now come on out 
Futuristic dance yeah

We are in virtual loving time 
We are moving and moving and moving
And the future will make me into a fusion girl

I know the world we are living in
All these things we do
You want me I want you 
You hold me you love me

Now now let me out 
I want to take you in my arms I want to feel
Now you dance with me 
Come to meet my arms
Now I set you free 
I want to look in to your eyes to see the magic
Now now come on out 
Futuristic dance yeah

All this time our love is 
Making you and I
Your kiss and your breath 
Turn me on turn me on... now

Now now let me out 
I want to take you in my arms I want to feel
Now you dance with me 
Come to meet my arms
Now I set you free 
I want to look in to your eyes to see the magic
Now now come on out 
Futuristic dance yea

(Dancing for your love)


Maybe they should have been ranked higher because...  Out of the 50 who are ranked in this list, few can be legitimately considered "world class".

Maybe they should have been ranked lower because...  It is too soon to tell what their imprint will be.

Why is this band important?
Even without regard to its music, the manner in which Clazziquai elevated to its current fame is significant in and of itself. In 2000 when illegal download of mp3 (a new technology at the time) was decimating the music market, DJ Clazzi opened a simple website that did not have much other than his music, which could be freely shared. Of course, DJ Clazzi was not the first to set up such a website -- but he likely is the first K-pop artist who actually became successful that way. The sophistication that he had shown on the free samples on his website was quite enough to lure several big label executives of Korea to make a trip out to Canada. (Kim Seong-Hoon, a.k.a. DJ Clazzi, is a Korean-Canadian who immigrated during his high school years.) By the time the band's first album was released in 2004, the grassroots support for the band was strong enough to overcome the general depression in the music recordings market. In short, Clazziquai embodies the new model of artistic success in the Internet era, in which talent simply wins out in the democratized field.

And what talent that was. Techno/electronica in Korea may as well be divided into two eras -- pre-Clazziquai, and post-Clazziquai. Electronica made occasional appearance in K-pop previous to Clazziquai, but it was never pursued for the sake of itself. Instead, it was essentially a ploy for a singer to bring something different simply for the sake of bringing something different. K-pop "musicians" cheaply purchased electronica to spice up their tired repertoire, and threw it away just as cheaply. Clazziquai is the first band that seriously pursued techno/electronica as an objective rather than using it as a tool. It is regrettable that K-pop had to wait until 2004 to have a band like Clazziquai, but the quality of Clazziquai's music was worth the wait. Clazziquai -- like Jamiroquai to which its name pays homage -- has always pursued music that was relaxed yet groovy. Its music is calm but complex. It is danceable without being intrusive. It can be legitimately considered a world-class band.

But for the purpose of this list, Clazziquai's crowning achievement is not simply that they made high-quality music, but that they made high-quality music accessible, and even popular, among regular Koreans. For all of its artistic merits, Clazziquai never developed the haughty (and ultimately toxic) attitude that their music was too good for the masses, like the way certain other talented members of K-pop pantheon did. While never sacrificing quality, Clazziquai nonetheless made their music (and themselves) easily accessible to Korean public. Making an average Korean music fan to have better appreciation for newer and more sophisticated music might be the greatest legacy that Clazziquai will leave behind, even after their already-promising career comes to a grand conclusion.

Interesting Trivia:
- DJ Clazzi's music education served as an excellent foundation for his later career as a fusion musician. As a child, he learned classical music from his mother. Once immigrated to Canada, he played piano in the school jazz band, and majored in jazz and music technology in his college years.
- Alex and Christina are siblings.
- Metrotronics was a soundtrack made specifically for a DJ Max Portable 2, a music game for PSP.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Sunday, August 08, 2010

50 Most Influential K-Pop Artists: 50. Pipi Band/Pipi Longstocking

[Series Index]

Finally, the 50 Most Influential K-Pop Artists series kicks off in earnest. The series will progress by providing a fairly detailed look at each artist's music career, such that by the time this series is over the reader can have a workable knowledge of K-pop history and its major players. If you have have not already, the Korean high recommends reading the earlier parts of this series to place the ranked artists in proper context.

Just to remind everyone, this list is arbitrary and capricious to the Korean's whim, and reflects the Korean's many biases. But that does not mean it is completely off the reservation -- much thought went into trying to make this list as objective as possible. To help organize the ranking, the Korean divided the 50 artists into four tiers: Legends, Best of an Era, Strong Impact and Notables. As we start from the bottom, here is the first of the notable K-pop artists.

50. Pipi Band [삐삐밴드]/Pipi Longstocking [삐삐롱스타킹]

Years of Activity: 1995-1997

Members:
Lee Yoon-Jeong [이윤정] (Vocal - in Pipi Band)
Kwon Byeong-Joon/Goguma [권병준/고구마] (Vocal - in PiPi Longstocking)
Kang Gi-Yeong [강기영] (Bass)
Park Hyeon-Joon [박현준] (Guitar)

Discography:
Cultural Revolution [문화혁명] (1995)
Impossible Mission [불가능한 작전] (1996)
Red Bean Fish Buns [붕어빵] (1996)
One Way Ticket [원웨이 티켓] (1997)
Pipi Band Pipi Longstocking: The Complete Best [삐삐밴드 삐삐롱스타킹 The Complete Best] (2004)

In 15 Words or Less:  La Resistance of the Weird.

Representative Song:  Strawberry [딸기], from Cultural Revolution



딸기
Strawberry

설탕에 찍어 딸기를 먹었어
Had a strawberry dipped in sugar
딸기밭에서 하루종일 놀았어
Played all day at the strawberry field
한참을 놀다보니 하루가 다갔어
Played for a while and the whole day passed
하루는 왜 스물네 시간일까
Why is a day 24 hours

수박 아줌마는 얼룩무늬 치마
Lady watermelon wears a striped skirt
참외 할머니는 귀머거리 할머니
Grandma melon is a deaf grandma
사과 외숙모는 친절한가봐
Auntie apple seems nice
딸기 내 친구는 사랑스러워
Strawberry my friend is lovely

좋아 좋아 좋아 좋아
Like like like like
좋아 좋아 좋아 좋아
Like like like like
좋아 좋아 좋아 좋아
Like like like like
좋아 좋아 좋아 좋아
Like like like like
딸기가 좋아
I like strawberry
딸기를 사달라고 졸랐어
I asked someone to buy me strawberry
딸기를 먹지 않고 웃기만 했어
I didn't eat strawberry, just smiled
나는 왜 이렇게 너를 좋아하는걸까
Why do I like you so much so
나는 왜 니가 좋은지 몰라
I don't know why I like you
그건 정말 몰라 (예) 나도 몰라
I really don't know (yeah) I don't know either

새빨간 딸기는 너무 아름다워
Bright red strawberry is so beautiful
포도 아저씨는 꿈꾸는 사람
Uncle grape is a dreamer
설탕에 찍어 딸기를 먹었어
Had a strawberry dipped in sugar

좋아 좋아 좋아 딸기가 좋아
Like like like I like strawberry
좋아 좋아 좋아 딸기가 좋아
Like like like I like strawberry
딸기가 제일 좋아 
I like strawberry the best
맛있어 
It's good.

Maybe they should have been ranked higher because...  Arguably, they kicked off the indie scene in Korea.

Maybe they should have been ranked lower because... While their indirect influence lived on, their direct influence was for the most part limited to just one album. Does this make them more influential than, say, Jang Yoon-Jeong [장윤정]?

Why is this band important?
The year is 1995, when K-pop was nearing its decisive turning point in 1996/1997. The pop culture scene just exited the oppressive mood of the military dictatorship that lasted until 1993, and was on its way to the heavily commercialized form of today. The mainstream artists were mostly dance "musicians" who peddled soulless music accompanied with catchy tunes, plagiarism and plenty of lip synch, or talented singers selling out their abilities to saccharine "ballad" songs. The underground music scene, whose resistance to the contemporary politics fueled much of its creativity, was fading along with its nemesis. The famous indie music scene in front of Hong-Ik University was not yet to be.

Enter Pipi Band, who bucked the trend in every way. The band involved no dancing. The tunes were scratchy and strange. The lead (female!) singer was not terribly pretty, and could not sing. (There are unconfirmed rumors that she was brought into the band specifically because she was so bad at singing.) Their lyrics were at best nonsensical, at worst insane. They rarely appeared on TV. But they kicked and barged their way into public consciousness by the sheer force of their weirdness. Just one listen was all you needed to furrow your brow in confusion, and turn to your friend and ask, "Have you heard this song?"

This weird band became more famous. But the raised profile only appeared to goad the band into becoming even weirder and more resistant to the prevailing trend. On television, they would sing with a bullhorn instead of a microphone to mock other "singers" who resorted to lip synching. If a TV show compelled them to play canned music, they simply stood around and refused to play the instruments. Everything finally came to a head when Pipi Longstocking -- the changed name of the band after they replaced the vocal -- spat at the camera and raised their middle finger during a live telecast of a popular music program. Ban from television followed, and the members split up to go their own way.

Pipi Band is important because they kicked off two very significant trends in K-pop that live on today -- resistance to the new mainstream, and being weird. Although the corporatized, pre-packaged "bands" are currently the mainstream in K-pop, Korea still has a robust counterculture that involves true singer-song writers and artists who are willing to push the boundaries of normal. Although the band's direct influence was not much more than a flash, it did what every pioneer did -- pointing to the road less taken, although they themselves may have only taken a few steps toward it.

Interesting Trivia:
- Vocal Lee Yoon-Jeong is a daughter of Lee Gyeong-Jae, a prominent politician. She was a ballerina by training. Currently, she is a stylist for the recent crop of celebrities.
- The bassist Kang Gi-Yeong used to belong to Sinawi [시나위], probably the greatest heavy metal band in K-pop history. He has now taken the stage name of Dalparan ("Moon Blue") [달파란], and remains influential in Korea's indie music scene.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Monday, August 02, 2010

Are Koreans Prone to Conspiracy Theories?

Dear Korean,

Why are Koreans so prone to believing conspiracy theories? I have spent a lot of time in developing countries, and while all have different cultures, one thing they had in common was their propensity to believe bizarre conspiracy theories. While Korea is a wealthy country, it still seems their thinking has not caught up with their wallets. Their propensity toward conspiracy theories is very much a developing world way of thinking. Sure, you find conspiracy theories in the West, but mostly from college freshmen and pot heads.

Asianequation



Dear Asianequation,

It is true that conspiracy theories are rife in Korea, and they play a major role in Korean public life. One needs to look no farther than the Mad Cow scare that gripped the country two years ago. While there were legitimate kernels of truth about America's lax regulation against Mad Cow Disease (for example, not accounting for cross-infection until April of 2009,) those kernels were popcorned into utterly crazy ideas that the U.S. is out to kill Koreans with infected meat in the name of profit. More recently, certain South Korean political groups claimed that the South Korean government was falsely accusing North Korea for the attack by manufacturing the critical piece of evidence (which is Korean lettering discovered on a piece of the exploded torpedo shell) in order to gain advantage in the upcoming regional elections. In fact, the political groups that made those wild charges ended up gaining in the regional elections.

Why is this happening? First, try answering the following question:

Q. Which one of the below events did not happen in Korea in the last 50 years?

a. President ordered a prominent opposing politician to be kidnapped while the politician was traveling in Japan, to be dropped into the sea between Korea and Japan from a boat with a dead weight tied to his ankles. The politician barely survives because the Japanese coast guard gave the boat a chase.
b. The United States CIA bugged and eavesdropped on Blue House, the presidential residence of Korea.
c. Paratroopers attacked peacefully marching citizens of a certain city, eventually killing more than 600 people in the process. No one outside of the city heard of the massacre for days, because the dictatorship cut off the phone lines of the city and embargoed every television, radio and newspaper in Korea.
d. A prominent politician who fought against dictatorship all his life agrees to merge his party with two other parties that were heirs to the dictatorship, with a secret written promise to amend the constitution so that would change Korea's political system into English-style proportionally representative parliament.

The answer is: e. All of the above happened in Korea in the last 50 years. And these are just four examples of all the incredible things that happened in Korean politics.

 Prominent opposition politician Kim Dae-Jung gives press conference
after surviving from being kidnapped. Notice his busted lips.

In fact, Asianequation hit the nail on the head -- that the people of developing countries are prone to believing conspiracy theories. This is not because the people in developing countries are stupid; it is because insane stuff like the examples above tends to happen in developing countries. If one crazy thing can happen, why not another crazy thing? The fact that governments have little transparency only makes this worse.

And again, the key thing to remember about Korea is that it escaped being a developing country in no less than 20 years, possibly less. Heck, the Korean is only 29, but he remembers when Korea was a developing country. It is Korean people's towering achievement that Korea moved from a war-torn hellhole into a gleaming postmodern country in just 60 years or so. But it is too much to expect that Korea shed every aspect of a developing country in that process. This is particularly true in politics, where the lowest common elements of the society often reveal themselves.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Tuesday, July 13, 2010

Ask a Korean! News: North Korean Soccer (Part I)

First of all, congratulations to the Taeguk Warriors for making the knockout round for the first time outside of Korea.

While this World Cup has produced plenty of compelling moments -- like Landon Donovan's beautiful 91st minute goal against Algeria (USA! USA!) -- the leading Korean Peninsula-related story of the World Cup is the Chollima (the "Thousand-Mile Horses") of North Korea, who fought well against the 2-1 defeat against Brazil in the course of being eliminated.

Personally, the Korean thinks that North Korea should never have been allowed to play in the 2010 World Cup. Eve Fairbanks of Newsweek described the Korean's sentiment well:
But I have to admit that the more goals the Portuguese scored, the worse I felt. I didn't dare to wear my fiery colors of labor too obviously inside the Troyeville, but I was rooting for North Korea. Partly because of the amusement factor—rock-paper-scissors!—but mainly because, when I looked at those hapless North Korean players giving up goal after goal, I wondered how safe their friends and families would be.
...
FIFA—and South Africa—missed an opportunity by failing to ban the North Koreans. Enlightened people love to pooh-pooh cultural boycotts, but a ban would have reflected this part of the continent’s unique ethos and history. South Africa is the single country where a sports boycott did the most to heighten outside awareness of the evils of a regime—and to foment internal restlessness for change.
Bring Back the Sports Boycott [Newsweek]

The Korean cannot help Ms. Fairbanks get the boycott she (and he) wanted. But he can help taking a guess at what North Korean soccer players might go through, thanks to Mr. Joo Seong-Ha of Nambuk Story. Below is a series by Mr. Joo providing analysis on North Korean soccer's history and the current state. Because the series is in three parts, the Korean will also give the translation in three parts.

North Korean Soccer Analysis: Part I - Defeat Makes a Sea of Tears

June 18, 2008, King Fahd Stadium, Riyadh, Saudi Arabia.

As soon as the game against Saudi Arabia ended -- the last game in the Asia preliminaries for 2010 World Cup -- the North Korean players shed tears of joy as they embraced one another. They had just advanced to the World Cup Finals for the first time in 44 years. This was also the first time in history when South and North Korea advanced together.

 North Koreans players cheer at King Fahd Stadium after qualifying for the World Cup.

The players received a massive welcome parade in Pyongyang. The regime also rewarded them with awards at the highest level. Sixteen received the name of "People's Athlete," and three received the name "Contributing Athlete." People's Athlete is the highest honor for an athlete in North Korea. North Korea usually reserves the People's Athlete honors for athletes who won in the Olympics or a world championship, and the Contributing Athlete honors for those who won an Asia-wide competition. The unprecedented number of those who received the People's Athlete honors at the same time reflects how much North Korea values advancing into the World Cup.

The families of the People's Athlete apparently moved to the best Athlete's Apartments in Pyongyang. In particular, the families who used to live in rural areas won a Pyongyang citizenship, which is extremely difficult to obtain, thanks to their sons. This also shows the soccer's popularity in North Korea, and the emphasis that the regime puts on the sport.

Then why did North Korea fail to distinguish itself in the international stage for over 40 years? To understand this, it is necessary to explain the glory days of North Korea soccer -- the legend of quarterfinals in the England World Cup of 1966, 44 years ago.

June 30, 1966. When 66 members of Team North Korea and staff landed in London, many locals came to see them. For Europeans of that era, Asian soccer players were a curiosity. They were astonished by the fact that the average height of Team North Korea was 165 cm [TK: 165 cm = 5' 5"].

The culture shock was the same for the North Koreans. The players who went to the airport restroom were surprised when a "woman" came out of what was clearly marked as a men's room. Only after the interpreter arrived did they learn that in England, men could grow long hair as well.

It was a clear day when Team North Korea arrived -- an unusual sight in London infamous for bad weather. The local newspapers reported, "The players of the Land of the Morning Calm brought sunshine."

The group stage for North Korea was at Middlesbrough, in northeastern England. Upon arriving Middlesbrough, Team North Korea rejected the hotels assigned by the hosts four times, electing instead to stay outside the city at St. George Hotel, which was still under construction. This was done to save foreign currency.

Team North Korea's every move grabbed local paper's attention. An article reported that Team North Korea consumed more than one kilogram of chili pepper a day; a hotel chef was quoted, "If Englishmen ate chili like this, they would explode." Team North Korea appeared to be a team of mystery for Middlesbroughers.

No one expected North Korea to advance to the quarterfinals, because the same group had the contemporary powerhouses -- Soviet Union, Chile and Italy. The strongest one among them was Soviet Union, led by the legendary goalkeeper Yashin. As expected, Soviet Union defeated North Korea and Italy, advancing as the top team of the group. Later, Soviet Union would lose to West Germany in the semifinal in an upset, as West Germany beat Soviet Union for the first time since World War II. Led by its soccer hero Franz Beckenbauer, West Germany prevailed 2-1 after two Soviet players were red-carded.

Soviet Union beat North Korea 3-0. The scoreline implies a complete defeat, but in fact North Korean defenders did an impressive job defending the Soviet attacks despite overwhelming height disadvantage. The Times of London reported, "Only the final goal was the first and the last time when Soviet Union completely penetrated North Korean defense."

Middlesbroughers were surprised by Team North Korea. In the next game against Chile, more fans visited the stadium to cheer for North Korea. Chile had a strong team, finishing third in the 1962 World Cup. The final score was 1-1, but with an advantage to North Korea who outshot Chile 16 to 9.

The game against Italy was the last game in the group stage. Although North Korea was missing starters due to injuries from the Soviet Union and Chile games, it defeated Italy 1-0 thanks to Park Du-Ik's goal. Team Italy had to face a shower of rotten eggs upon their return home.

North Korea-Italy game in the England World Cup of 1966.
North Korea's "ladder header" beating the Italian defense.
Kim Bong-Hwan, Park Seung-Jin, Park Du-Ik, Han Bong-Jon 
and Lim Seung-Hui are forming the ladder, beating out Giacinto Facchetti.

For its first World Cup, North Korea advanced to the quarterfinals as the second place of its group. (At the time, World Cup finals had 16 countries.) Three thousands fans from Middlesbrough, fascinated by Team North Korea's game, traveled with the North Korean team to Liverpool, where the quarterfinals were to be held.

In the group stage, Portugal -- North Korea's quarterfinals opponent -- beat Brazil, the champion of the 1962 World Cup, by the score of 3-1. North Korea at first was leading by 3-0, but eventually lost by the score of 5-3. Eusebio, the best striker of the era, scored four goals.

Because of the time difference, North Korean people listened to this game live via radio on 1 a.m. Lee Sang-Byeok, a North Korean broadcasting legend who passed away in 1997, announced the play-by-play. Lee's voice was full of energy when North Korea was ahead by three. But as the team gave up goal after goal, his voice began losing strength. "Ah, Eusebio again" -- hearing this four times, the name Eusebio was deeply engraved in North Koreans' memory. After the North Korean team allowed the fourth goal, Lee began crying. In the crack of dawn, the entire North Korea turned into a sea of tears. As Italy still cannot forget Park Du-Ik, North Korea still cannot forget Eusebio.

Regardless, North Korea left a strong impression in its first-ever World Cup. What was the method of their success? People generally remember the Netherlands as the origin of "Total Soccer". But nearly a decade earlier, North Korea already employed a strategy that was essentially "everyone defends, everyone attacks." They overcame the physical disadvantage by simply running like hell.

Stanley Raus, then-president of FIFA, had asked "What kind of team is North Korea?" before the England World Cup. Upon watching the North Korea - Chile game, Raus pointed out the team captain Shin Yeong-Gyu and praised him as a world-class player. After the World Cup, Raus is reported to have said, "The world's best team would have Eusebio to attack, Shin to defend, and Yashin as the goalkeeper."

The players who returned to North Korea received the best treatment while staying at a hot springs resort in Hamgyeongbuk-do Ju-Eul for several months. But this was the time the watershed event for Kim Jong-Il's consolidation of power -- the purging of Gapsan line.

Gapsan line is the group of communists who were active around Hamgyeongnam-do during the Japanese colonial era. Kim Il-Sung, in a secret Labor Party Central Committee Meeting held on March of 1968, decided to purge the Gapsan line, which hindered the establishment of his unitary rule.

(Continued in Part II)

[북한축구해부1] -패배는 북한을 눈물바다로도 만든다 [Nambuk Story]

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.
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