Monday, February 26, 2007

Read This, Fans of The Departed, and Learn the Truth.

At the end of a previous post, the Korean promised that he would pour down some raging shitstorm upon Academy of Motion Pictures and Sciences if The Departed wins any Oscar. Well, The Departed won 4, so here is the shitstorm, as promised.

Here is the simple reason why any Academy won by The Departed is bullshit. The Departed is based on a Hong Kong movie released in 2002, called Infernal Affairs. And by "is based on", the Korean means that "plagiarized down to every relevant detail."

But it goes beyond that simple fact. This is really about what the Academy sees its award show as. Once upon a time, American movies ruled the world. They still do to a certain extent, but certainly not to the same degree. Just like other American inventions of baseball and basketball, the world has caught up with America, and fantastic movies are made outside of U.S. every year.

At this point, the Academy had to choose. Will it continue favoring American movies and try to select the best picture among them, or will it open up its doors to foreign films and try to award the true world champion? If the Academy cares about the global reputation of Oscars, the answer is obvious. And by and large, the Academy made the right moves, making this Oscars the most international one ever. Pan's Labyrinth, a Spanish film, won 3 Oscars, next highest to The Departed. All these were encouraging signs. But by showering The Departed with 4 Oscars, including Best Film, Best Director, Best Screenplay, and Best Editing, the Academy took two steps back for every step it had taken forward. Instead of awarding the true global best, the Academy coronated its knockoff.

The Korean has no doubt that Martin Scorsese is a great director. In fact, the Korean believes that Scorsese, with The Aviator, should have won over Clint Eastwood's Million Dollar Baby in 2005. But even the greatest director is capable of mailing it in, and mailing in Scorsese did.

First, the decision to remake Infernal Affairs was questionable to begin with. If it were an obscure, small budget movie, or a very old movie, that Scorsese had to go out of his way to discover, then it's understandable. But Infernal Affairs was none of those things. It was one of the highest grossing Hong Kong movies EVER. EVERYONE in Asia has watched it. The thing that blows the Korean away is the fact that Infernal Affairs opened in 2002, while The Departed opened in 2006. Given that it takes several years to make a movie, it means that Scorsese decided to remake Infernal Affairs as soon as it opened! How can this possibly be?

But the Korean still had hope, going to watch The Departed. After all, it’s Martin Scorsese, for crying out loud. He’s the guy who made Goodfellas! Sitting through The Departed, the Korean desperately hoped for something different to show. And there were a few differences between Infernal Affairs and The Departed. (Read on, there are no spoilers.) They were:

1. Infernal Affairs is set in Hong Kong, while The Departed is set in Boston.
2. Everyone in Infernal Affairs is Asian and speaks Cantonese, while everyone The Departed is white and speaks English (with Boston accents.)
3. The character played by Mark Wahlberg is new, and so is the ending involving him. The last 30 seconds of The Departed is completely new.
4. The ways Leonardo DiCaprio/Tony Leung character communicates with the police at the deal are different.
5. Jack Nicholson character is a little more fleshed out than Eric Tsang character. (Infernal Affairs 2 actually fleshes out Eric Tsang character a lot more.) Matt Damon character is also a little more fleshed out than Andy Lau character.

That’s it. Seriously, those are all. Which one of those 5 points screams “major changes”? On the other hand, so many of the major storytelling/stylistic points were directly lifted from Infernal Affairs to The Departed. (Okay, now we have spoilers.) Such as:

1. Making the two moles look alike.
2. The way the two moles almost meet, at the theatre.
3. The way the deal was bugged (computer chip replaces drugs.)
4. The way the chief dies.
5. The way there were two moles each in the end, and the way they become known.
6. The usage of glasses and blinds in the police HQ.
7. The setting and camera works on the roof, the movie’s climax.

The Korean can go on, but here is the point: The Departed is no more than a shameless knockoff of Infernal Affairs. If Scorsese did not bribe Andy Lau and Alex Mak into making this movie, he would certainly lose the lawsuit for plagiarism.

Now, a question must be asked: Why couldn’t Infernal Affairs simply open in the theatres of America, and make The Departed, which would open in mere 4 years later, appear utterly unimaginative?

Answer: Read the differences points 1 and 2 above. The Korean hates playing the race card, but really there cannot be any other explanation. Infernal Affairs, by all accounts a spectacular movie (reflected by the success of its knockoff,) got robbed BECAUSE IT DOES NOT HAVE WHITE PEOPLE IN IT. The same thing happened with The Ring and The Grudge. Only Asian movies that escaped this fate are the martial-arts based ones, i.e. the ilk of Crouching Tiger, Hidden Dragon, because it would be completely ridiculous to have those movies set in ancient Boston and have Chuck Norris flying across the screen.

What drives the Korean completely insane is the thought process behind the decisions to remake Asian movies. “Surely Asians can do some things that white people can’t, but those things cannot possibly include being an undercover cop that tests your inner goodness!!” Never mind that the movie won 23 different awards all over the world, and was wildly successful in cultures and languages that are as radically different as China, Japan, and Korea!

But it's not just about the assumption about Asian movies; it's also about the assumption that American audience is stupid. “There is no way in hell American audience is receptive to the emotions of fear, love, ambition and redemption portrayed by these yellow-skinned, slant-eyed chinks. We had better slap together a cast of white actors and a white director so that they may properly translate to the Americans whatever these chinks are trying to show.”

If you are an American movie lover, you should be insulted.

God, I'm still pissed.

p.s. The best part? When The Departed won the Best Screenplay and the screen writers (more like translators) walked up toward the stage, the PA system announced "The Departed was based on a Japanese movie, Infernal Affairs." That made the Korean jump out of the couch and scream, "IT'S NOT JAPANESE YOU IGNORANT FUCKS!!!"

The Korean has been a little bit harsh on the Japanese, especially with the recent Korea-Japan relation series, but he would like the readers to know that he was pulling for Rinko Kikuchi for Best Supporting Actress. The Korean also likes Japanese movies and cartoons.

14 COMMENTS:

purvis said...

Dear Korean,

I hear what you are saying, about Americans ripping off great foreign movies by just redoing them with American characters (in particular ripping off Asian movies and making the characters White). And in many, if not most cases, the American version is HORRIBLE... yet is more famous and makes more money.

However... in this particular case, I just have to disagree. I've seen Internal Affairs, and really loved it, but The Departed is in an entirely different league. And it has nothing to do with the characters being Irish instead of Chinese. Internal Affairs looks good on its own, but compared to The Departed, it feels cheaper and more melodromatic. And the ending of the Departed is sooooo much better.

One thing that I didn't like about The Departed was how two female characters were combined into one, but that's a minor point.

Again, I understand what you are saying about a good movie not getting the credit its due b/c it's foreign, but you must consider a couple of things: Americans don't like foreign films (or foreign things in general.. most of us are monolingual), and Americans don't like subtitles. Like it or not, the studios aren't going to make much money on a film with no recognizable (to Americans) stars, and where they have to read the dialogue. It's a shame, too, because the foreign films that make it over here to the US are usually WAY better than the box office hits, but anyway...

I also heard them say that Internal Affairs was Japanese, and that was so stupid! And Rinko Kikuchi was SO much more deserving than Jennifer Hudson. But they don't usually give the Oscar to the foreign actor. Unless they are British, of course.

Travelingrant said...

Yeah, I know exactly what you mean.I keep hearing about remakes of Oldboy and JSA, and this fills me with dread. I wouldn't alter a single frame or casting choice in either of those films. They are perfect!

Seriously Hollywood? What the Fuck?

The one great thing about The Departed, is that Infernal Affairs II and III are finally easily available in the States. Heh, it takes the remake to spark enough interest to make the originals worth releasing. *sigh*

CurBludgeon said...

Dear Korean,

What you said.

Plus, I'm an American and I *like* subtitles. So stop with the broad generalizations, please.

CB

the Korean said...

Purvis, it's hard for the Korean to take you seriously if you misspell the name of the movie. If the title of the post read "Read this, fans of The Deported..." would you take the Korean seriously? The title is Infernal Affairs; obviously a play on word for Internal Affairs, but they are not the same.

::::::::SPOILER:::::::SPOILER:::::

The Korean disagrees with you. Infernal Affairs is neither cheaper nor more melodramatic than The Departed. The Departed looks a little more artful in an antique sort of way because it is set in an older city and the color scheme is warmer, whereas Infernal Affairs very modern and the color scheme is cooler (which fits the theme of the movie better.) If anything, The Departed is more melodramatic by having the two guys diddling the same girl, while Infernal Affairs provided a clearer juxtaposition of the two men's disposition by setting up two contrasting relations. The love relations clearly take a backseat in Infernal Affairs in favor of the main plot, whereas The Departed brings them out to the forefront.

The Mark Wahlberg character was completely superfluous to begin with. Outside of his badass attitude (which was kinda fun to watch,) he contributes nothing to advance the storyline. At one point, he disappears for over 20 minutes, because his presence would have detracted from the story. Infernal Affairs has no such wasted character.

Because Wahlberg character was superfluous, the ending of him abruptly killing Matt Damon character is completely stupid, and it takes away from the movie. By then, there were a series of unexpected killings; the viewers are given time to sort things out, and realize that although Damon character survives, he was ultimately the loser of the two moles. Infernal Affairs end with Damon/Andy Lau character reflecting upon this irony.

But The Departed doesn't give Damon character to reflect on this irony, because he gets shot by a superfluous character! He might as well have been hit by a meteor on the way back from DiCaprio character's funeral! This trivializes the central artistic theme of the movie, and replaces with some nihilistic "everyone dies unexpectedly" type of message, which is far less interesting.

The Korean also disagrees with "Americans don't like foreign films" statement. That's plain wrong. If that were true, how can one explain Crouching Tiger, Hidden Dragon? How does one explain Life is Beautiful? Was Li Mubai speaking English? Did anyone in American have a clue who Roberto Benigni was before Life is Beautiful?

Please. Americans are not stupid; they recognize a great movie no matter who stars in it, and no matter what language it is in. All that "Americans don't like foreign films" bullshit is no more than Hollywood stereotyping that Asians are too foreign to be understood, and patronizing American moviegoers that even if Asians can be understood, average American is too dumb to understand them.

On the other hand, however, the Korean thinks that Infernal Affairs II is a knockoff of Godfather (although not to the same degree that The Departed is a knockoff of Infernal Affairs), so he kinda hopes that it doesn't get released too widely in the U.S.

Lester M said...

I have not watched these awards shows for many years. They give awards to themselves. What if the plumbers gave awards to the best toilet snaker? It is basically the same thing. The people in the movie business are mostly worthless human beings that the general public looks up to, for some insane reason. They have not had an original idea in 40 years. They redo broadway shows, steal writer's ideas, remake movies, have people using the bathroom for reality shows. I know you are upset, but think about their place in the true meaning of life. They don't have a place.

purvis said...

Dear Korean,

You are right... I did misspell Infernal Affairs, which I did not notice until after I submitted my request, my bad.

Regarding the movies, I totally respect the fact that you disagree with me. But to me, The Departed has a whole different feel to it that engaged me more as a viewer. And believe me, I am not prejudiced against Asian actors or foreign films. If they remake Oldboy here (which I've heard they will), I'm gonna puke.

I think a movie will speak to each person individually. I guess everyone has to decide that for themselves. But my husband, who is a HUGE fan of Asian cinema (I am a fan also, but haven't seen as many of them as he has), would normally agree with you for most movies, but on this one he also thinks The Departed is better made.

But regarding Americans liking foreign films, I'm afraid Crouching Tiger, Hidden Dragon and Life is Beautiful are exceptions to the rule. These films are exceptionally accessible to the degree that even those audiences who helped make freakin' NORBIT and Ghost Rider the #1 movies the last couple of weeks felt comfortable seeing them. Plus, Ang Lee makes a ton of American movies, so I'm sure that helped Crouching Tiger get promoted, not to mention he knows his American audience well.

Almost every weekend, we go out to see foreign films at a fancy-pants theater that we have to drive almost an hour to (even though we live in a big city) because they don't show foreign films anywhere else, and almost every time we go, the theater is nearly empty. If you live in a small town, just forget it... thank God for Netflix.

So I'm glad you have faith in American audiences to give foreign films a chance, but that hasn't been my experience. And if you think about it, even American-made independent films typically won't see the light of day if they don't have known stars in them. Yes, it's the studios that are partly to blame, but so are the audiences who want something comfortable and familiar. And did I mention that Americans don't usually learn any foreign languages? We're not the most cosmopolitan nation.

the Korean said...

Put up a movie critique, and instantly it gets more comments than the list of war crimes. Such is the state of our country.

Upon reading the post once again, The Korean's point was not 100 percent clear. The Korean does not think American audience hates foreign films; however, they will only watch the movies that they heard of and those that are accessible.

It's essentially a chicken-and-egg problem, and the Korean is pointing towards the chicken. It's not so much that Americans hate foreign films; it's more that Hollywood executives have a bias in assuming that Americans hate foriegn films, despite examples to the contrary.

If Infernal Affairs was as hyped in America as The Departed before it opened and was distributed as widely, there is absolutely no reason why Infernal Affairs would not be wildly successful. If that happened, The Departed, even conceding arguendo that it is a better movie than Infernal Affairs, would look silly for opening only 4 years later with basically the same plot. It has absolutely nothing to do with the fact that Americans don't learn foreign languages or they are not cosmopolitan enough.

Eric said...

I thought that the Departed was great, but I watched Infernal Affairs right as soon as I got home from watching the Departed.

The similarities go beyond what you list... Some of the dialog is exactly the same.

I think this is part of the usual American trend of remaking any good foreign film because Americans are lazy and don't want to read subtitles.

Debbie said...

I'm an American girl. I like foreign films. Most of them. I don't care what country they come from, most of them are more interesting than American films. I just saw The Departed. I live in Korea, so it was on TV. I hated it. Why would a movie like that win any award at all? I am so sick of blood and guts, action, action, action on TV. Apparently that's what Koreans like. Maybe you could comment about Koreans affinity for action/violence in movies. And I agree with the commenter who said Americans hate foreign films. I can't tell you how often I have raved about a film only to hear the other person say, "Subtitles? I don't want to watch a movie I have to read."

8p said...

For years I worked in a video store in Canada before coming to Korea as a teacher. These where the post-LOTR years filled with crap rip-offs and remakes and sequels. I didn't know about the Departed... and I'm now even more underwhelmed about it's standing in the celluloid pantheon.

I wholeheartedly agree with you about the American stance that "made in America" equals better, or, at least, consumable. North America is a place where films like Life is Beautiful and Run Lola Run and Crouching Tiger, Hidden Dragon don't get a fair shake because they are dubbed or have subtitles.

It irks me to no end that there is talk of remaking Oldboy as an American film. Or, that Dragonball is being released as a kids live-action film made by Americans.

Are there any other notable films that you can expose as rip-offs of Asian cinema?


8p
Nice blog, by the way.

Augusta said...

america rips off lots of Asian movies like "Juno" was ripped off "Jenny&Juno" a Korean movie, so was the "Lake House" that was ripped of "Ilmae" another K-film.
originality no longer exists in american films-- which is why i quit watching them and stick with my Korean Movies.

the Korean said...

For the record, "Juno" is not a rip-off of "Jenny & Juno", a Korean movie that is far lower in quality.

CyNurse said...

I'm disappointed with American remakes of Asian films, especially horror ones.

Kevin (Ket) said...

I'm disappointed in Americans feeling like films have to be remade at all.

Even if we ignore "Crouching Tiger, Hidden Dragon" and "Life is Beautiful", Americans hating subtitles would not explain successful films like "The Passion of Christ" or "Slumdog Millionaire" (yes, this one was only partly subtitled, but 1/3 of a film is still a significant amount). I've been accustomed to reading subtitles ever since my father used to rent all these old wuxia-style films that he liked when I was a child. There is so much stuff out there that is good that people would enjoy that saying that Americans don't like subtitles doesn't even amount to a red herring excuse for companies to simply assume Americans don't want foreign films.