Fate can be cruelly ironic. Only a few days after TK covered him in this space, with hopes to cover him more going forward, Shin Hae-cheol passed away from cardiac arrest on October 27, 2014. He was only 46 years old.
As TK explained previously, Shin is K-pop’s greatest rock icon of the 1990s. Through his outspoken activism and direct communication with his loyal listeners, his influence extended well into the 2000s, and well beyond the consumers of pop culture. No one in the history of K-pop left a footprint quite like Shin’s. Though his life was tragically cut short, it deserves to be known to a wider audience who appreciates K-pop, and wishes to understand where it came from, where it has been.
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K-pop nearly died in 1975. The Park Chung-hee dictatorship saw pop culture, especially rock music, as a threat to public order and ultimately its regime. When Shin Jung-hyeon [신중현], the greatest rocker of the time, refused to write a song praising the dictatorship, the government banned his music and arrested him on trumped-up drug charges. Numerous K-pop artists met the same fate.
Korean pop music, which stood near the forefront of global pop music trends in the 1970s, took a massive step back. Only the inoffensive, melodramatic soft rock could survive for the next decade, as the next dictator Chun Doo-hwan--whose rule ended in 1987--was hardly a fan of rock music either.
Perhaps it was not a coincidence that an upstart band, calling themselves the Infinite Track [무한궤도], came onto the stage as the last contestant of the MBC College Pop Music Festival in 1988, a year after Chun Doo-hwan dictatorship was toppled. The College Festival, which began in 1977, became the new path to stardom after the dictatorship decimated the existing pop music scene. But for a long time, the college bands that performed on the Festival mimicked the larger trend. Their music was soft and meek, tear-jerking without being daring.
That is, until the Infinite Track took the stage. The Infinite Track seemed to be an unlikely band to challenge the status quo--its members were the classic definition of elites, as they were students of Seoul National, Yonsei and Sogang. When the baby-faced lead singer and guitarist Shin Hae-cheol gave the pre-performance interview, few expected what was coming next.
Then the song began, with blaring fanfare. A rush of synthesizer followed. The drums crashed harder than they did all night. The lights of the freshly constructed Olympic stadium--which just finished serving its purpose in the Seoul Olympics--blinkered wildly to the beat. The song, called To You [그대에게], instantly owned the crowd. (It would continue to own the crowd for the next thirty years, as it is one of the favorite songs for Korea’s cheering sports fans today.) When the Infinite Track finished performing, there was no doubt about who won the 1988 College Pop Music Festival.
(More after the jump.)
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