50 Most Influential K-Pop Artists: 20. Crying Nut

[Series Index]

20.  Crying Nut [크라잉넛]

Years of Activity: 1998-present

Members:
Park Yoon-Sik [박윤식] - Vocal, Guitar
Lee Sang-Myeon [이상면] - Guitar
Han Gyeong-Rok [한경록] - Bass, Guitar
Lee Sang-Hyeok [이상혁] - Drum
Kim In-Su [김인수] - Accordion, Keyboard

Discography:
Run the Horse [말달리자] (1998)
Circus Magic Traveling Troupe [서커스매직유랑단] (1999)
Love Song Under the Water [하수연가] (2001)
Old Radio [고물라디오] (2002)
Cow at the OK Corral [OK 목장의 젖소] (2006)
The Uncomfortable Party [불편한 파티] (2009)

Representative Song:  Circus Magic Traveling Troupe [서커스매직유랑단] from Circus Magic Traveling Troupe.

서커스매직유랑단
Circus Magic Traveling Troupe

[Intro]

안녕하세요 오늘은 김선생이랑 같이 나왔어요
Hello! I came out with Dr. Kim today
아이고 김씨 아저씨도 나오셨네요
Oh my, Mr. Kim came out too
아랫마을에 장이서서 서커스가 왔데요
The village is holding a market and a circus came
아~ 그럼 우리한번 가볼까요
Ah -- then should we go take a look?

아이구 장에 나오니 사람 참 겁나게 많네요
Oh my, the market is so crowded
글쎄 써커스단 이름이 뭐래요
What's the name of the circus by the way?
서커스 매직 유랑단 이래요
They call themselves Circus Magic Traveling Troupe.

[Song]

헤이! 헤이! 요기조기 모여보세요 요것조것 골라보세요
Hey! Hey! Come one, come all. Pick one, pick all
우리들은 서커스 매직 유랑단
We are Circus Magic Traveling Troupe

안녕하세요 안녕하세요 우린 매직 서커스 유랑단
Hello hello we are Magic Circus Traveling Troupe
님 찾아 꿈을 찾아 떠나간다우
We travel to find our honey and our dreams
동네집 계집아이 함께 간다면
If a girl from the town will come with us
천리만길 발자욱에 꽃이 피리라
Flowers will bloom at her footsteps for ten thousand miles

우리는 크라잉넛 떠돌이 신사
We are Crying Nut, traveling gentlemen
한 많은 팔도강산 유랑해보세
Let's wander around the sorrow-filled Eight Provinces
마음대로 춤을 추며 떠들어보세요
Dance and talk as loud as you want
어차피 우리에겐 내일은 없다
For us there is no tomorrow anyway

오늘도 아슬아슬 재주 넘지만
Again today performing the thrilling stunts
곰곰히 생각하니 내가 곰이네
But to think and think, and I am the bear
난장이 광대의 외줄타기는
The midget clown's tightrope walking is
아름답다 슬프도다 나비로구나
Beautiful, sorrowful, a butterfly

우리는 크라잉넛 떠돌이 신사
We are Crying Nut, traveling gentlemen
한 많은 팔도강산 유랑해보세
Let's all wander around the Eight Provinces filled with sorrow
마음대로 춤을 추며 떠들어보세요
Dance and talk as loud as you want
어차피 우리에겐 내일은 없다
For us there is no tomorrow anyway

커다란 무대위에 막이 내리면
When the curtain falls on the big stage
따뜻한 별빛이 나를 감싸네
The warm starlight shrouds me
자줏빛 저 하늘은 무얼 말할까
What does that violet sky say
고요한 달 그림자 나를 부르네
The silent shadow of the moon calls me

떠돌이 인생역정 같이 가보세
Let's go together on the vagabond life journey
외로운 당신의 친구 되겠소
We will be friends for you who are lonely
흥청망청 비틀비틀 요지경 세상
Extravagant, stumbling, kaleidoscopic world
발걸음도 가벼웁다 서커스 유랑단
The steps are light for the traveling circus

오늘도 아슬아슬 재주 넘지만
Again today performing the thrilling stunts
곰곰히 생각하니 내가 곰이네
But think and think, and I am the bear
난장이 광대의 외줄타기는
The midget clown's tightrope dancing is
아름답다 슬프도다 나비로구나
Beautiful, sorrowful, a butterfly

우리는 크라잉넛 떠돌이 신사
We are Crying Nut, traveling gentlemen
한 많은 팔도강산 유랑해보세
Let's all wander around the Eight Provinces filled with sorrow
마음대로 춤을 추며 떠들어보세요
Dance and talk as loud as you want
어차피 우리에겐 내일은 없다
For us there is no tomorrow anyway
떠돌이 인생역정 같이 가보세
Let's go together on the vagabond life journey
외로운 당신의 친구 되겠소
We will be friends for you who are lonely
흥청망청 비틀비틀 요지경 세상
Extravagant, stumbling, kaleidoscopic world
발걸음도 가벼웁다 서커스 유랑단 헤이
The steps are light for the traveling circus. Hey!

Translation note 1:  The song contains a lot of cultural allusions that need full background to understand.

- In traditional Korea, the market was consisted of traveling merchants who would appear every five or seven days to set up shop. Very rudimentary circus troupe sometimes travels with the merchants. This persisted in rural Korea through 1960s and early 1970s, and still continues to a very small degree to this day.

- The "Eight Provinces" is an idiom that refers to Korea, as traditional Korea was made up of eight provinces.

- The reference to "bear" is designed to evoke Korean old saying, "The bear dances and the owner takes the money," which is used in a situation when someone went through a lot of effort that ended up benefiting someone else.

Translation note 2:  There was no good way to translate 흥청망청 비틀비틀 요지경 세상. As always, suggestions are welcome.

In 15 words or less:  The reigning kings of rock in Korea.

Maybe they should be ranked higher because. . .  Greatest rock band of Korea in the 2000s. Doesn't that count for more?

Maybe they should be ranked lower because . . .  Has rocked mattered that much in Korea in the past decade?

Why is this artist important?
Seeing today's K-pop scene, it is difficult to believe that only 25 years ago, rock was the king of Korean pop music. But it was true -- through late 1980s, legendary rock bands like Deulgukhwa were dominating the charts, radio waves and TV times. Starting from early 1990s, however, Korea's rock began to cede the public stage to dance, hiphop, and general corporatization of pop music. By early 2000s, Korean rock was at a nadir. It appeared that, against the depressed consumer market following the East Asian Financial Crisis, the album market ravaged by the introduction of Internet downloads, and the swarm of manufactured idols backed with massive capital, Korean rock was gasping for its last breath in the self-segregated enclaves of Hongdae and Daehakro.

However, as its adherents have reminded the world for decades, rock will never die. Korean rock came back in a huge way in the early 2000s, and Crying Nut was the band that led the charge. How? Arguably, Crying Nut is the best translator of Korean sensibility into rock format since Deulgukhwa of the mid-1980s. The band's best songs consistently invoke the slightly retro, nostalgia-inducing images of Korea (well represented in Circus Magic Traveling Troupe) and marry them sometimes with manic energy, at other times with deep sentimentality.

Crying Nut has been building momentum in the underground indie scene, but it truly exploded into the scene during the 2002 FIFA World Cup, for which the band composed the official supporters' anthem for Korea's national soccer team. This opportunity for an outpouring of passion once again proved that there was no better music than rock to express overwhelming energy; rock bands like Crying Nut and Yoon Do-Hyun Band would lead the rebirth of rock by holding massive outdoor concerts that doubled as a viewing party for the World Cup. The renewed appreciation for rock reverberates in Korean music to this day, as more talented indie bands are marking their territory even as the manufactured idol groups march on their path toward world domination.

Interesting trivia 1: The two Lees of the band are twins.

Interesting trivia 2: Apparently, the band was formed after the members, who were high school classmates, went out on a field trip and saw a guy with a guitar attracting many girls. Therefore, initially the band was made up of five guitarists. The owner of the club in which the band was set to perform had to forcibly allocate the appropriate instruments for Crying Nut to be a legitimate band.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

50 Most Influential K-Pop Artists: 21. Lee Seon-Hee

[Series Index]

21. Lee Seon-Hee [이선희]

Years of Activity: 1985-present

Discography:
Oh the Good Old Days [아! 옛날이여] (1985)
Lee Seon-Hee vol. 2 [이선희 vol. 2] (1985)
The Lost Promise [잃어버린 약속] (1986)
This Place Where the Love Sets [사랑이 지는 이 자리] (1988)
With a Round of Laughs [한바탕 웃음으로] (1989)
Why Only Me [왜 나만] (1990)
Walking in the Memories [추억 속을 걷네] (1991)
A Small Boat [조각배] (1992)
A Bloom of Chrysanthemum [한 송이 국화] (1994)
First Love (1996)
Dream of Ruby (1998)
My Life + Best (2001)
Adolescence [사춘기] (2005)
Oh Love [사랑아] (2009)

Representative Song:  Dear J [J에게]

J에게
Dear J

J 스치는 바람에
J, in the glancing wind
J, 그대 모습 보이면
J, when your trace appears
난 오늘도 조용히 그댈 그리워 하네
Today again, I quietly long for you

J 지난 밤 꿈 속에
J, in last night's dream
J, 만났던 모습은
J, your visage I met
내 가슴 속 깊이 여울져 남아있네
Remain dyed deeply into my heart

J 아름다운 여름날이
J, even though the beautiful summer days
멀리 사라졌다해도
May have disappeared far
J, 나의 사랑은
J, my love
아직도 변함없는데
Still remains unchanged

J 난 너를 못잊어
J, I cannot forget you
J 난 너를 사랑해
J, I love you

J 우리가 걸었던
J, at the place we walked
J 추억의 그길을
J, on that road of memories
난 이밤도 쓸쓸히 쓸쓸히 걷고 있네
Tonight again, I walk all by myself

Translation note 1:  Does anyone have a good word for 모습? -UPDATE- Translation is updated with two different English words for 모습. (See the comment section below for details.)
Translation note 2:  This song actually had an English version, as Lee Seon-Hee released one album in English. The translation, however, is the Korean's own.

In 15 words or less:  The greatest female singer of the 1980s.

Maybe she should have been ranked higher because . . . The peak of her popularity was matched only by the peaks of the greatest figures of Korean pop music.

Maybe she should have been ranked lower because . . . Her own music came after her peak, and was not all that special.

Why is this artist important?

Korean pop music's dark ages unofficially began in 1975, when a number of prominent pop musicians -- most notably Shin Joong-Hyeon -- were banned by the military dictatorship, ostensibly because of their marijuana use. For the next decade, the pop music that played on television and radio would be vacuous odes to Korea, created at the behest of the dictatorship. When the dark ages ended, the pent-up energy of creativity and talent exploded onto the scene, leading to approximately 15 years of golden age in K-pop.

Lee Seon-Hee was one of the harbingers of that golden age. She first gained fame by winning the Fifth Riverside Music Festival with the song, Dear J. Her strong yet clear voice was a class of its own at the time, and her signature boyish looks -- Lee always kept her hair short and wore pants only -- appealed to young men and women alike.

(Aside:  here is a crazy thing about Korean pop music scene in the 1980s -- it had a number of these pop music festivals that acted as a debutante's ball for aspiring new musicians. Each festival was televised, put out a live album of the contestants, and the winner was headed for an instant fame. Korea had the American Idol before there ever was the American Idol.)

She is ranked here for one reason:  the pinnacle of her popularity was unmatched by anyone ranked below her. (Although, in fairness, Kim Chu-Ja came close.) At her peak, every single song on Lee's album -- not simply the first three or four -- was being played on television and radio. Her enormous fan base ranged from early teens to people in their 60s. 

There certainly may be knocks on Lee as an artist. She did not release an album entirely of her own music until 1996, well past her prime. Lee's clean-cut image was more palatable to the South Korean dictatorship at the time, making it easier for her to appear on television than, say, the wild and unkempt Jeon In-Gwon of Deulgukhwa. But when it comes to the greatest divas in the history of K-pop, Lee Seon-Hee's name would be on the short list.

Interesting trivia:  Lee parlayed her popularity into a brief foray in politics, as she served as a Seoul city councilwoman from 1991 to 1995.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

What do Korean Last Names Mean?

Dear Korean,

What do Korean last names mean? I mean, I know most of them come from dynasties—but what does Kim mean? Pak? Cho? And others? I can't believe they exist sui generis!

The Mexican

The Mexican strikes again!

Here in AAK!, the most important policy is that the Korean will do whatever the hell he wants with this blog. The second most important policy is this: whenever Gustavo Arellano, i.e. the Mexican, i.e. the owner of ¡Ask a Mexican! and the inspiration for this blog, sends a question to this blog, that questions gets answered as soon as possible, no matter how long the line is and no matter what the question is. That is right, the Korean has answered numerous questions about Korean names before, but what does it matter? When the granddaddy of all "Ask" blogs asks your blog a question, you answer. That's it.

So what do Korean last names mean? Let's put it this way: Korean language has a Chinese backbone, as just like English has a Latin backbone. In other words, while there are plenty of Korean words that have a stand-alone meaning in Korean, a lot of Korean words have a meaning that one must refer back to Chinese to understand -- that is, those words are Sino-Korean. Sino-Korean words tend to appear in clusters in a given word group. For example, Korean law tends to be heavily laden with Sino-Korean, just like American lawyers speak of a sui generis action that should be so obvious that it is res ipsa loquitur, for example.

Name is another area in which Sino-Korean tends to dominate. Although pure Korean names are gaining popularity in the last several decades, the overwhelming majority of Korean names are Sino-Korean. In fact, this type of questions hits the Korean's inbox fairly frequently:  I have a Korean name; what does my name mean? (In most cases, the questioners are adoptees who are attempting retrace their roots.) And usually, the Korean's answer is:  unless you know the what Chinese characters were used for your name, the Korean can't really say what your name means.

Korean last names are 100% Sino-Korean. That is, all Korean last names have an underlying Chinese character. So the meaning of Korean last names are basically the meaning of the Chinese characters underlying those last names.

Having said that, here are the ten most common Korean last names, the underlying Chinese characters, and what they mean:

• 김 [金] [Kim] - Gold.
• 이 [李] [Lee] - Plum tree.
• 박 [朴] [Park/Pak] - Magnolia tree.
• 최 [崔] [Choi] - Pinnacle.
• 정* [鄭] [Chung/Jung/Jeong] - "Zheng" (name of a Chinese kingdom.)
• 정* [丁] [Chung/Jung/Jeong] - Large nail (as in hammer and nail.)
• 정* [程] [Chung/Jung/Jeong] - To count
• 강 [姜] [Kang] - Ginger.
• 조* [曺] [Cho] - Group, companion.
• 조* [趙] [Cho] - "Zhao" (name of a Chinese kingdom.)
• 윤 [尹] [Yoon] - To rule.
• 한* [韓] [Han] - Korea.
• 한* [漢] [Han] - "Han" (name of a Chinese kingdom.)
• 임* [任] [Im] - To be in charge.
• 임* [林] [Im/Lim] - Forest

*Chung, Cho, Han and Im/Lim are interesting oddballs -- each of those last names actually has two or more different Chinese characters, which are pronounced the same way in Korean.

So there you have it, Mexican. Catch you next time.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Dog Meat, and Cultural Conquistadors

The Korean has already touched upon dog meat in Korea in a previous post, which is one of the most frequently read posts on this blog. But because the post attempted to cover both the facts about Korea's dog meat consumption, the Korean's own opinion, and additional questions regarding that topic, it has become a bit unwieldy.

Recently, the BusanHaps magazine ran a couple of stories about dog meat. The second story was written by Ms. Frankie Herrington, who wishes to abolish dog meat from Korea. The Korean figured that this would be a good chance to present a cleaner and more focused argument about why dog meat consumption in Korea must not be banned, and about how dog meat abolitionists -- both Korean and non-Korean -- are making things worse by standing in the way of reasonable regulations. Haps was gracious enough to allow me to submit the story, which is reproduced below. (Warning:  it's long.)

Just a couple of points to make before we get into the op-ed. The story has been up on the Haps magazine for about three days now, and the discussion in the comments section has been, ahem, lively. In the Korean's opinion, the two takeaways from the discussion on the board so far are:

1. CARE, one of Korea's leading animal rights organizations that opposes regulating the dog meat industry, essentially confirmed the Korean's point in its comment:

"The reality is: passing the Animal Protection Law does very little in terms of enforcement and punishment of cruelty to animals. This is a sad reality. We can prove this by pointing to the fact that dogs are still hanged for food and crammed into cages during transportation, despite clear language in the APL saying it is forbidden. So, why support the APL? Because doing so sends a message of opposition to people who abuse animals. We want to deter people from acting cruelly to animals, even if the law has no real biting power.

Regulating the dog meat industry would also do very little in terms of changing the industry to more humane standards. If the government were to make dog meat "legal" and "regulated," it would be sending a message of compliance; i.e. it is OK to eat regulated dog meat "because the dogs are riased [sic] and killed humanely.""

As discussed in the op-ed, the Korean's point was that animal rights groups, including CARE, are not actually in the business of improving animals' lives; rather, they are in the business of culture war. By this comment, CARE frankly states that it approaches legislation as a means to send messages, rather than as a means to actually improve the lives of meat dogs.

2.  It is self-evident from the exchanges in the comment section which side of the debate is more serious and level-headed, and which side is hyper-emotional and irrational. Except for a few high notes struck by CARE (which the Korean does appreciate) and one or two other commenters, the behavior of the anti-dog meat crowd has been a display on everything bad about discourse on the Internet.

Having said that, the full op-ed is available after the jump.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

AAK! PSA: Donate Bone Marrow!

The Korean will give the floor to Debbie Kim:

Dear Korean,

I am hoping that you get a chance to read this email. My name is Debbie Kim and I am writing today to ask a favor.

I'm from the suburbs of Chicago and a boy at our church, who's family I have known for a long time and who battled ALL (acute lymphoblastic leukemia) a few years ago has now been diagnosed with a rare form of another cancer - Myeloid Proliferative Disease. The reason I write is because he needs a bone marrow donation or he will die. For the past 10 days he has undergone extremely high doses of chemotherapy to hopefully destroy any remaining cancerous cells. The next step is to wait if he goes into remission and if he DOES go into remission, he will need a bone marrow transplant immediately. They have tested members of his family, including his parents and his sister and they are not a match. The best chance for patients like Andrew is your own family but if not, typically people within your ethnicity are the next best chance. But there have been cases of non-similar ethnicity matches. So we are trying all venues to get as many people to join the registry with hope that we will find a match. For whatever reason, Asian Americans (or for any ethnic minority) the number of registrants are extremely low. We held a drive at our church this past week and had about 200 people sign up (myself included :)) but want to increase the chances of a match by as many means as possible.

Joining the registry is not something to be taken lightly and more information can be found at www.bethematch.org. Also joining the registry means you are in the database to be matched to anyone in the world, not just our friend Andrew. That being said, joining the registry is very easy - just 4 cheek swabs with a kit with cotton swabs that can be sent directly to your house.

I am reaching out hoping that you can post something to encourage people, especially Asian Americans to join the Bone Marrow Donation Registry at Be The Match (www.bethematch.org). If you need anymore specific information or would like to talk to the families directly, please let me know. I can do my best to answer any questions or direct you to who can best answer them.

Below is the blog for Andrew and his updates. I've also included another blog for another little boy who is also in desparate need for a bone marrow transplant - the heartbreaking piece of this story is they found a match earlier this month but the donor (from Japan) backed out.

http://andrewsfightonestepatatime.blogspot.com
http://www.savingconnor.com/ or https://www.facebook.com/savingconnor

Please, please- even if I get one person to join, that is one more person on the registry who can potentially save a life. I have a child who also has been in the hospital for heart surgeries and I share in the pain and sorrow this family is going through. If it was my child going through this, it would not be beneath me to be begging in the streets with a q-tip looking for a match - so I do this on their behalf and beg you to get the word out.

Thank you,
Debbie Kim

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Liberal Education and Coffee

Korea famously boasts an excellent educational system, which sends over 80 percent of its high school students to college. But as Korean economy faces a persistent problem of youth unemployment, commentators are observing that Koreans are being over-educated. Essentially, the idea is that Korea has youth unemployment because it has too many college graduates. The following BBC article nicely captures that sentiment:

South Korea's education system is held up as a model around the world. Some 80% of its high-school students now go on to further education. But according to South Korea's president, that academic success is creating its own "social problem" - a youth unemployment rate of 6.7% in October, more than twice the national average, even as parts of the labour market are hungry for workers.

"Because there are so many people graduating from university at the moment, and looking only for high-end jobs, there's a mismatch between the job-hunters, and the positions available," explains Kim Hwan Sik, director of vocational training at the Education Ministry.

South Korea's Wasted Youth [BBC]

(Aside:  In a typical BBC fashion, it messed up the name of Korean grandmother interviewed in the article by referring to her as Ms. Eun Ju-sung. In all likelihood the lady's name would be Ms. Ju Sung-Eun, and in no event should she be referred to as Ms. Ju-sung. Readers of this blog would know that BBC is prone to egregious errors when it comes to covering Korea.)

The Korean thinks the idea that Korea has "too many college graduates" is incorrect, for a number of reasons. To give a short (and incomplete) summary of the reasons:

1. The idea ignores the fact that Korea currently has the lowest birthrate in the world, which means Korea will soon face a severe shortage of people generally, and young people in particular. Whatever youth unemployment there exists currently is a temporary problem.
   
   
2. Research on this topic shows that it is not the college degree that hinders employment, but differences in other skills. In other words, the young unemployed population is unemployed not because their standards are too high, but because they are not desirable candidates for the employers.
   
   
3. The idea is based on the erroneous premise that as long as we deny people from attending college, we can sufficiently crush their aspirations enough for them to accept menial jobs.

In this post, however, the Korean exclusively wants to discuss the reason he considers the most important, that is:  4. Liberal education has value that reaches far beyond employment, such that it enriches the society even if the educated people are unemployed.

To be sure, the benefits of liberal education is not obvious -- which is partially why Korean president Lee Myeong-Bak has said: "A soccer player does not need a diploma from Seoul National University; he only needs to kick the ball well," as he joined the chorus of observation that Koreans are getting over-educated. But in some rare instances, one can get a clear and unobstructed glimpse of the benefits of liberal education manifested in a society. One of those rare instances involve coffee in Korea.

(source)

(More after the jump)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Best of the Worst 2011

End of the year is coming . . . which can only mean one thing . . . the annual list of worst questions of the year!! Compared to the ridiculous glory of last year, this year's crop has been relatively tame -- but still, there are some real doozies.

Every email below is a real one, copy/pasted without any editing. The worst email of the year is at the bottom.

*                 *                  *

re:  (no subject)

Hi!I dont know if i am using the right address,but if its not please bear with me and help me find the right address.I just recently read some articles about korean men in the internet and got me interested.I just want to know if its possible for korean men to date a black woman especially from Africa.If so,do you have a website where somebody can go through it and check if they korean men looking for black women?Can korean men marry black women from Africa and those already have children?If you are going to use that website where you publicise the replies,please use Pee as my name.Thank you and hope to hear from you soon.Bye!

"Pee" means "urine" in English and "blood" in Korean. Either way, it won't attract too many guys.


re:  birthday cakes

Do you have a recipe for a birthday cake?

Thank you

Jane

Sorry, the Korean is a good cook, but baking is another matter. 


(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Can Non-Koreans be Korean Actors?

Dear Korean,

I have been doing some acting and modeling in Brazil, China, Thailand, etc. for some time now. I love acting and I'm planning in going to Korea to get a degree on acting there. How is the acting bussiness for Westerners in Korea? I know that Koreans are a little bit racist towards skin colour and some other things, so I think this could be a barrier for entering the business.

The Working Actor

Dear Working Actor,

Although it is true that Koreans can be racist, that is hardly a barrier for a non-Korean to get into acting. In fact, Korea's racism often helps a non-Korean find an acting/modeling job, provided that the said non-Korean is (or appears to be) white. Especially when it comes to modeling/acting for advertisements, the field is wide open for attractive non-Koreans.

Of course, whether or not this trend is
a good thing is a completely separate discussion.
(source)

If you can somehow get yourself to speak Korean fluently, you will have absolutely no problem finding gigs as an actor. After all, Korean dramas and movies occasionally feature non-Koreans, and decent-looking non-Koreans who can speak Korean fluently are hard to find. When the Korean was younger, there were exactly four non-Korean actors who ever showed up on TV -- two women and two men, playing every single role that required a white person in a Korean drama.

(If you are curious, the two men were Robert Holley and Charm Lee [born as Bernhard Quandt], and the two women were Ida Daussy and .... blanking on the other woman's name. She was older than Daussy. Does anyone remember?)

Of course, it is highly unlikely that a non-Korean will be a top star in Korean acting scene. In all likelihood, a non-Korean actor will be typecast into a minor role. It might be enough to make a living, but stardom is improbable. But there is at least one case where a non-Korean character was cast as a lead for a big-budget Korean drama. Tamra, the Island depicts a story of a British sailor who gets shipwrecked in Jeju island in the 17th century. The role of "William" the sailor was played by Pierre Deporte (also known as Hwang Chan-Bin), a French actor who cannot look more different from Koreans:

If you really need help, Deporte is the guy on the right.
(source)

Deporte's selling point, again, was his fluent Korean, acquired through his Korean stepmother. Although the show was unfortunately cancelled in the middle of the season, it had enough niche support for a DVD edition that contained additional episodes. So there is at least one precedent for a non-Korean actor to be a legitimate star in a Korean drama. Given that it took Asian Americans more than a century of living in America before there was a TV show about us (and a cringe-worthy one at that,) the Korean would say Korea is actually making a decent progress.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Ask a Korean! News: "Journalism" in North Korea (Part I)

[Series Index]

The ever-awesome Mr. Joo Seong-Ha began running a series about "journalism" in North Korea, particularly with respect to the official newspaper, Rodong Shinmun. Below is the translation.

*                       *                      *

In North Korea, journalists are usually depicted as the party's "trumpeteer," holding down the forefront of the ideological battle line -- because it is the media and the journalists who work for it that are directly in charge of the brainwashing education, such as deification of Kim Jong-Il's family line or popular propaganda, which forms a significant pillar for maintaining the North Korean system.

One can glean the importance that North Korea places on ideology from the definition of the "Strong and Prosperous Nation" [강성대국], which it had been working to achieve for the last decade. North Korea's definition of a "Strong and Prosperous Nation" is a nation that achieved ideological strength, military strength and economic strength. North Korea argues that it already achieved ideological strength and military strength. Therefore, it has achieved the status of a Strong and Prosperous Nation as soon as the economy revives enough to achieve the economic strength. 

The Strong and Prosperous Nation theory appeared in 1998, and there was a controversy at that time also. I was still living in North Korea at the time. The North Korean people quietly spoke among themselves: "It makes sense to talk about economic or military strength, but ideological strength is some kind of a wordplay." At any rate, the fact that ideological strength comes first in the definition of a Strong and Prosperous Nation is a great example of how much North Korea values ideology.

Fittingly, the organization of Rodong Shinmun is rather unique. Rodong Shinmun has 15 departments: editorial,  party history education, revolution education, party life [TK: not that kind of "party"], popular front, industry, agriculture, society/culture, science/education, South Korea, foreign cooperation, international, reporting, photo reporting, and foreign correspondents. Among them, four departments -- party history education, revolution education, party life and popular front -- serve the role of politics department in a typical South Korean newspaper. This shows how much North Korea values ideological propaganda.

In a South Korean newspaper, society department usually takes up the most number of journalists. Sports also have a large place, as there are separate sports newspapers and broadcast media has separate sports news programs. But in Rodong Shinmun, there are no separate departments for society, culture or sports. Among the 15 departments, society/culture department handles society, culture and sports. Other North Korean newspapers follow a similar pattern.

This organization is closely related to the way Rodong Shinmun publishes its papers. Rodong Shinmun prints six pages, organized as following: the front page carries latest news about Kim Jong-Il, deification education, foreign public opinion admiring Kim Jong-Il and editorial. The second page contains stories about the revolutionary heritage, material for educating the labor class and activities of the party workers. The third page also contains stories of Kim Jong-Il's deification and the loyal subjects who followed Kim. The fourth page finally contains short news about the national administration or economic workers, as well as human interest stories, cultural and sporting events. If the North Korean national team loses in an international match, the loss rarely makes the news. The fifth page is for South Korea and the sixth page is for international news.

The most important department of Rodong Shinmun is the editorial board. Only the journalists with the greatest ideological readiness and writing prowess are selected for the board. They usually carry the superlative titles like People's Reporter, Distinguished Reporter or Level 1 Reporter. Of course, it is also the case for a South Korean newspaper's editorial board to have excellent, veteran journalists. Rodong Shinmun's editorial board writes the standard arguments for the party's policies, op-ed and editorial, which are the stories on which Kim Jong-Il focuses the most.

The stories on the front page of Rodong Shinmun frequently come with a black box around it. The box signifies that Kim Jong-Il read the story and approved it before it went to print. People are required to study such stories.

The editorial board is popular because a journalist who writes a good story has a good chance to be promoted to a party officer, if he can grab Kim Jong-Il's attention. In North Korean newspapers, even the editorial carries the name of the writer. Unlike South Korean newspapers that usually print two or three editorials a day, there are many journalists on the editorial board of Rodong Shinmun that cannot even print one or two editorials bearing his name in a year. There are editorials where a choice of a single word took a month.

However, there are journalists who are considered even more important than the members of the editorial board -- the journalists who accompany Kim Jong-Il on his field inspections. A South Korean analogue would be a journalist in the politics department whose beat is the Blue House. In North Korea, such reporters are referred to as "The First Reporter."

Foreign correspondents are admired in South Korea, but even more so in North Korea where a travel abroad is itself a privilege. North Korea sends out foreign correspondents to countries with which it has amicable relations, such as China, Russia and other countries in the Middle East or Africa. But becoming a foreign correspondent in North Korea is not a meritocracy -- without extraordinary connections, a reporter is better off not even thinking about the possibility. Once abroad, the correspondent constantly focuses on the opportunities to earn dollars, because keeping the person who sent you out happy guarantees the longer stay abroad.

South Korean reporters have to propose newsworthy stories in their departments every morning. But in North  Korea, the Propaganda Bureau of the Labor Party gives an order to the newspapers and TV stations, and the department chiefs then order the reporters about what to write. For example, when June 25 -- anniversary for Korean War -- draws near, the party would order an "anti-America week." Then the officers of the newspaper make the reporters focus on writing stories that would stoke anti-American sentiments. Such campaign continues year-around, with themes like "honoring our leader" week or "socialist patriotism" week.

The North Korean media has more framed "teachings" and "remarks" hanging on the hallways and offices than almost any other place in North Korea. Here, "teachings" are quotes from Kim Il-Sung and "remarks" are quotes from Kim Jong-Il. Some of them are quite revealing, and not commonly seen in any other place: "Be the party's eternal helper, assistant and advisor," "Even if you want to take ten steps, take a single step if the party tells you to take a single step," "Reporters must not breathe on their own accord," etc. In other words, journalists are ordered to be the perfect puppet of the Labor Party.

In most countries of the world, the most important virtue for a journalist is the courage and conscience that do not bend to the power. But in North Korea, a journalist equals the Labor Party's propagandist worker.

北 노동신문 1면의 ‘검은테두리’에 숨겨진 비밀 [North Korea Real Talk]

(continued in Part 2)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Nominees for the Best Post of AAK! -- First Five Years

Here are all the AAK! posts nominated by the readers for the five year anniversary extravaganza:

- Korea-Japan Relation Saga, Part III – WWII  (Feb. 23, 2007)
- Open Letter to Non-Asian People (Aug. 22, 2007)
- Korean Language Lessons - Particle I (Classificational Particles) (Nov. 26, 2007)
- The Ultimate Korean Looks List – How to Pick Koreans from Other Asians Just by Looking at Them (Sept. 8, 2008)
- How Dare You Call Me by My Name! (Nov. 11, 2008)
- Lesson in Cultural Gap through an Exercise of Translation (Dec. 9, 2008)
- Fan Death is Real (Jan. 7, 2009)
- Protests in Korea (May 15, 2009)
- Dog – It’s What’s for Dinner (Aug. 30, 2009)
- 2PM, Jaebeom, and Korea's Internet Culture (Dec. 4, 2009)
- The Korean's English Acquisition, and the Best Method to Master a Foreign Language, Guaranteed (Jan. 14, 2010)
- Why is StarCraft Popular in Korea? (Feb. 19, 2010)
- How to Hold Jesa (Sept. 19, 2010)
- Still More about Korean Names! (Oct. 26, 2010)
- Confucianism and Korea - Part II: What is Confucianism? (Jan. 6, 2011)
- Ask a Korean! News: North Korean Riot in 1998 (Jan. 26, 2011)
- God Loves Tiger Moms (Mar. 1, 2011)
- A Retrospective on Identity: State of a Gyopo at Age 30 (Mar. 18, 2011)
- Why You Should Never Listen to Asian American "Writers" of Angst (May 9, 2011)
- Another Person's Room (Aug. 11, 2011)
- Language Split Personalities? (Sept. 13, 2011)

The Korean is very happy to see that there was not too much over-representation of the more recent posts. Thank you all for the nominations. The voting is open until the 11:59 p.m. (EST) of October 20, 2011.

If you are a relatively new reader to the blog, you could use this as a guide for exploring older posts that other people liked. As always, thank you for reading!

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Are the Japanese Stealing Kimchi?

Dear Korean,

Is it true that Japan is making a Japanese version of the Korean Kimchi? I heard that the Japanese are calling it Kimuchi and hailing it as part of their own culture.

Bryan

The Korean previously explained that Korean nationalism drives many Koreans to truly stupid lows, like having a testosterone-fueled rage over women's figure skating or brutally killing pheasants with a hammer. But among the many different instances of nationalism-induced stupidity, this "kimuchi" thing might be the stupidest. Allow the Korean to state this as clearly as possible: this is a non-issue over which only the dumb people are worked up.

Yes, the Japanese are making kimchi. They call it "kimuchi", in an attempt to pronounce "kimchi" in Japanese. And kimuchi tastes different from kimchi, because the Japanese make it in their style. This is what happens the world over -- food travels, changes, and gets a different name.

Unfortunately, one can be a nationalist, or one can be a nationalist and a dumbass. And when the nationalists who are also dumbasses see the Japanese making kimuchi and let their paranoia run wild -- "Oh noes, the Japs are stealing our food! Now I'm going to have to write hateful shitpile on the Internet!" Never mind the fact that there is absolutely none, no indication that the Japanese intended to steal "kimchi" and claim it to be their own.

Recall that the Korean is writing this as an insane Korean food purist. He thinks that 95 percent of "Korean restaurants" in the U.S. do not deserve the descriptor "Korean." He thinks most of Seoul's restaurants serve cattle feed. But not even the Korean is insane enough to think that the Japanese are somehow trying to steal kimchi. The Korean might not recognize the Japanese imitation of spicy pickled vegetables as kimchi, but he is not delusional enough to think that the Japanese are trying to steal something.

(Aside: the Korean did lose his shit when a fancy restaurant near Seattle served "prawn kimchee salad" that had nothing that even remotely connected the dish to being a kimchi -- no salted vegetables, no fermentation, no spice, just prawn and arugula salad with some kind dressing. It was delicious, but it was not kimchi.)

The bad thing about dumbasses is that if there are enough of them, people who should know better cater to them. (See, e.g., extended warranty programs, Michelle Bachmann.) In this instance, the prime culprit is the newspapers that are quite content to manufacture a controversy. So we have articles like this -- in Korea's most-read newspaper, no less -- that try to play the same game with makkeolli (Korean rice wine) one more time by pointing out that Japanese breweries are now producing their own version of makkeolli, named "matkoli." (Again, the Japanese pronunciation of the same word and not renaming.) The article is a bald appeal to stupidity: "The Japs are trying to steal makkeolli by pronouncing it 'matkolli'! Just like they tried to steal kimchi with kimuchi! To arms, Korean people!"

But the more interesting part of the article is the comments, which are overwhelmingly critical of the article for being "narrow-minded", "alarmist", "filled with inferiority and victim complex," etc. Elsewhere in Korean Internet, the reaction is about the same. Dumbass nationalism in Korea may create a lot of sound and fury, but at the end of the day, most Koreans recognize them to be stupid.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Technical Proficiency and Creativity

The Korean always enjoys reading Anthony Tommasini's take on classical music on the New York Times. His recent article regarding the increasing technical ability of classical musicians (specifically pianists) is quite interesting:

Ms. Wang’s virtuosity is stunning. But is that so unusual these days? Not really. That a young pianist has come along who can seemingly play anything, and easily, is not the big deal it would have been a short time ago.

The overall level of technical proficiency in instrumental playing, especially on the piano, has increased steadily over time. Many piano teachers, critics and commentators have noted the phenomenon, which is not unlike what happens in sports. The four-minute mile seemed an impossibility until Roger Bannister made the breakthrough in 1954. Since then, runners have knocked nearly 17 seconds off Bannister’s time.

Something similar has long been occurring with pianists. And in the last decade or so the growth of technical proficiency has seemed exponential.

But will this focus on technical proficiency kill creativity and expression? No, Tommasini says -- just the opposite:

But more recently younger pianists have not been cookie-cutter virtuosos. Technical excellence is such a given that these artists can cultivate real personality, style and flair: artists like the Ukrainian pianist Alexander Romanovsky, whose 2009 recording of Rachmaninoff’s “Études-Tableaux” for Decca is wondrously beautiful, or the highly imaginative Polish-Hungarian pianist Piotr Anderszewski, an exceptional Bach interpreter.

...

Martha Argerich can be a wild woman at the piano, but who cares? She has stupefying technique and arresting musical ideas. I would add Krystian Zimerman, Marc-André Hamelin and probably Jean-Yves Thibaudet to this roster. There are others, both older and younger pianists. Again, lovers of the piano can disagree about the musical approaches of these tremendous artists. But that they are all active right now suggests that a new level of conquering the piano has been reached.

Virtuosos Becoming a Dime a Dozen [New York Times]

This conforms with the Korean's long-standing belief about true creativity:  to be truly creative, one has to be really, really technically good at something first. Only after there is a foundation of ability to actualize one's vision can there be a materialization of creativity.

(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Baekseju, the "100 Year Wine"

Dear Korean,

What is the deal with 'bek sae ju'? I am told that drinking this 'hundred-year-wine' can help you live longer. Are there any actual health benefits to drinking this beverage? How did it get its reputation/name?

Andi

Dear Andi,

You inadvertently stumbled onto a highly interesting example of how a Korean product manages to recall Korea's tradition and repackage it for modern day customers.

First, the name. "Baek Se Ju" [백세주] literally means "100 year wine." The first reference to it came in a 17th century book called Jibong'yuseol [지봉유설], which was a type of encyclopedia, written by a scholar named Yi Su-Gwang [이수광]. The book tells the following tale about baekseju:

A traveler was walking by a road, when he saw a young man had an old man stood up with his pants sleeves rolled up, and was whipping the old man with a switch. The traveler became indignant with the young man's insolence, chastised: "How dare you lay your switch on this old man's leg!"

The young man replied: "This here is my precious only son, whom I had at age 80. And he is turning old like this because he did not drink this wine like I told him. So I am trying to teach him a lesson."

This is a cool story reflective of the kind of ironic humor commonly found in traditional Korea. But the real story is how the modern baekseju appeared in the market.

Baekseju is made by a company called Kooksoondang [국순당] Brewery Co., a company that focuses on brewing traditional wine. Before Kooksoondang decided to mass produce baekseju, the wine was no more than a moonshine recipe available only in small pockets of Korea. Importantly, although Kooksoondang made its baekseju based on the traditional recipe, it added plenty of its own adjustments to come up with what would sell in the broader market. The company put out the wine in the market in 1992, and advertised it with a nifty poster re-telling the story from Jibong'yuseol.

Notice the old man getting hit by a young man

(source)

The result was a huge success. In the early 1990s, there were pretty much only three types of alcohol available in Korean market -- beer, soju and whiskey. Baekseju was perfectly positioned to hit the market for people who wanted to drink but not get shitfaced. (For those who wanted something a bit stronger than baekseju, a popular alternative was quickly hatched -- "osipseju" ("50 year wine"), made by mixing soju and baekseju one-to-one.) The good-for-your-health was a nice narrative to accompany the product, enforcing the message that if you want to avoid hangover the next morning, go with baekseju. Thanks to baekseju, Kooksoondang grew 100 times in terms of revenue since 1992, and has now become the dominant market leader in traditional Korean wine of all kinds. One can fairly say that baekseju opened the door for the rediscovery of Korean traditional wine, although baekseju itself might not be particularly authentic.

Is baekseju actually good for your health? It might be possible -- it is not particularly strong (about 13 percent alcohol), and its ingredients do include many herbs used in traditional medicine. The company does claim that, based on its own experiments, baekseju is just as good as red wine in cancer prevention, and also protects the stomach lining. But at the end of the day, alcohol is alcohol -- it can only be so good for one's health. Instead of thinking too much about the supposed health benefits, one should drink baekseju as a toast to how tradition, a solid product and nifty marketing combined to create one of the most successful products in Korean alcohol market.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

How do Koreans refer to America?

Dear Korean,

How would the US have been referred to in everyday conversation? Surely Koreans have their own way of referring to the US other than the phonetics for "US" or "America."

Kapok Crusader

Indeed Koreans do have their own way of referring to the United States. It's 미국 (pronounced "mee-gook".) It is Korean pronunciation for the Chinese characters 美國 - the "beautiful country."

God bless 미국!

(source)

But this is where it gets interesting -- why "beautiful country"? And why Chinese? Does this apply to all countries?

The basic rule of referring to a country's name is the same rule that applies to all foreign words -- 외래어 표기법 (Transliteration Rules for Foreign Words) established by National Institute of Korean Language (국립 국어원.) In fact, the Korean already explained this once, about why Koreans call "Haiti" like "IT":

What comes into play here is Rule of Foreign Words Transliteration established by the National Institute of the Korean Language (국립국어원). Just like L'Academie francaise, NIKL governs all things related to Korean language, including how words that did not originate from Korea are supposed to be written. The overarching principle of the rule is to transliterate the words as they are pronounced in their language. Specifically, the Rule of Transliteration provides a chart that matches up the International Phonetic Alphabet to Korean characters, with more detailed rules in different languages such as English, Spanish, Japanese, French, etc.

The Korean likes this rule because it shows respect. Although Korean language sometimes has a separate name for a famous city in a foreign country -- for example, Sang-Hae (상해) for Shanghai (상하이) or  Dong-Kyeong (동경) for Tokyo (도쿄) -- under this rule, Koreans are supposed to write them as 상하이 and 도쿄, not as 상해 or 동경. (In contrast, English-speakers have no qualms for calling München as "Munich" or Praha as "Prague".) Calling a different country/culture with the name that they gave to themselves shows a lot more respect than calling with the name that we came up for them.

(By the way, did you notice Dominique Strauss-Kahn in that post? What a year he has had!)

So the default rule for a country name in Korean is to pronounce it as closely as the countrymen would pronounce. Then why 미국? Why not 아메리카 ("America")? That's because Rule 5 of the Transliteration Rules -- "For foreign words that have been already solidified in use, respect the common usage." Rule 5 sometimes feels like an exception that swallows the whole default rule, because the "solidified" foreign words are usually the most commonly used ones. In other words, the exceptions are so prominent that it becomes easy to forget the rule.

At any rate, it is no surprise that the names of the countries that interact the most with Korea fall under Rule 5.  Most of these names originate from the 19th century, when Koreans finally realized that the world had more countries that their own, China and Japan. For the newly discovered countries (from Korea's perspective,) Korea borrowed the Chinese transliteration convention -- that is, take the prominent sounds of a name, pick the Chinese characters with good meanings that match the sound, and add the character 國 to signify that it is a country. The Chinese called America 美國 -- pronounced "mei-guo", taking "mei" from "aMErica". (Yes, it is quite arbitrary.) Koreans borrowed the word 美國, and simply pronounced it their own way -- thus, Koreans refer to America as 미국.

Other countries who fall under Rule 5? At this point, China (중국 -- "joong-gook", not "zhong-guo"), Japan (일본 -- "il-bon", not "nippon") and Germany (독일 -- "dok-il", not "deutschland") are pretty much it. (-EDIT 8/6/2011- There are also Australia (호주 -- "ho-ju"), England (영국 -- "yeong-gook") and Thailand (태국 -- "tae-gook"). Clearly the Korean should have given this post another day and thought about it harder.) In older Korean books and among older Koreans, one can catch glimpses of the words like 불란서 (佛蘭西) instead of 프랑스 (France) or 구라파 (歐羅巴) instead of 유럽 (Europe). But those uses are rapidly fading away.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

50 Most Influential K-Pop Artists: 27. BoA

[Series Index]

27.  BoA [보아]

Years of Activity:  2000-present

Discography:
(Regular albums only. BoA has 47 singles not listed here.)

Regular Albums: Korea

Id; Peace B (2000)
Don't Start Now - Jumping into the World (2001)
No. 1 (2002)
Miracle (2002)
Atlantis Princess (2003)
Shine We are (2003)
My Name (2004)
Girls on Top (2005)
Hurricane Venus (2010)
Copy & Paste (2010)

Regular Albums: Japan
Listen to My Heart (2004)
Valenti (2004)
Love & Honesty (2004)
Outgrow (2006)
Made in 20 (2007)
The Face (2008)
Identity (2010)

Regular Albums: United States
Boa (2009)
Boa Deluxe (2009)

Representative Song:  Atlantis Princess [아틀란티스 소녀] from Atlantis Princess

아틀란티스 소녀
Atlantis Princess

저 먼 바다 끝엔 뭐가 있을까
What is at the end of that faraway ocean
다른 무언가 세상과는 먼 얘기
Something different, a story faraway from the world
구름 위로 올라가면 보일까
Will I see if I get on top of the clouds
천사와 나팔부는 아이들
Angels and children playing trumpets
숲속 어디엔가 귀를 대보면
Put my ears against somewhere in the forest
오직 내게만 작게 들려오는 목소리
A small voice that only I can hear
꿈을 꾸는 듯이 날아가 볼까
Shall I fly like I am dreaming
저기 높은 곳 아무도 없는 세계
That high place, the world with nobody
그렇게도 많던 질문과 풀리지 못한 나의 수많은 얘기가
Those many questions and so many unresolved stories of mine
돌아보고 서면 언제부턴가 나도 몰래 잊고있던 나만의 비밀
Looking back, those secrets of mine that even I forgot some time
(이제 정말) 왜이래 나 이제 커버린 걸까
(Now really) Why is this, am I now grown up
(이제 정말) 뭔가 잃어버린 기억
(Now really) The memories lost somehow
(지금 내맘) 이젠 나의 그 작은 소망과 꿈을 잃지 않기를 저 하늘 속에 속삭일래
(Now my heart) Now I will whisper into the sky that I won't lose my little hope and dream

까만 밤하늘에 밝게 빛나던 별들 가운데
Among the bright lit stars in the black night sky
나 태어난 곳 있을까
Is there a place where I was born
나는 지구인과 다른 곳에서 내려 온 거라 믿고 싶기도 했어
Sometimes I wanted to believe that I came down from somewhere different from Earthlings.
그렇게도 많던 질문과 풀리지 못한 나의 수많은 얘기가
Those many questions and so many unresolved stories of mine
돌아보고 서면 언제부턴가 나도 몰래 잊고있던 나만의 비밀
Looking back, those secrets of mine that even I forgot some time
(이제 정말) 왜이래 나 이제 커버린 걸까
(Now really) Why is this, am I now grown up
(이제 정말) 뭔가 잃어버린 기억
(Now really) The memories lost somehow
(지금 내맘) 이젠 나의 그 작은 소망과 꿈을 잃지 않기를 저 하늘 속에 속삭일래
(Now my heart) Now I will whisper into the sky that I won't lose my little hope and dream

(이제 정말) 왜이래 나 이제 커버린 걸까
(Now really) Why is this, am I now grown up
(이제 정말) 뭔가 잃어버린 기억
(Now really) The memories lost somehow
(지금 내맘) 이젠 나의 그 작은 소망과 꿈을 잃지 않기를 저 하늘 속에 속삭일래
(Now my heart) Now I will whisper into the sky that I won't lose my little hope and dream

너무나도 좋은 향기와 바람이 나에게로 다가와
Such nice scent and wind come to me
어느샌가 나도 모르게 가만히 들려오는 작은 속삭임
The little whisper that can be quietly heard
귀를 기울이고 불러보세요
Listen closely and try calling it
다시 찾게 될거예요 잊혀진 기억
You will find again the lost memories
(생각해봐) 나 이제 더 이상 놓치진 않아
(Think about it) I won't lose it any more
(소중했던) 나의 잃어버린 기억
(Precious) Lost memories of mine

(지금 내맘) 이젠 나의 그 작은 소망과 꿈을 잃지 않기를 저 하늘 속에 속삭일래
(Now my heart) Now I will whisper into the sky that I won't lose my little hope and dream
(이제 정말) 왜이래 나 이제 커버린 걸까
(Now really) Why is this, am I now grown up
(이제 정말) 뭔가 잃어버린 기억
(Now really) The memories lost somehow
(지금 내맘) 이젠 나의 그 작은 소망과 꿈을 잃지 않기를 저 하늘 속에 기도할래
(Now my heart) Now I will pray into the sky that I won't lose my little hope and dream

Translation Note:  어느샌가 나도 모르게 가만히 들려오는 작은 속삭임 was weirdly difficult. Why must all English sentences have a subject? It ruins the poetry, such as it is in a teeny bopper song.

In 15 Words or Less:  First step toward K-pop's global domination.

Maybe she should be ranked higher because...  The first Korean pop artist to top the charts in both Korea and Japan. Doesn't that count for more?

Maybe she should be ranked lower because...  One can search long and hard for something, anything original in her music, and will come up with nothing.

Why is this artist important?
The emergence of BoA may well be the point where the business of K-pop went from the bush leagues that cobbled together some small gains to the huge, global corporate activity that involved careful investment and long-term planning.

Lee Su-Man, head of SM Entertainment, discovered BoA in 1998, when she was not yet 12. From the very beginning, BoA was ordained to be the pan-Asian star -- something that K-pop at that time simply did not have. She was first sent to Japan for two years to learn Japanese, famously staying at a Japanese news anchor's house in order to learn the most professional pronunciation of Japanese. Two years later, she debuted in both Korea and Japan nearly simultaneously.

BoA's debut in Korea actually did not go so well, but she drew a stronger following in Japan. In fact, she became huge in Japan, as she topped the charts with her second regular album in 2004 that sold over a million copies. She then made a jump back to Korea, and became the first artist who topped the charts in Korea and Japan at the same time.

To be sure, there are others before her who underwent a rigorous training at young age, seemingly destined for a stardom. But BoA was the first case in which a corporation deliberated invested a large sum of money specifically for an international career. Given the influence of K-pop in Japan today, BoA's influence cannot be discounted.

Interesting trivia:  Although the name "BoA" screams "stage name," her real name is Kwon Bo-Ah [권보아].

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Are Vaccinations Safe?

Dear Korean,

My name is Roy, and I am reaching out to you on behalf of the Los Angeles County Dept. of Public Health (LADPH). LADPH just launched a public awareness campaign that urges people to protect themselves and their loved ones from preventable disease through proper vaccination. I work with SAESHE, a marketing agency that handles LA County's Asian American marketing and community outreach.

Los Angeles County is currently experiencing the worst epidemic of whooping cough in 60 years, with more than 870 cases last year alone. Effective of July 1, 2011, a new California school immunization law will require all 7th-12th graders in public and private schools to receive a pertussis booster (Tdap) shot, protecting them from whooping cough.

On behalf of LADPH and Los Angeles County, we are asking The Korean: Are vaccinations safe? Why should we get vaccinated?

Roy Cho
Assistant Account Executive

Dear Roy,

Despite the wishes of the Korean Parents, the Korean is not a doctor. But it does not take a doctor to know that vaccinations have done a tremendous amount of good for humanity. Thanks to vaccination, very serious diseases like polio, diphtheria and tetanus are practically eradicated. Vaccinations are safe, and we should be vaccinated to avoid preventable diseases.

Vaccination should have a more special meaning for Korean Americans, as it is one of the more enduring gifts from America to Korea. A very underrated contribution that America made for Korea is Korea's vast improvement in public health. As a Japanese colony, Korea's public health was miserable. Under the Japanese rule, Koreans had virtually no opportunity to receive medical education and become a doctor. Public health at the time was entirely focused on allowing the Japanese to live safely in Korea. The imperial police was in charge of public health in colonial Korea, and patients were treated as criminals, not people with illnesses. Virtually no attempt was made to treat the patients who were quarantined.

A good example of the brutality of Imperial Japan's "public health" policy is the way it treated Korea's leprosy patients. By the time of independence in 1945, Imperial Japan had built the world's largest leper colony in Korea, holding some 6,000 leprosy patients in an isolated island of Sorok-do. These patients, and their Japanese watchers, did not learn of Japan's defeat in World War II until three days after Japan surrendered. The Japanese in charge of the island heard the news along with some of Korean patients when they visited mainland to receive supply. The Japanese officials then killed 20 Korean patients on the boat to prevent the news from spreading, then returned to the island to embezzle the supplies in the island. The news nonetheless spread among the lepers, and the Japanese officials killed more than 60 patients in the ensuing riot before leaving the island.

The state of public health went from miserable to atrocious following the independence and through Korean War. At its height in the late 1940s, Seoul had 40 new smallpox patients every day; 40 percent of the patients died -- and we are talking about the disease whose vaccine was discovered in 1796. According to the U.S. military reports in 1946, nearly a thousand people died in one small town alone (Seonsan, Gyeongsangbuk-do, a little north of Daegu,) in just one week from at least five different communicable diseases. In 1949, it was estimated that more than 1.4 million Koreans had tuberculosis. In 1951 during the war, the same number was estimated to be 2.8 million.

American presence in Korea since the independence and through Korean War played a huge role in vastly improving such atrocious state of public health. Vaccination played a huge part in this. Of course, the starting point of American military's public health policy in Korea was its concerns about the health of their own soldiers who come in contact with Koreans at the time. During Korean War, one of the first steps to join KATUSA -- Korean soldiers who assisted the U.S. troops -- was to be sent to Japan and be vaccinated for smallpox, typhus, cholera, etc. But it is too cynical a view to think Americans acted out of pure self-interest. Despite being on a lower priority, Korean civilians eventually received regular vaccinations in an organized fashion. Much of humanitarian aid from America also focused on vaccination as well.

(Source: 전우용, 현대인의 탄생 (2011))

Elementary school students in Gaejeong, Jeollabuk-do

line up for BCG vaccination against tuberculosis (circa late 1950s.)

American emphasis on preventive public health is 

very much alive in Korea to this day.

(source)

In this day and age, the Korean does not know a reason why anyone would refuse to be vaccinated. But if you are a Korean American who need more reasons than the good folks at VaccinateLA could give, here is one more: thanks to the vaccination practices that America transplanted in Korea, Korea now has one of the lowest death rates in the world -- ironically, much lower than those of the U.S. Vaccination has proven to be a life-saving gift; it would be terrible manners to reject such a gift.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Ask a Korean! News: How LG Made the World's First 3D SmartPhone

Here is an interesting report on the development of LG's Optimus 3D, the world's first 3D SmartPhone, which provides a nice caricature of how Korean companies not only come up with a new idea, but stick to it until a new product is born.

*             *             * 

March 2010. Another miserable day passed by for LG. The media was saturated with stories about Apple's iPhone. Samsung developed Bada, its own SmartPhone operating system, and was preparing for its own response to iPhone, Galaxy S. But LG Electronics had nothing, as it exclusively focused on regular cellphones based on a flawed strategy. It could not even attend the Mobile World Congress, the world's largest mobile communication device trade show held in February, because it had nothing to show. It was pure humiliation. The first quarter sales for cell phone business dropped by 19.7 percent compared to the same period previous year, and profit fell by 88.9 percent. The company leadership was being questioned.

The employees at Mobile Communications Department of LG Electronics -- the department that created such legends as The Chocolate and Prada Phone -- could not get accustomed to the suddenly new reality created by iPhone 3GS. It became a dead weight for the company. The department hastily conjured up SmartPhone projects. It had to prepare for the period after iPhone 4, considering the development time. It essentially had to give up on 2010. (In fact, the Mobile Communications Department was in the red between second quarter of 2010 through the first quarter of 2011.) Vice President Nam Yong resigned, and in October the owner-CEO Koo Bon-Moo stepped in as an emergency relief pitcher.

"Will it really work?"

Back to March 2010. The head of Roh Hyeon-Woo, executive researcher of the Technology and Strategy Team, was clouded with thoughts. At least by the new year, he needed something to show LG's presence. Technology and Strategy Team and Product Design Team met every day. Then somebody piped up:

"Do you think 3D will be a hit? The television department was all about 3D."
"Oh yeah, 3D! How come no one thought about 3D on cell phones? We shouldn't wait until 3D becomes a hit. We should do it first."

Thus began the 450-day journey of creating a 3D SmartPhone that did not require 3D glasses. For the Projects Team to actually build the product, the idea must be tested to examined whether it can be actualized. The process normally takes two to three months, but not this time -- the team had to battle with the internal skepticism as well. There were concerns that it was too early, because there was not enough contents to view in 3D. When the business was good, such skepticism would not have had much effect; when the business was shaky, the skepticism shook the convictions of the team members as well.

(More after the jump)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Uh, No. Arirang Belongs to Korea. Thanks.

[Note: This is a reaction to Roboseyo's post, titled Nobody Owns Arirang.]

I remember the first time when I saw my family's jokbo when I was a child growing up in Korea. Jokbo means "lineage book," and it shows the flow chart of everyone who is related to me starting from the very first Korean person who shared my last name, who was born in 69 B.C.E. It was, and still is, an awe-inspiring sight. My family's jokbo is consisted of more than 30 volumes, broken down by centuries, clans and subclans. The volumes would take up two full rows of a bookcase in my grandfather's run-down house, their uniform spines forming a brick-paved road toward my origin. My grandfather would flip to his favorite pages -- dog-eared for easy reference for his show-and-tell with his grandchildren -- and point to a name. The name could be a famous scholar, general, someone I would have learned about in school history classes. After going through some dozen names like that, he would flip all the way back to the last page of the last volume. And there it was -- my name, son of my father, grandson of my grandfather, 81 generations and more than two thousand years from the fountainhead of my family.

Roboseyo, a blogger I like and respect, recently claimed "nobody owns Arirang". I disagree with his view. I begin this post with the story about my jokbo is because I sense that Roboseyo does not have my sense of connection with the past, as is typical of North Americans. I believe that once people understand the feeling of having a meaningful connection with the past, they will have an easier time understanding why Koreans and the Chinese have such significant interest in laying claim on their history and culture.

(More after the jump)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

The Korean's Summer Barbecue Recipe

The Korean strives to be a reasonable, even-keeled person, but he cannot help himself in one particular area: Korean food. When it comes to Korean food, the Korean will be more unreasonable than a tiger sports dad attending a peewee football game. He will be totally biased, irrational and obnoxious. He will utterly disregard the reasonable preference of everyone else. He will lose his shit and wantonly issue death threats to anyone who gives a bad recipe.

The most recent recipient of the Korean's rage is Mark Bittman, who presented this "Korean" recipe to the New York Times. Now, the Korean actually likes Mark Bittman's work, as Mr. Bittman presents great insights on food and food culture. Mr. Bittman also gave a clear disclaimer: "I will not (and cannot) claim that every element of this menu is legitimately Korean." And please, read the paragraph above just one more time -- the Korean is not a rational person when it comes to Korean food. He is a crazy raving lunatic. You don't have to listen to him.

Having said all that...

GO DIE IN A FIRE, MARK BITTMAN. Boston lettuce leaves for ssam? Why not eat sandpaper instead? And gochujang for ssam too? What are you, 10 years old? And who told you that there is such Korean food as "grilled scallion salad" and "Korean potato salad"? Where did you get your recipe from, David Chang?

And the greatest, most unforgivable sin of all -- soy sauce in kimchi. What the fuck. WHAT. THE. FUCK. The Korean nearly had a heart attack just reading that. Thanks asshole, soon all the trendy restaurants will serve soy sauce cabbage and call it kimchi (but pronouncing it "keem-shee".) Go to hell and die.

And the idiots who commented on the article about how gochujang (chili bean paste) is never made with beans, fuck you too. Gochujang is made with beans. Have you even seen a meju, dipshit? That's the fermented block of ground beans, from which doenjang, gochujang and ganjang are made. It also looks like your face -- ugly. Shut the fuck up if you don't know what you're talking about.

::::HYPERVENTILATING::::

Ok. Alright. Even amid this irrationality, the Korean still has enough sense to think: if you don't like something, don't just criticize -- offer an improved suggestion. So here are the Korean's suggested recipe for a real deal, backyard Korean barbecue.

The recipes, after the jump.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

"Roboticity" and Violin -- Reaction from a Reader

Really good reactions to the Korean's post keep hitting the Korean's inbox, and he is learning a lot from them. This one from N.S., a former violin instructor (and a current law student) was extremely enlightening toward addressing the silly argument that Asian classical musicians are supposed to be wooden and robotic.

(Posted with permission, with some edits from the Korean.)

*               *               *

Dear Korean,

I read your "Tiger Mom" and "Paper Tiger" pieces via links through other blogs. I thought they were terrific and will read more. As a parent and a soon-to-be "Biglawyer", they spoke to my concerns, and I really liked the way you took ethnic themes and got beyond them to questions of wider concern. You're right, of course: any "tiger parent" is going to take their kids farther than they'd get with lackadaisical, cut-corners, low-energy-low-involvement parenting.

I used to be a violin teacher. In my experience, it wasn't that Asian kids were robotic; rather, their skill level was higher than their talent level relative to other kids.  Highly talented Asian kids would of course play very well. But even moderately talented Asian kids would play fairly well -- well enough to sit at the back of the second violins in all-state orchestra, instead of first chair.

Meanwhile, moderately talented white kids wouldn't put in the work necessary to compete with Asian kids at their talent level. It's true that moderately talented Asian kids would tend to sound rather "drilled," but on the other hand, moderately talented white kids would play out of tune, suffer memory lapses and miss shifts. And they would do all that with phrasing and pacing just as boxy as those of the "drilled" Asian kids. Meanwhile, the truly talented Asian kids would eat everyone's lunches and outplay less hardworking kids on every metric: phrasing and musicianship, intonation, bow control, articulation, whatever you could name. That's what you get when you have both skill and talent. Drill alone isn't sufficient for playing like Cho-Liang Lin or Kyung-Wha Chung or Nobuko Imai. But it is necessary, and anyone saying otherwise is dreaming.

*               *               *

One caveat -- N.S. was specifically commenting on the stereotype about how Asian American children are supposed to be robotic because of their upbringing. He is NOT making a racist comment about the supposed abilities of white violin students. There are obviously many, many talented white violin players in America and in the world, and N.S. as a violin instructor would be the first to know them. Don't get it twisted.

This comment particularly hit close to home because Chung Kyung-Wha that N.S. mentioned is the Korean Wife's violin heroine. The timing of this post is particularly appropriate, because Chung's mother Lee Won-Sook passed away just a few days ago, at age 93. Lee was the original Tiger Mom -- she had seven children, and raised four of them to be world-class classical musicians. (The other three became a successful businessman, a professor, and a doctor.) She wrote two books on childhood education, and the stories she told in those books make Prof. Amy Chua look like a hallmark of indulgence. For example, Lee would carry a hammer and nails in her purse, check every single seat of a concert hall where her children would play, and fix the chairs that might creak.

To close, here is a beautiful rendition of Zigeunerweisen by Chung. Pay attention at around 6 minute mark for a show of ridiculous virtuosity.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.